<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques graphite

Remove constraint Materials & Techniques: graphite

Height [cm] 42

Remove constraint Height [cm]: 42

Search Results

1. Viscountess Bulkeley as Hebe

Viscountess Bulkeley as Hebe
Creator:
George Romney, 1734–1802
Date:
ca. 1776
Materials & Techniques:
Brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/2 x 8 5/8 inches (41.9 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
On View:
On view at YUAG

2. Study for the Portrait of a Lady, possibly Elizabeth, Countess of Derby

Study for the Portrait of a Lady, possibly Elizabeth, Countess of Derby
Creator:
George Romney, 1734–1802
Date:
late 1770s
Materials & Techniques:
Brown ink and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 16 3/8 x 12 1/4 inches (41.6 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
On View:
On view at YUAG

3. Human Skeleton, Lateral View

Human Skeleton, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Pen with iron gall ink, and graphite; verso: ink stain from another drawing on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 x 10 inches (41.9 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Sorrento

Sorrento
Creator:
Edward Lear, 1812–1888
Date:
1838
Materials & Techniques:
Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 9/16 x 11 5/8 inches (42.1 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

5. Reggio

Reggio
Creator:
Edward Lear, 1812–1888
Date:
1847
Materials & Techniques:
Pen in brown ink over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 16 3/8 x 11 7/16 inches (41.6 x 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

6. Tivoli with the Temple of the Sybil and the Cascades

Tivoli with the Temple of the Sybil and the Cascades
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1794–97
Materials & Techniques:
Watercolor, graphite, and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 x 21 5/8 inches (41.9 x 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Study of the Borghese Gladiator

Study of the Borghese Gladiator
Creator:
George Romney, 1734–1802
Date:
1773-1774
Materials & Techniques:
Brown ink and graphite; verso: graphite, black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/2 x 15 1/4 inches (41.9 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

8. David before Saul

David before Saul
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray and brown wash with gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/2 x 22 3/8 inches (41.9 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

9. The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)

"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

11. "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)

"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A Shepherd Reading the Epitaph (Design 115)

A Shepherd Reading the Epitaph (Design 115)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Ode on a Distant Prospect of Eton College; Title Page

Ode on a Distant Prospect of Eton College; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. "Her Henry's holy shade..." (Design 15)

"Her Henry's holy shade..." (Design 15)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. "To chase the rolling circle's speed..." (Design 17)

"To chase the rolling circle's speed..." (Design 17)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

16. "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with letterpress inset
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)

"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. A Long Story; Title Page

A Long Story; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)

"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Ode on the Spring; Title Page

Ode on the Spring; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. "Up stairs in a whirlwind rattle..." (Design 29)

"Up stairs in a whirlwind rattle..." (Design 29)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Prophetess Rising from Her Grave (Design 81)

The Prophetess Rising from Her Grave (Design 81)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Ode for Music, Performed in the Senate-House; Title Page

Ode for Music, Performed in the Senate-House; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. "A brace of warriors... rustling in their silks and tissues..."(Design 27)

"A brace of warriors... rustling in their silks and tissues..."(Design 27)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)

"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)

"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

29. "And purple tyrants vainly groan..." (Design 37)

"And purple tyrants vainly groan..." (Design 37)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Progress of Poesy, A Pindaric Ode; Title Page

The Progress of Poesy, A Pindaric Ode; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. "Cytherea's Day..." (Design 45)

"Cytherea's Day..." (Design 45)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

32. "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)

"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)

"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. "O'er thy country hangs The scourge of Heav'n..." (Design 59)

"O'er thy country hangs The scourge of Heav'n..." (Design 59)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Elizabeth. "Girt with many a Baron bold..." (Design 63)

Elizabeth. "Girt with many a Baron bold..." (Design 63)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Fatal Sisters, An Ode; Title Page

The Fatal Sisters, An Ode; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

38. "Hurry, hurry, to the field!" Design 75)

"Hurry, hurry, to the field!" Design 75)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. "Him the dog of darkness spied..." (Design 79)

"Him the dog of darkness spied..." (Design 79)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Poems by Mr. Gray; Title Page

Poems by Mr. Gray; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. "Nor fear the rocks, nor seek the shore..." (Design 101)

"Nor fear the rocks, nor seek the shore..." (Design 101)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Epitaph on Mrs. Clarke; Title Page

