Skip to splash images
Yale Center for British Art Home Page
<< YCBA Home
Yale Center for British Art
Yale Center for British Art
<< YCBA Home
Welcome to YCBA Collections Online
Free and open to all.
    Search Options:
Search in
Simple Search
All Fields
Title
Creator
Subject Terms
Call Number
Search Provenance
Fielded
search for
Search
YCBA Collections Search
Toggle facets
Refine your search
Collection
Prints and Drawings
134
Creator
Blake, William, 1757–1827
58
Gray, Thomas, 1716–1771
58
Cotman, John Sell, 1782–1842
26
Vaslet, Lewis, 1742–1808
6
Daniell, Samuel, 1775–1811
5
Rowlandson, Thomas, 1756–1827
5
Cleghorn, Claud, active 1797–1800
3
Girtin, Thomas, 1775–1802
3
Nash, Frederick, 1782–1856
3
Uwins, Thomas, 1782–1857
3
Ferneley, John E., 1782–1860
2
Havell, William, 1782–1857
2
Munn, Paul Sandby, 1773–1845
2
Baynes, James, 1766–1837
1
Cleveley, Robert, 1747–1809
1
Corbould, Richard, 1757–1831
1
Cosway, Richard, 1742–1821
1
Dance, George, 1741–1825
1
Daniell, Thomas, 1749–1840
1
Daniell, William, 1769–1837
1
more
Creator
»
Date
1800
437
1802
424
1745
402
1771
369
1796
342
1790
339
1791
296
1867
288
1772
284
1795
274
1832
234
1784
229
1748
210
1826
205
1764
200
1793
189
1768
183
1775
179
0
174
1767
174
1792
168
1785
163
1752
150
1770
147
1804
143
1827
140
1818
137
1797
[remove]
134
1789
118
1788
112
1780
111
1787
107
1820
107
1830
104
1799
102
1825
100
1836
99
1817
96
1846
96
1839
91
1758
90
1763
88
1801
85
1805
85
1834
82
1700
80
1794
79
1813
79
1835
79
1815
78
1798
76
1717
75
1765
73
1777
73
1807
71
1831
71
1841
71
1778
70
1808
70
1782
68
1833
68
1803
67
1819
66
1749
65
1786
65
1811
65
1783
64
1812
64
1814
61
1829
61
1760
60
1762
59
1755
58
1810
57
1705
56
1740
55
1821
55
1781
53
1828
53
1823
52
1806
48
1809
48
1840
47
1843
45
1838
44
1738
43
1774
42
1837
42
1845
39
1848
39
1715
38
1759
37
1761
37
1773
36
1857
36
2006
36
1756
34
1746
33
1776
33
1844
33
On-site Access
Accessible in the Study Room
134
Image Use
Free to Use
134
Image Available
Available
[remove]
134
Classification
Drawings & Watercolors
126
Drawing & Watercolors-Architectural
8
Creator Gender
male
134
Collective Title
The Poems of Thomas Gray
58
The Spoiled Child
6
Period
18th century
76
18th century-19th century
41
19th century
17
Materials & Techniques
graphite
[remove]
134
wove paper
118
watercolor
102
black ink
79
pen
18
gray wash
16
brown ink
13
laid paper
12
gouache
9
gray ink
5
brown wash
4
gum arabic
2
scratching out
2
wash
2
black chalk
1
blue wash
1
board
1
gum
1
ink
1
oil paint
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
9
to
56
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
9
to
82
Work Type
drawing
133
watercolor
103
Genre
literary theme
58
religious and mythological subject
39
architectural subject
26
landscape
24
genre subject
17
marine art
7
animal art
6
cityscape
5
historical subject
4
figure study
3
sporting art
3
portrait
2
military art
1
still life
1
Subject Terms
literary theme
58
text
58
men
51
religious and mythological subject
40
women
37
trees
36
man
33
architectural subject
26
landscape
21
genre subject
16
water
15
woman
15
armor
14
sky
13
church
12
horse (animal)
11
angel
10
beard
10
boy
10
children
10
more
Subject Terms
»
Associated Places
United Kingdom
34
Europe
22
England
20
Cymru
6
Wales
6
Norfolk
5
Isle of Wight
4
London
4
Scotland
4
France
3
Greater London
3
Africa
2
Barmouth
2
Cader Idris
2
Devon
2
Eton College
2
Gwynedd
2
Yorkshire
2
Berkshire
1
Caernarfon
1
more
Associated Places
»
Associated People
Cupid
1
Eve
1
Morland, Anne (Nancy; c.1765–1804)
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
11
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
7
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
6
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
6
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
5
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
5
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
5
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
4
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
3
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
3
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
131
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection
1
Search Constraints
Start Over
You searched for:
Materials & Techniques
graphite
Remove constraint Materials & Techniques: graphite
Date
1797
Remove constraint Date: 1797
Image Available
Available
Remove constraint Image Available: Available
« Previous |
1
-
100
of
134
|
Next »
Sort by collection
collection
relevance
artist (A-Z)
date
title (A-Z)
Number of results to display per page
100 per page
100
per page
50
per page
15
per page
View results as:
List
Masonry
Search Results
1
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
2
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
3
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
4
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
5
William Blake, 1757–1827
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
between 1797 and 1798
6
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
7
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
8
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
9
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
10
William Blake, 1757–1827
Ode for Music, Performed in the Senate-House; Title Page
between 1797 and 1798
11
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
12
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
13
William Blake, 1757–1827
Elegy Written in a Country Church-Yard; Title Page
between 1797 and 1798
14
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
15
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
16
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
17
William Blake, 1757–1827
Ode on a Distant Prospect of Eton College; Title Page
