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Collection
Prints and Drawings
134
Creator
Blake, William, 1757–1827
58
Gray, Thomas, 1716–1771
58
Cotman, John Sell, 1782–1842
26
Vaslet, Lewis, 1742–1808
6
Daniell, Samuel, 1775–1811
5
Rowlandson, Thomas, 1756–1827
5
Cleghorn, Claud, active 1797–1800
3
Girtin, Thomas, 1775–1802
3
Nash, Frederick, 1782–1856
3
Uwins, Thomas, 1782–1857
3
Ferneley, John E., 1782–1860
2
Havell, William, 1782–1857
2
Munn, Paul Sandby, 1773–1845
2
Baynes, James, 1766–1837
1
Cleveley, Robert, 1747–1809
1
Corbould, Richard, 1757–1831
1
Cosway, Richard, 1742–1821
1
Dance, George, 1741–1825
1
Daniell, Thomas, 1749–1840
1
Daniell, William, 1769–1837
1
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Date
1749
441
1800
434
1802
423
1745
402
1771
363
1796
352
1791
298
1867
288
1772
284
0
256
1832
234
1784
229
1795
226
1790
211
1748
210
1826
206
1764
200
1768
180
1767
174
1792
168
1775
160
1752
150
1793
148
1804
141
1827
140
1785
139
1818
137
1797
[remove]
134
1820
107
1789
104
1799
101
1825
100
1830
100
1836
100
1787
99
1817
96
1846
95
1780
93
1839
91
1758
90
1788
89
1763
87
1801
85
1805
85
1834
82
1700
81
1813
79
1835
79
1815
77
1717
75
1798
75
1777
74
1807
71
1831
71
1841
71
1782
69
1808
69
1794
68
1803
68
1778
67
1819
67
1811
65
1783
63
1786
62
1812
61
1814
61
1829
61
1755
58
1770
58
1810
58
1762
57
1765
57
1833
57
1705
56
1740
55
1821
55
1828
53
1781
52
1823
52
1806
47
1809
47
1840
47
1843
45
1837
44
1738
43
1760
43
1774
43
1838
42
1845
39
1848
39
1715
38
1759
37
1761
37
1857
36
2006
36
1756
34
1746
33
1776
33
1844
33
1822
32
On-site Access
Accessible by appointment in the Study Room
134
Image Use
Free to Use
134
Image Available
Available
[remove]
134
Classification
Drawings & Watercolors
126
Drawing & Watercolors-Architectural
8
Creator Gender
male
134
Collective Title
The Poems of Thomas Gray
58
The Spoiled Child
6
Period
18th century
76
18th century-19th century
40
19th century
17
Materials & Techniques
graphite
[remove]
134
wove paper
118
watercolor
102
black ink
79
pen
18
gray wash
16
brown ink
13
laid paper
12
gouache
9
gray ink
5
brown wash
4
gum arabic
2
scratching out
2
wash
2
black chalk
1
blue wash
1
board
1
gum
1
ink
1
oil paint
1
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Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
9
to
56
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
9
to
82
Work Type
drawing
133
watercolor
103
Genre
literary theme
58
religious and mythological subject
39
architectural subject
26
landscape
24
genre subject
17
marine art
7
animal art
6
cityscape
5
historical subject
4
figure study
3
sporting art
3
portrait
2
military art
1
still life
1
Subject Terms
literary theme
58
text
58
men
51
religious and mythological subject
40
women
37
trees
36
man
33
architectural subject
26
landscape
21
genre subject
16
water
15
woman
15
armor
14
sky
13
church
12
horse (animal)
11
angel
10
beard
10
boy
10
children
10
more
Subject Terms
»
Associated Places
United Kingdom
34
Europe
22
England
20
Cymru
6
Wales
6
Norfolk
5
Isle of Wight
4
London
4
Scotland
4
France
3
Greater London
3
Africa
2
Barmouth
2
Cader Idris
2
Devon
2
Eton College
2
Gwynedd
2
Yorkshire
2
Berkshire
1
Caernarfon
1
more
Associated Places
»
Associated People
Cupid
1
Eve
1
Morland, Anne (Nancy; c.1765–1804)
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
11
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
7
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
6
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
6
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
5
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
5
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
5
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
4
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
3
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
3
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
131
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection
1
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Materials & Techniques
graphite
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Date
1797
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1
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
2
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
3
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
4
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
5
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
6
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
7
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
8
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
9
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
10
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
11
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
12
William Blake, 1757–1827
A Standard Bearer Fainting in the Routed Battle (Design 87)
between 1797 and 1798
13
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
14
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
15
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
16
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
17
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
18
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
19
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
20
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
