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Materials & Techniques line engraving
Remove constraint Materials & Techniques: line engravingPeriod 18th century
Remove constraint Period: 18th centurySubject Terms literary theme
Remove constraint Subject Terms: literary themeSearch Results
1
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
2
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
3
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
4
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
5
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
6
- The Christian Triumph; Title Page
- ca. 1797
7
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
8
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
9
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
10
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
11
- 'The goddess bursts in thunder and in flame' (Page 95)
- ca. 1797
12
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
13
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
14
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
15
- 'O treacherous conscience!' (Page 27)
- ca. 1797
16
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
17
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
18
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
19
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
20
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
21
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
22
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
23
- Night the Third. Narcissa; Title Page
- ca. 1797
24
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
25
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
26
- My Son! My Son! (Plate 10)
- 1793
27
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
28
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
29
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
30
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
31
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
32
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- ca. 1797
33
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
34
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
35
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
36
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
37
- Night the Third. Narcissa; Title Page
- 1797
38
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
39
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
40
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
41
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
42
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
43
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
44
- The Christian Triumph; Title Page
- 1797
45
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
46
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
47
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
48
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
49
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
50
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
51
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
52
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
53
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
54
- 'Disease invades the chastest temperence' (Page 10)
- 1797
55
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
56
- 'The present moment terminates our sight' (Page 13)
- 1797
57
- 'The longest night though longer far, would fail' (Page 15)
- 1797
58
- Night the First. On Life, Death and Immortality; Title Page
- 1797
59
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
60
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
61
- 'We censure nature for a span too short' (Page 23)
- 1797
62
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
63
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
64
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
65
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
66
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
67
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
68
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
69
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
70
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
71
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
72
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
73
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
74
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
75
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
76
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
77
- Romeo and Juliet, Act IV, Scene V
- 1799
78
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
79
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
80
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
81
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
82
- Celadon and Amelia
- 1766
83
- Comedies
- ca. 1776
84
- Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
- 1789
85
- King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
- 1791
86
- Ticket: Anacreontic Society Meeting
- 1773
87
- Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
- 1753
88
- Ticket: Anacreontic Society Meeting
- 1779
89
- Dido and Aeneas
- 1787
90
- A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
- 1773
91
- Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
- 1773
92
- Celadon and Amelia
- 1766
93
- Richard III: Act IV, Scene III, Tower of London
- 1795
94
- King Richard the Third: Act IV, Scene III (The Murder of the Princes in the Tower)
- 1790
95
- Tom Jones Assisting Molly Seagrim
- 1782
96
- Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
- 1793