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Collection
Prints and Drawings
113
Creator
Blake, William, 1757–1827
58
Gray, Thomas, 1716–1771
58
Cotman, John Sell, 1782–1842
8
Rowlandson, Thomas, 1756–1827
6
Vaslet, Lewis, 1742–1808
6
Cleghorn, Claud, active 1797–1800
4
Nash, Frederick, 1782–1856
3
Ferneley, John E., 1782–1860
2
Girtin, Thomas, 1775–1802
2
Havell, William, 1782–1857
2
Smith, John, 1749–1831
2
Anderson, William, 1757–1837
1
Baynes, James, 1766–1837
1
CAIRNCROSS, Hugh, died 1808
1
Cleveley, Robert, 1747–1809
1
Corbould, Richard, 1757–1831
1
Cosway, Richard, 1742–1821
1
Dance, George, 1741–1825
1
Daniell, Samuel, 1775–1811
1
Daniell, Thomas, 1749–1840
1
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Date
1791
754
1796
343
1800
337
1867
319
1772
240
1832
186
1752
181
1790
158
1814
153
1804
151
1799
143
1771
136
1797
[remove]
113
1795
110
1793
108
1745
102
1785
102
1789
101
1792
101
1775
100
1700
96
1825
96
1830
94
1839
94
1794
92
1818
89
1784
84
1835
84
1820
82
1780
80
1802
79
1836
77
1801
76
0
71
1807
68
1827
63
1781
62
1798
61
1815
61
1805
60
1812
60
1787
59
1817
59
1755
52
1811
52
1810
50
1774
49
1782
47
1828
47
1803
46
1840
46
1819
45
1834
45
1765
44
1808
44
1788
42
1821
42
1740
41
1768
41
1783
41
1823
41
1813
40
1861
40
1764
38
1826
37
1777
35
1770
34
1786
33
1855
33
1809
32
1778
31
1841
30
1746
29
1763
29
1748
28
1761
28
1829
28
1838
28
1843
28
1822
27
1844
27
1776
26
1751
25
1760
25
1762
25
1806
25
1845
25
1863
25
1816
24
1831
24
1753
23
1779
23
1833
22
1848
22
1837
20
1846
19
1866
19
1842
18
1850
18
1864
18
On-site Access
Accessible by appointment in the Study Room
113
Image Use
Free to Use
113
Image Available
Available
112
Unavailable
1
Classification
Drawings & Watercolors
105
Drawing & Watercolors-Architectural
8
Creator Gender
male
113
Collective Title
The Poems of Thomas Gray
58
The Spoiled Child
6
Plans for Ardgowan House
1
Period
18th century
81
18th century-19th century
20
19th century
11
Materials & Techniques
watercolor
[remove]
113
graphite
102
wove paper
99
black ink
79
pen
20
brown ink
14
laid paper
12
gouache
8
gray ink
7
gray wash
7
gum arabic
2
red ink
2
scratching out
2
wash
2
board
1
gum
1
ink
1
oil paint
1
pens
1
red chalk
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
10
to
56
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
9
to
82
Work Type
drawing
[remove]
113
watercolor
107
Genre
literary theme
58
religious and mythological subject
39
architectural subject
19
genre subject
15
landscape
15
marine art
6
historical subject
4
cityscape
3
animal art
2
sporting art
2
military art
1
portrait
1
still life
1
Subject Terms
literary theme
58
text
58
men
50
religious and mythological subject
40
women
37
trees
33
man
30
architectural subject
18
genre subject
15
landscape
15
water
15
woman
15
armor
14
sky
13
children
11
clouds
11
angel
10
beard
10
boy
10
helmets
10
more
Subject Terms
»
Associated Places
United Kingdom
28
Europe
22
England
14
Wales
8
Cymru
7
Scotland
5
London
3
Caernarfon Castle
2
Caernarfonshire and Merionethshire
2
Caernarvon
2
Eton College
2
Greater London
2
Gwynedd
2
Isle of Wight
2
Norfolk
2
Barmouth
1
Berkshire
1
Buckinghamshire
1
Cader Idris
1
Caernarfon
1
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Associated Places
»
Associated People
Cupid
1
Eve
1
Morland, Anne (Nancy; c.1765–1804)
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
11
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
7
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
6
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
6
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
5
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
5
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
4
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
4
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
2
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
2
Painting Networks - Romantic and Victorian Watercolors (Chazen Museum of Art, 2012-09-22 - 2012-12-02)
2
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
110
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
1
Yale Center for British Art, Paul Mellon Fund
1
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Materials & Techniques
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1797
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1
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
2
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
3
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
4
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
5
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
6
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
7
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
8
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
9
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
10
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
11
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
12
William Blake, 1757–1827
A Standard Bearer Fainting in the Routed Battle (Design 87)
between 1797 and 1798
13
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
14
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
15
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
16
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
17
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
18
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
19
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
20
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
21
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
22
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
23
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
24
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
25
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
26
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
27
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
28
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
29
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
30
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
31
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
32
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
33
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
34
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
35
William Blake, 1757–1827
"Midst the tide, Two angel forms were seen to glide..." (Design 7)
between 1797 and 1798
36
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
37
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
38
William Blake, 1757–1827
The Serpent who Girds the Earth (Design 77)
between 1797 and 1798
39
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
40
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
41
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
42
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
43
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
44
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
45
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
46
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
47
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
48
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
49
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
50
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
51
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
52
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
53
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
54
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
55
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
56
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
57
William Blake, 1757–1827
A Circular Dance (Design 23)
between 1797 and 1798
58
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
59
George Robert Lewis, 1782–1871
Haymakers in a Field
undated
60
Thomas Rowlandson, 1756–1827
The Return of the Fleet to Great Yarmouth in 1797
1797
61
Thomas Rowlandson, 1756–1827
The Recruiting Officer
1797
62
Julius Caesar Ibbetson, 1759–1817
Farmyard Animals: Tribulation
1797
63
William Havell, 1782–1857
River Scene with Boy and Sheep
undated
64
Attributed to William Havell, 1782–1857
Welsh Landscape
undated
65
Thomas Uwins, 1782–1857
Farm House Kitchen at Brackham in Surrey
undated
66
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
67
James Baynes, 1766–1837
Rocks with Central Cavern Among Trees
1797
68
John Sell Cotman, 1782–1842
A Group of Trees by a Fence
undated
69
James Ward, 1769–1859
Mrs. Morland's Portrait
ca. 1802
70
Robert Streatfeild, 1786–1852
Stowe House, Buckingham
1797
71
Frederick Nash, 1782–1856
The Seine with Notre Dame
undated
72
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
73
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
74
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
75
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
76
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
77
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
78
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene V
ca. 1802
79
Frederick Nash, 1782–1856
Apsley House and Piccadilly ... from Hyde Park Corner
undated
80
Paul Sandby, 1731–1809
The Entrance to Chepstow Castle
ca. 1802
81
Paul Sandby Munn, 1773–1845
View of Side Farm, Patterdale
ca. 1802
82
Michael "Angelo" Rooker, 1746–1801
Clare Castle, Suffolk
between 1797 and 1800
83
John Ferneley, 1782–1860
A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
undated
84
John Ferneley, 1782–1860
The Duke of Cumberland Riding With Mr. de Burgh's Hunt
undated
85
John Sell Cotman, 1782–1842
Waterfall in a Desolate Landscape
undated
86
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
87
attributed to John Sell Cotman, 1782–1842
Doorway and Window of a Church
undated
88
Thomas Girtin, 1775–1802
Saint Cuthbert's Holy Island
1797
89
Thomas Girtin, 1775–1802
The Old Bridge in Devon
between 1797 and 1801
90
Richard Cosway, 1742–1821
Portrait of a Lady Standing near a Lake
ca. 1802
91
Richard Corbould, 1757–1831
Winter
ca. 1802
92
follower of John Sell Cotman, 1782–1842
Norman Doorway, Tottenhill Church, Norfolk
undated
93
William Anderson, 1757–1837
A Frigate Awaiting a Pilot
1797
94
Thomas Daniell, 1749–1840
Main Entrance of the Jami Mosque, Jaunpur
1797 to 1807
95
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: South South East Elevation
1797
96
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: North North West Elevation
1797
97
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: Principal Floor Plan
1797
98
Claud Cleghorn, active 1797–1800
Design for Ardgowan House, Scotland: Chamber Floor Plan
1797
99
Robert Cleveley, 1747–1809
The Battle of Cape St. Vincent
1797
100
Thomas Rowlandson, 1756–1827
Newport High Street, Isle of Wight
between 1797 and 1800
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