Skip to splash images
Yale Center for British Art Home Page
<< YCBA Home
Yale Center for British Art
Yale Center for British Art
<< YCBA Home
Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
    Search Options:
Search in
Simple Search
All Fields
Title
Creator
Subject Terms
Call Number
Search Provenance
Fielded
search for
Search
YCBA Collections Search
Toggle facets
Refine your search
Collection
Prints and Drawings
128
Creator
Blake, William, 1757–1827
58
Gray, Thomas, 1716–1771
58
Cotman, John Sell, 1782–1842
22
Cleghorn, Claud, active 1797–1800
6
Rowlandson, Thomas, 1756–1827
6
Vaslet, Lewis, 1742–1808
6
Uwins, Thomas, 1782–1857
3
Daniell, Samuel, 1775–1811
2
Girtin, Thomas, 1775–1802
2
Havell, William, 1782–1857
2
Munn, Paul Sandby, 1773–1845
2
Nash, Frederick, 1782–1856
2
Smith, John, 1749–1831
2
Anderson, William, 1757–1837
1
CAIRNCROSS, Hugh, died 1808
1
Corbould, Richard, 1757–1831
1
Cosway, Richard, 1742–1821
1
Dance, George, 1741–1825
1
Daniell, Thomas, 1749–1840
1
Daniell, William, 1769–1837
1
more
Creator
»
Date
1791
725
1800
504
1796
359
1802
356
1771
330
1867
326
1832
254
1804
246
1826
229
1795
214
1772
208
1749
184
1945
183
1814
171
1793
170
1792
168
1799
160
1784
156
1827
155
1818
153
1820
151
1764
149
1836
147
1775
142
1870
133
1797
[remove]
128
1789
124
1825
120
1817
117
1968
116
1790
113
1835
112
1830
110
1758
105
1855
105
1807
104
1854
99
1801
97
1794
95
1805
92
0
91
1846
91
1768
90
1815
89
1839
89
1819
88
1834
84
1877
81
1813
80
1841
80
1811
77
1831
76
1868
74
1823
72
1700
71
1808
71
1798
69
1812
69
1829
69
1828
67
1745
66
1785
66
1748
65
1833
65
1869
65
1810
64
1910
64
1803
62
1821
60
1840
59
1777
58
1781
57
1843
53
1774
52
1822
52
1806
50
1780
49
1788
49
1838
48
1845
48
1770
46
1809
46
1848
45
1893
44
1857
42
1861
41
1782
40
1787
39
1912
38
1816
37
1844
37
1851
35
1786
34
1875
33
1919
32
1842
31
1837
29
1964
29
1863
28
1779
26
On-site Access
Accessible by appointment in the Study Room
128
Image Use
Free to Use
128
Image Available
Available
127
Unavailable
1
Classification
Drawings & Watercolors
115
Drawing & Watercolors-Architectural
13
Creator Gender
male
128
Collective Title
The Poems of Thomas Gray
58
The Spoiled Child
6
Plans for Ardgowan House
1
Period
18th century
81
18th century-19th century
32
19th century
14
Materials & Techniques
wove paper
[remove]
128
graphite
118
watercolor
99
black ink
79
pen
18
brown ink
14
gray wash
13
gouache
5
gray ink
5
wash
5
brown wash
4
gum arabic
2
laid paper
2
scratching out
2
black chalk
1
blue wash
1
gum
1
red chalk
1
red ink
1
squaring (transferring technique)
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
9
to
56
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
9
to
82
Work Type
drawing
[remove]
128
watercolor
98
Genre
literary theme
58
religious and mythological subject
39
architectural subject
27
landscape
22
genre subject
17
marine art
6
animal art
5
historical subject
4
cityscape
3
figure study
2
sporting art
2
portrait
1
still life
1
Subject Terms
literary theme
58
text
58
men
50
religious and mythological subject
40
women
38
trees
34
man
31
architectural subject
26
landscape
21
genre subject
17
water
15
armor
14
woman
14
sky
13
house
12
castle
11
children
11
clouds
11
horse (animal)
11
angel
10
more
Subject Terms
»
Associated Places
United Kingdom
35
Europe
23
England
18
Scotland
7
Wales
7
Cymru
6
Norfolk
6
Isle of Wight
4
London
3
Caernarfon Castle
2
Caernarfonshire and Merionethshire
2
Caernarvon
2
Eton College
2
Greater London
2
Gwynedd
2
Kent
2
Africa
1
Barmouth
1
Berkshire
1
Buckinghamshire
1
more
Associated Places
»
Associated People
Cupid
1
Eve
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
11
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
7
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
6
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
6
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
5
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
5
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
5
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
4
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
3
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Painting Networks - Romantic and Victorian Watercolors (Chazen Museum of Art, 2012-09-22 - 2012-12-02)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
125
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Search Constraints
Start Over
You searched for:
Materials & Techniques
wove paper
Remove constraint Materials & Techniques: wove paper
Date
1797
Remove constraint Date: 1797
Work Type
drawing
Remove constraint Work Type: drawing
« Previous |
1
-
100
of
128
|
Next »
Sort by collection
collection
relevance
artist (A-Z)
date
title (A-Z)
Number of results to display per page
100 per page
100
per page
50
per page
15
per page
View results as:
List
Masonry
Search Results
1
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
2
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
3
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
4
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
5
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
6
William Blake, 1757–1827
A Circular Dance (Design 23)
between 1797 and 1798
7
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
8
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
9
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
10
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
11
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
12
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
13
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
14
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
15
William Blake, 1757–1827
The Serpent who Girds the Earth (Design 77)