Epitaph on Mrs. Clarke; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Elegy Written in a Country Church-Yard; Title Page

Elegy Written in a Country Church-Yard; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. "Oft did the harvest to their sickle yield..." (Design 109)

"Oft did the harvest to their sickle yield..." (Design 109)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)

"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. "At the chapel-door stand sentry... (Design 31)

"At the chapel-door stand sentry... (Design 31)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

47. Ode to Adversity; Title Page

Ode to Adversity; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. "Where shaggy forms o'er ice-built mountains roam..." (Design 47)

"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. "To him the mighty mother did unveil Her awful face..." (Design 49)

"To him the mighty mother did unveil Her awful face..." (Design 49)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. The Bard, A Pindaric Ode; Title Page

The Bard, A Pindaric Ode; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Bard Weaving Edwards Fate (Design 55)

The Bard Weaving Edwards Fate (Design 55)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)

"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Sigtryg with the Silken Beard (Design 69)

Sigtryg with the Silken Beard (Design 69)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page

Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

57. "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)

"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. "We the reins to slaughter give..." (Design 73)

"We the reins to slaughter give..." (Design 73)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. The Descent of Odin, An Ode; Title Page

The Descent of Odin, An Ode; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

60. "Hie thee hence, and boast at home..." (Design 85)

"Hie thee hence, and boast at home..." (Design 85)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Triumphs of Owen, A Fragment; Title Page

The Triumphs of Owen, A Fragment; Title Page
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Bard Singing Owen's Praise (Design 89)

The Bard Singing Owen's Praise (Design 89)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. "The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)

"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view

64. "Fear to stop, and shame to fly..." (Design 91)

"Fear to stop, and shame to fly..." (Design 91)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. A Genius Driving Away "Comus & his midnight-crew..." (Design 95)

A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)

"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Warkworth Castle, Northumberland

Warkworth Castle, Northumberland
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Watercolor, gum, touched with gouache over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 3/8 x 21 3/4 inches (41.6 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Windsor Castle, Berkshire: Principal Floor Plan

Windsor Castle, Berkshire: Principal Floor Plan
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1830
Materials & Techniques:
Watercolor, pen and black ink, graphite on Slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 1/2 × 28 7/8 inches (41.9 × 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Billie's Shop - Dublin

Billie's Shop - Dublin
Creator:
Paul Arthur Hogarth, 1917–2001
Date:
1962
Materials & Techniques:
Graphite, black chalk, and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 16 5/8 x 10 5/8 inches (42.2 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

70. Admiral Vernon's Monument in Westminster Abbey

Admiral Vernon's Monument in Westminster Abbey
Creator:
John Michael Rysbrack, 1694–1770
Date:
ca. 1763
Materials & Techniques:
Pen and brown ink, black ink, gray wash, brown wash, and graphite on medium, slightly textured, cream laid paper mounted on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 11/16 x 6 13/16in. (29.7 x 17.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. On the Dee

On the Dee
Creator:
Francis Towne, 1740–1816
Date:
undated
Materials & Techniques:
Watercolor and black ink over graphite on medium slightly textured cream laid paper
Dimensions:
Sheet: 11 3/4 x 19 inches (29.8 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Bound Volume of 152 Drawings of Isle of Wight, Canterbury, Hampstead, etc. [spine is numbered vol. 6]

Bound Volume of 152 Drawings of Isle of Wight, Canterbury, Hampstead, etc. [spine is numbered vol. 6]
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1802 to 1833
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Spine: 16 1/2in. (41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Villa Chigi, Ariccia

Villa Chigi, Ariccia
Creator:
Lewis Vulliamy, 1791–1871
Date:
between 1818 and 1822
Materials & Techniques:
Graphite on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 3/8 × 10 1/4 inches (41.6 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Ceapen Pichan Bridge, Moelwyn Mawr

Ceapen Pichan Bridge, Moelwyn Mawr
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 9/16 × 15 1/2 inches (42.1 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Madeira

Madeira
Creator:
Samuel Davis, 1760–1819
Date:
1779
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 1/2 × 23 5/8 inches (44.5 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Plan of the Old Parliament Houses, Westminster

Plan of the Old Parliament Houses, Westminster
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Pen and black ink, gray wash, pen and brown ink and graphite on smooth, thin, cream wove paper
Dimensions:
Sheet: 16 5/16 × 20 3/16 inches (41.5 × 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Windsor Castle, Berkshire: View

