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Materials & Techniques line engraving

Creator Gender male

Subject Terms men

William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Print made by William Hogarth, 1697–1764

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty

Print made by William Hogarth, 1697–1764

The Fourth Stage of Cruelty: The Reward of Cruelty

1751, printed 1790

William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Print made by William Hogarth, 1697–1764

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751, printed 1790

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake Does Thy God O Priest Take such Vengeance as This? (Plate 14)

Print made by William Blake, 1757–1827

Does Thy God O Priest Take such Vengeance as This? (Plate 14)

1793

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1793

William Blake My Son! My Son! (Plate 10)

Print made by William Blake, 1757–1827

My Son! My Son! (Plate 10)

1793

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1793

William Blake Fear & Hope Are -- Vision (Plate 15)

Print made by William Blake, 1757–1827

Fear & Hope Are -- Vision (Plate 15)

1793

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1793

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1793

William Blake Earth (Plate 5)

Print made by William Blake, 1757–1827

Earth (Plate 5)

1793

William Blake Fire (Plate 7)

Print made by William Blake, 1757–1827

Fire (Plate 7)

1793

William Blake The Traveller Hasteth in the Evening (Plate 16)

Print made by William Blake, 1757–1827

The Traveller Hasteth in the Evening (Plate 16)

1793

William Blake Death's Door (Plate 17)

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1793

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake Night the Second. On Time, Death and Friendship; Title Page

Print made by William Blake, 1757–1827

Night the Second. On Time, Death and Friendship; Title Page

ca. 1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

William Blake "Does thy God O Priest take such vengeance as this?" (Plate 14)

Print made by William Blake, 1757–1827

"Does thy God O Priest take such vengeance as this?" (Plate 14)

1826

William Blake "Fear & hope are -- Vision" (Plate 15)

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

William Blake "To The Accuser who is The God of This World..." (Plate 19)

Print made by William Blake, 1757–1827

"To The Accuser who is The God of This World..." (Plate 19)

1826

William Blake "The Traveller hasteth in the Evening" (Plate 16)

Print made by William Blake, 1757–1827

"The Traveller hasteth in the Evening" (Plate 16)

1826

William Blake Death's Door (Plate 17)

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1826

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

William Blake Earth (Plate 5)

Print made by William Blake, 1757–1827

Earth (Plate 5)

1826

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1826

William Blake "My son! my Son!" (Plate 10)

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

William Blake Fire (Plate 7)

Print made by William Blake, 1757–1827

Fire (Plate 7)

1826

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Thomas Rothwell Worcester

Print made by Thomas Rothwell, ca. 1742–1807

Worcester

1795

Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

Print made by Francesco Bartolozzi, 1728–1815

Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

1785

John Alexander Lot and His Family

Print made by John Alexander, 1686–before 1768

Lot and His Family

ca. 1718

unknown artist A View of Several Palaces at Naples at Sun Rise

Print made by unknown artist

A View of Several Palaces at Naples at Sun Rise

undated

William Angus West Hill in Surrey, the Seat of D. H. Rucker Esqr.

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Pierre Charles Canot Marine Study No. 4

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 4

1773

Simon Gribelin The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

Print made by Simon Gribelin, 1662–1733

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

1720

John Browne The Sportsman

Print made by John Browne, 1741–1801

The Sportsman

1775

W. R. Smith Dido and Aeneas; The Morning of the Chase

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

John Cousen Mercury and Herse

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

Pierre Charles Canot Marine Study No. 1

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 1

1773

Pierre Charles Canot Marine Study No. 3

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 3

1773

Augustus Fox The Dreams of the Youthful Shakespeare

Print made by Augustus Fox, 1800–1876

The Dreams of the Youthful Shakespeare

1827

James Heath "Mark your divorce young sir, whom son I dare not call"

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804