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Collection
Prints and Drawings
17
Creator
Blake, William, 1757–1827
17
Date
1804
17
On-site Access
On view
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17
Image Use
Free to Use
17
Image Available
Available
17
Classification
Prints
17
Creator Gender
male
17
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
17
Period
19th century
17
Materials & Techniques
black ink
17
relief etching
17
watercolor
[remove]
17
wove paper
17
gold
5
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34
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26
Work Type
drawing
17
relief print
17
watercolor
17
frontispiece
1
Genre
literary theme
17
religious and mythological subject
17
Subject Terms
literary theme
17
religious and mythological subject
17
text
15
nudes
13
women
12
men
9
sky
8
moon
6
stars
6
sun
5
wings
5
clouds
4
fire
4
flames
4
night
4
arch
2
branches
2
light
2
roots
2
serpent
2
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Subject Terms
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Associated People
Satan
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
17
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
17
William Blake: Burning Bright (Yale Center for British Art, 2025-09-04 - 2025-12-07)
17
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
9
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
9
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
7
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
3
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
17
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1
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
On view
2
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
On view
3
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
On view
4
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
On view
5
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
On view
6
Print made by William Blake, 1757–1827
Jerusalem, Frontispiece (Plate 1)
1804 to 1820
On view
7
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
On view
8
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
On view
9
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
On view
10
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
On view
11
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
On view
12
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
On view
13
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
On view
14
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
On view
15
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
On view
16
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
On view
17
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
On view