"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
1804 to 1820
37
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
38
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
39
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
40
Print made by William Blake, 1757–1827
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
1804 to 1820
41
Print made by William Blake, 1757–1827
When the Morning Stars Sang Together
1826
42
Print made by William Blake, 1757–1827
Every One also Gave Him a Piece of Money
1826
43
Print made by William Blake, 1757–1827
Satan before the Throne of God
1826
44
Print made by William Blake, 1757–1827
Satan Going Forth from the Presence of the Lord and Job's Charity
1826
45
Print made by William Blake, 1757–1827
Job's Despair
1826
46
Print made by William Blake, 1757–1827
Job and His Daughters
1826
47
Print made by William Blake, 1757–1827
When the Morning Stars Sang Together
1826
48
Print made by William Blake, 1757–1827
Job Rebuked by His Friends
1826
49
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
50
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
51
George Romney, 1734–1802
Figure Composition Study
mid-1790s
52
George Romney, 1734–1802
Miss Sarah Rodbard, later Lady Coote
undated
53
George Romney, 1734–1802
Figure Composition Study; Hell
1790s
54
George Romney, 1734–1802
Apparition of Banquo's Ghost: Banquet Scene from MacBeth
ca. 1793
55
William Westall, 1781–1850
Whampoa and the Canton River
1845
56
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
57
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
58
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
59
Joseph Powell, 1780–1834
Farmhouse with Figures at Door and Window
undated
60
Paul Sandby, 1731–1809
Pont-y-Pier near Llanroost, Denbighshire
ca. 1800
61
Richard Parkes Bonington, 1802–1828
A Wooded Stream and a Farmhouse in Normandy
undated
62
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
63
John Thomas Smith, 1766–1833
The Smock Exposed
1817
64
John Thomas Smith, 1766–1833
The Reconcilation
1817
65
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
66
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
67
Samuel Prout, 1783–1852
Church and Cottages
undated
68
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
69
Thomas Hearne, 1744–1817
The Back of a Farm House
undated
70
John Linnell, 1792–1882
A Barge
undated
71
Sir John Everett Millais, 1829–1896
The Dying Man
ca. 1853
72
unknown artist
Angel
undated
73
unknown artist
Copy of Man, 1549 (with Beham's monogram)
undated
74
George Edmund Street, 1824–1881
Design for Polychromatic Decoration of a Church
undated
75
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes