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Materials & Techniques line engraving

Creator Gender male

Subject Terms women

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake Fear & Hope Are -- Vision; Plate 15

Print made by William Blake, 1757–1827

Fear & Hope Are -- Vision; Plate 15

1793

William Blake I Found Him Beneath a Tree; Plate 3

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree; Plate 3

1793

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

Print made by Francesco Bartolozzi, 1728–1815

Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

1785

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

John Alexander Lot and His Family

Print made by John Alexander, 1686–before 1768

Lot and His Family

ca. 1718

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

unknown artist A View of the Piazza Navona in the City of Rome

Print made by unknown artist

A View of the Piazza Navona in the City of Rome

undated

unknown artist A View of the Piazza del Popolo in the City of Rome

Print made by unknown artist

A View of the Piazza del Popolo in the City of Rome

undated

unknown artist A View of Part of the Royal Gardens at Naples Towards the Sea

Print made by unknown artist

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

unknown artist A View of the Royal Palace at Naples

Print made by unknown artist

A View of the Royal Palace at Naples

undated

Charles Grignion Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

Charles Grignion, 1717–1810

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

undated

Francesco Bartolozzi Ticket to a Concert of Ancient Vocal and Instrumental Music

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Francesco Bartolozzi Ticket to a Concert of Ancient Vocal and Instrumental Music

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Francesco Bartolozzi Ticket to Concert of Ancient Vocal and Instrumental Music

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

Francesco Bartolozzi Ticket to Westminster Abbey

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791

Charles Grignion A Perspective View of the Foundling Hospital with Emblematic Figures

Charles Grignion, 1717–1810

A Perspective View of the Foundling Hospital with Emblematic Figures

1749

Placido Columbani At Rome

Placido Columbani, born ca. 1744, active 1801

At Rome

undated

Simon François Ravenet The Pool of Bethesda

Simon François Ravenet, 1706–1774

The Pool of Bethesda

1772

John Browne Evening

Print made by John Browne, 1741–1801

Evening

ca. 1797

John Browne Evening

Print made by John Browne, 1741–1801

Evening

ca. 1797

James Caldwall The Cotillion Dance

Print made by James Caldwall, 1739–1819

The Cotillion Dance

1771

Robert Smirke Taming of the Shrew

Robert Smirke, 1752–1845

Taming of the Shrew

1821

Samuel Buck Bristol High Cross

Print made by Samuel Buck, 1696–1779

Bristol High Cross

1734

Charles Grignion A View from Richmond Hill Up the River

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

James Charles Armytage The Balcony

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Guillaume Sulpice Chevalier Intemperance

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

Robert Sargent Austin Four Friends

Print made by Robert Sargent Austin, 1895–1973

Four Friends

1947

Robert Thew King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

Print made by Robert Thew, 1758–1802

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

Jacques Bouillard Franciscus Bartolozzi

Print made by Jacques Bouillard, 1744–1806

Franciscus Bartolozzi

undated

Robert Sargent Austin Wood Carriers

Print made by Robert Sargent Austin, 1895–1973

Wood Carriers

1932

Robert Sargent Austin Still Life, Perugia

Print made by Robert Sargent Austin, 1895–1973

Still Life, Perugia

1933

Charles Grignion Britannia Allegory

Charles Grignion, 1717–1810

Britannia Allegory

between 1743 and 1747

Paul Angier A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Print made by Paul Angier, active 1749

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

W. R. Smith Dido and Aeneas; The Morning of the Chase

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

John Cousen Mercury and Herse

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

unknown artist The Methodist Tailor Caught in Adultery

Print made by unknown artist

The Methodist Tailor Caught in Adultery

1768

Joseph Collyer David Hume

Print made by Joseph Collyer, 1748–1827

David Hume

undated

William Sharp Niobe

Figures engraved by William Sharp, 1749–1824

Niobe

1792

William Byrne Carnarvon Castle

William Byrne, 1743–1805

Carnarvon Castle

1775

William Angus Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

James Caldwall Hagley Hall

Print made by James Caldwall, 1739–1819

Hagley Hall

undated

Francesco Bartolozzi Ticket: Mr. Cox's Museum

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Mr. Cox's Museum

1772

Simon Gribelin The Ceiling in the Banqueting House at Whitehall

Print made by Simon Gribelin, 1662–1733

The Ceiling in the Banqueting House at Whitehall

ca. 1720

Simon Gribelin The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

Print made by Simon Gribelin, 1662–1733

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

1720

Augustus Fox The Dreams of the Youthful Shakespeare

Print made by Augustus Fox, 1800–1876

The Dreams of the Youthful Shakespeare

1827

Georg Goldberg "Antony and Cleopatra," Act III, Scene XI

Georg Goldberg, 1830–1894

"Antony and Cleopatra," Act III, Scene XI

undated

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

James Heath "Mark your divorce young sir, whom son I dare not call"

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

Simon Gribelin From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Simon Gribelin, 1662–1733

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

ca. 1720

Francesco Bartolozzi Tom Jones Assisting Molly Seagrim

Print made by Francesco Bartolozzi, 1728–1815

Tom Jones Assisting Molly Seagrim

1782

Placido Columbani At the City of Albano

Print made by Placido Columbani, born ca. 1744, active 1801

At the City of Albano

undated

William John Cooke Worcester

Print made by William John Cooke, 1797–1865

Worcester

undated

unknown artist Spanish Palace at Naples

Print made by unknown artist

Spanish Palace at Naples

undated

Robert Pollard View of Queen Square

Engraved by Robert Pollard, 1755–1838

View of Queen Square

1789

unknown artist Messrs. Morgan & Sanders, Catherine St., Strand

Print made by unknown artist

Messrs. Morgan & Sanders, Catherine St., Strand

1809

Francesco Bartolozzi Ticket to Westminster Abbey

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791