between 1797 and 1798
16
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
17
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
18
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
19
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
20
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
21
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
22
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
23
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
24
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
25
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
26
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
27
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
28
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
29
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
30
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
31
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
32
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
33
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
34
William Blake, 1757–1827
"Midst the tide, Two angel forms were seen to glide..." (Design 7)
between 1797 and 1798
35
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
36
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
37
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
38
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
39
William Blake, 1757–1827
A Standard Bearer Fainting in the Routed Battle (Design 87)
between 1797 and 1798
40
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
41
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
42
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
43
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
44
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
45
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
46
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
47
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
48
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
49
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
50
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
51
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
52
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
53
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
54
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
55
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
56
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
57
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
58
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
59
Michael "Angelo" Rooker, 1746–1801
Clare Castle, Suffolk
between 1797 and 1800
60
Paul Sandby, 1731–1809
The Entrance to Chepstow Castle
ca. 1802
61
Paul Sandby Munn, 1773–1845
View of Side Farm, Patterdale
ca. 1802
62
Thomas Uwins, 1782–1857
Farm House Kitchen at Brackham in Surrey
undated
63
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
64
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
65
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
66
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
67
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene V
ca. 1802
68
Thomas Uwins, 1782–1857
A Village Fair
undated
69
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
70
John Sell Cotman, 1782–1842
The Norfolk Broads
undated
71
John Sell Cotman, 1782–1842
Castle in a Landscape
undated
72
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
73
Frederick Nash, 1782–1856
Apsley House and Piccadilly ... from Hyde Park Corner
undated
74
Attributed to Thomas Uwins, 1782–1857
The Death of - set by William Etty R.A
undated
75
Robert Streatfeild, 1786–1852
Stowe House, Buckingham
1797
76
Attributed to William Havell, 1782–1857
Welsh Landscape
undated
77
Julius Caesar Ibbetson, 1759–1817
Farmyard Animals: Tribulation
1797
78
William Havell, 1782–1857
River Scene with Boy and Sheep
undated
79
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
80
Thomas Sunderland, 1744–1828
Bridge over the Severn at Newtown, Looking up the River
1797
81
George Robert Lewis, 1782–1871
Haymakers in a Field
undated
82
Paul Sandby Munn, 1773–1845
Shanklin Chine, Isle of Wight
1797
83
John Sell Cotman, 1782–1842
Horse Loaded with Artist’s Paraphernalia
undated
84
John Ferneley, 1782–1860
The Duke of Cumberland Riding With Mr. de Burgh's Hunt
undated
85
John Sell Cotman, 1782–1842
Two Old Horses Standing in a Field
undated
86
John Sell Cotman, 1782–1842
A Group of Trees by a Fence
undated
87
Thomas Rowlandson, 1756–1827
The Return of the Fleet to Great Yarmouth in 1797
1797
88
Thomas Girtin, 1775–1802
Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark
between 1797 and 1802
89
Thomas Rowlandson, 1756–1827
Newport High Street, Isle of Wight
between 1797 and 1800
90
Thomas Rowlandson, 1756–1827
Carnarvon Castle, North Wales
1797
91
Thomas Rowlandson, 1756–1827
Entrance to Festiniog, Wales
1797
92
Thomas Rowlandson, 1756–1827
A Burial at Carisbrooke, Isle of Wight
between 1797 and 1800
93
John Warwick Smith, 1749–1831
River Landscape with a Single Arched Bridge
1797
94
Thomas Rowlandson, 1756–1827
Mr. Drummond's Cottage, East Cowes, Isle of Wight
between 1797 and 1800
95
Thomas Girtin, 1775–1802
Saint Cuthbert's Holy Island
1797
96
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: Principal Floor Plan
1797
97
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: North North West Elevation
1797
98
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: Ground Floor Plan
1797
99
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: Chamber Floor Plan
1797
100
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: South South East Elevation
1797
« Previous
Next »
1
2