between 1797 and 1798
18
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
19
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
20
William Blake, 1757–1827
A Long Story; Title Page
between 1797 and 1798
21
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
22
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
23
William Blake, 1757–1827
Epitaph on Mrs. Clarke; Title Page
between 1797 and 1798
24
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
25
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
26
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
27
William Blake, 1757–1827
The Bard, A Pindaric Ode; Title Page
between 1797 and 1798
28
William Blake, 1757–1827
The Fatal Sisters, An Ode; Title Page
between 1797 and 1798
29
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
30
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
31
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
32
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
33
William Blake, 1757–1827
The Descent of Odin, An Ode; Title Page
between 1797 and 1798
34
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
35
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
36
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
37
William Blake, 1757–1827
The Triumphs of Owen, A Fragment; Title Page
between 1797 and 1798
38
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
39
William Blake, 1757–1827
"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
40
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
41
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
42
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
43
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
44
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
45
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
46
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
47
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
48
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
49
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
50
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
51
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
52
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
53
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
54
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
55
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
56
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
57
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
58
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
59
attributed to John Sell Cotman, 1782–1842
Doorway and Window of a Church
undated
60
John Sell Cotman, 1782–1842
Horse Loaded with Artist’s Paraphernalia
undated
61
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
62
Thomas Rowlandson, 1756–1827
Mr. Drummond's Cottage, East Cowes, Isle of Wight
between 1797 and 1800
63
John Sell Cotman, 1782–1842
Two Old Horses Standing in a Field
undated
64
Thomas Rowlandson, 1756–1827
Newport High Street, Isle of Wight
between 1797 and 1800
65
John Ferneley, 1782–1860
The Duke of Cumberland Riding With Mr. de Burgh's Hunt
undated
66
John Ferneley, 1782–1860
A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
undated
67
Thomas Girtin, 1775–1802
Saint Cuthbert's Holy Island
1797
68
Thomas Girtin, 1775–1802
The Old Bridge in Devon
between 1797 and 1801
69
Thomas Girtin, 1775–1802
Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark
between 1797 and 1802
70
John Sell Cotman, 1782–1842
The Church of St. John, Peronne (Somme)
undated
71
Thomas Rowlandson, 1756–1827
Carnarvon Castle, North Wales
1797
72
Thomas Rowlandson, 1756–1827
Entrance to Festiniog, Wales
1797
73
Thomas Rowlandson, 1756–1827
A Burial at Carisbrooke, Isle of Wight
between 1797 and 1800
74
John Warwick Smith, 1749–1831
Craig y Ladron - The Thieves Precipice
1797
75
Robert Cleveley, 1747–1809
The Battle of Cape St. Vincent
1797
76
William Havell, 1782–1857
River Scene with Boy and Sheep
undated
77
Edward Dayes, 1763–1804
Brechin Cathedral and round tower, Forfarshire, Scotland
1797
78
George Dance, 1741–1825
A Dandy Quizzing a Mule's Head seen over a Stable Door
after 1797
79
Frederick Nash, 1782–1856
The Seine with Notre Dame
undated
80
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
81
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
82
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
83
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
84
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
85
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene V
ca. 1802
86
James Ward, 1769–1859
Mrs. Morland's Portrait
ca. 1802
87
James Baynes, 1766–1837
Rocks with Central Cavern Among Trees
1797
88
John Sell Cotman, 1782–1842
Cader Idris from the Mawddach Estuary above Barmouth
ca. 1802
89
John Sell Cotman, 1782–1842
Portrait of a Scholar
ca. 1802
90
John Sell Cotman, 1782–1842
Sailing Wherries and Boats in a Choppy Sea
undated
91
attributed to John Sell Cotman, 1782–1842
Studies of Five Coffin Lids from ?Norfolk Churches
undated
92
follower of John Sell Cotman, 1782–1842
Castle Acre Priory, Norfolk
undated
93
attributed to John Sell Cotman, 1782–1842
Barmouth Estuary with Cader Idris, North Wales
undated
94
follower of John Sell Cotman, 1782–1842
Caister Castle, Norfolk
undated
95
follower of John Sell Cotman, 1782–1842
South Side of Catfield Church, Norfolk
undated
96
imitator of John Sell Cotman, 1782–1842
West Front of Byland Abbey, Yorkshire
undated
97
pupil of John Sell Cotman, 1782–1842
Study of Trees
undated
98
Samuel Daniell, 1775–1811
Tswana Man Holding and Ostrich Feather Fan in a Landscape
ca. 1802
99
Samuel Daniell, 1775–1811
Study of a Standing Deer
ca. 1802
100
Samuel Daniell, 1775–1811
Study for Two Standing Pallah Deer
ca. 1802
« Previous
Next »
1
2