21
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
22
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
23
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
24
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
25
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
26
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
27
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
28
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
29
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
30
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
31
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
32
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
33
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
34
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
35
William Blake, 1757–1827
"Midst the tide, Two angel forms were seen to glide..." (Design 7)
between 1797 and 1798
36
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
37
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
38
William Blake, 1757–1827
The Serpent who Girds the Earth (Design 77)
between 1797 and 1798
39
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
40
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
41
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
42
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
43
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
44
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
45
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
46
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
47
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
48
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
49
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
50
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
51
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
52
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
53
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
54
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
55
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
56
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
57
William Blake, 1757–1827
A Circular Dance (Design 23)
between 1797 and 1798
58
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
59
William Havell, 1782–1857
View of Totnes, Devon
undated
60
George Robert Lewis, 1782–1871
Haymakers in a Field
undated
61
William Havell, 1782–1857
River Scene with Boy and Sheep
undated
62
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
63
Thomas Uwins, 1782–1857
Farm House Kitchen at Brackham in Surrey
undated
64
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
65
James Baynes, 1766–1837
Rocks with Central Cavern Among Trees
1797
66
John Sell Cotman, 1782–1842
The Norfolk Broads
undated
67
John Sell Cotman, 1782–1842
Castle in a Landscape
undated
68
John Sell Cotman, 1782–1842
A Group of Trees by a Fence
undated
69
Paul Sandby Munn, 1773–1845
Shanklin Chine, Isle of Wight
1797
70
James Ward, 1769–1859
Mrs. Morland's Portrait
ca. 1802
71
Thomas Uwins, 1782–1857
A Village Fair
undated
72
Thomas Sunderland, 1744–1828
Bridge over the Severn at Newtown, Looking up the River
1797
73
Frederick Nash, 1782–1856
The Seine with Notre Dame
undated
74
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
75
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
76
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene III
ca. 1802
77
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
78
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
79
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
80
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene V
ca. 1802
81
Frederick Nash, 1782–1856
Apsley House and Piccadilly ... from Hyde Park Corner
undated
82
Attributed to Thomas Uwins, 1782–1857
The Death of - set by William Etty R.A
undated
83
Paul Sandby, 1731–1809
The Entrance to Chepstow Castle
ca. 1802
84
Paul Sandby Munn, 1773–1845
View of Side Farm, Patterdale
ca. 1802
85
Michael "Angelo" Rooker, 1746–1801
Clare Castle, Suffolk
between 1797 and 1800
86
John Ferneley, 1782–1860
A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
undated
87
John Ferneley, 1782–1860
The Duke of Cumberland Riding With Mr. de Burgh's Hunt
undated
88
John Sell Cotman, 1782–1842
Two Old Horses Standing in a Field
undated
89
Francis Towne, 1740–1816
Vauxhall Stairs, from Millbank, July 5, 1797
1797
90
attributed to John Sell Cotman, 1782–1842
Doorway and Window of a Church
undated
91
Thomas Girtin, 1775–1802
Saint Cuthbert's Holy Island
1797
92
John Sell Cotman, 1782–1842
The Church of St. John, Peronne (Somme)
undated
93
Thomas Girtin, 1775–1802
Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark
between 1797 and 1802
94
Thomas Girtin, 1775–1802
The Old Bridge in Devon
between 1797 and 1801
95
Richard Cosway, 1742–1821
Portrait of a Lady Standing near a Lake
ca. 1802
96
Richard Corbould, 1757–1831
Winter
ca. 1802
97
John Sell Cotman, 1782–1842
Cader Idris from the Mawddach Estuary above Barmouth
ca. 1802
98
follower of John Sell Cotman, 1782–1842
Norman Doorway, Tottenhill Church, Norfolk
undated
99
follower of John Sell Cotman, 1782–1842
Castle Acre Priory, Norfolk
undated
100
pupil of John Sell Cotman, 1782–1842
Study of Trees
undated
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