Windsor Castle, Berkshire: View
Creator:
Sir Jeffry Wyatville, 1766–1840
Date:
after 1830
Materials & Techniques:
Pen and black ink and wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 28 3/4 inches (41.6 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Madras

Madras
Creator:
William Daniell, 1769–1837
Date:
ca. 1792
Materials & Techniques:
Gray wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 3/8 × 24 1/16 inches (41.6 × 61.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. The Lake, Hawkstone Park, Shropshire

The Lake, Hawkstone Park, Shropshire
Creator:
John Emes, 1762–1810
Date:
1790
Materials & Techniques:
Graphite, watercolor and pen with brown and black ink on smooth, medium, cream wove paper
Dimensions:
Sheet: 16 3/8 × 23 3/4 inches (41.6 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Garden Design for Northwick Park

Garden Design for Northwick Park
Creator:
William E. Emes, 1729/30–1803
Date:
1778
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 25 7/16 inches (44.5 × 64.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Near Eucheconing Point, Java

Near Eucheconing Point, Java
Creator:
Samuel Daniell, 1775–1811
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 5/8 × 21 1/4 inches (37.1 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Summit of Mount Sinai or Jebel Musa

Summit of Mount Sinai or Jebel Musa
Creator:
Rev. Edward Thomas Daniell, 1804–1842
Date:
1840
Materials & Techniques:
Watercolor, gouache and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 16 1/2 × 22 5/8 inches (41.9 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Tower of the Village Church of Saint Maclou, Normandy

Tower of the Village Church of Saint Maclou, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 7 1/8 inches (30.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Perspective Elevation of Part of the Abbey Church of Saint Stephen at Caen, Normandy

Perspective Elevation of Part of the Abbey Church of Saint Stephen at Caen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1818
Materials & Techniques:
Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 x 9 7/8 inches (38.1 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. West Front of the Church of Oyestraham [Ouistreham], near Caen, Normandy

West Front of the Church of Oyestraham [Ouistreham], near Caen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1820
Materials & Techniques:
Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/8 x 10 3/8 inches (33.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. The Primrose Tavern, Corner of Primrose Street and Bishopsgate, London

The Primrose Tavern, Corner of Primrose Street and Bishopsgate, London
Creator:
unknown artist
Date:
ca. 1895
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 13 inches (42.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

87. Designs for Gothic Ornamentation

Designs for Gothic Ornamentation
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 16 1/2 × 12 inches (41.9 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Eurasian Sparrowhawk

Eurasian Sparrowhawk
Creator:
James Sowerby, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on moderately think, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 9 11/16 inches (41.9 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. A Chicken Eating?

A Chicken Eating?
Creator:
James Sowerby, 1756–1822
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 13 1/2 inches (41.6 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Captain Leigh and His Dragoman

Captain Leigh and His Dragoman
Creator:
Sir David Wilkie, 1785–1841
Date:
1840 or 1841
Materials & Techniques:
Watercolor with brown ink, gouache, black crayon, and gum arabic over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 12 5/8 inches (41.9 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

91. Under the Ouse Bridge, Bathing

Under the Ouse Bridge, Bathing
Creator:
John Varley, 1778–1842
Date:
between 1803 and 1804
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/2 x 21 3/8 inches (41.9 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Trees by a Pool

Trees by a Pool
Creator:
John Absolon, 1815–1895
Date:
Undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Mount: 16 5/8 × 21 7/8 inches (42.2 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/16 x 16 1/16 inches (51.3 x 40.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Gates of the Alhambra: Puerta del Juicio

Gates of the Alhambra: Puerta del Juicio
Creator:
Henry Swinburne, 1743–1803
Date:
1775 to 1776
Materials & Techniques:
Gray wash, graphite, and pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 3/8 × 11 3/16 inches (41.6 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Châteaux

Châteaux
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. From Tynemouth

From Tynemouth
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Pen and brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Nisida, Italy

Nisida, Italy
Creator:
Henry Swinburne, 1743–1803
Date:
1777 to 1779
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Lozère Near Montpellier

Lozère Near Montpellier
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Pen and brown ink, over graphite on medium, moderately textured, blue laid paper
Dimensions:
Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Near Terracina

Near Terracina
Creator:
Henry Swinburne, 1743–1803
Date:
1777 to 1778
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Montmélian, France

Montmélian, France
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection