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Materials & Techniques etching (printing process)

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Joseph Mallord William Turner Apuleia in Search of Apuleius
Print made by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake I Found Him Beneath a Tree (Plate 3)
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
William Blake Fear & Hope Are -- Vision (Plate 15)
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake "Fear & hope are -- Vision" (Plate 15)
Print made by William Blake, 1757–1827
"Fear & hope are -- Vision" (Plate 15)
1826
William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
William Blake "I found him beneath a Tree" (Plate 3)
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
William Byrne A View in the Villa Madama, near Rome, called II Teatro
William Byrne, 1743–1805
A View in the Villa Madama, near Rome, called II Teatro
1765
Edward Radclyffe Calais Pier
Print made by Edward Radclyffe, 1809–1863
Calais Pier
after 1832
Edward Radclyffe Peat-Gatherers
Print made by Edward Radclyffe, 1809–1863
Peat-Gatherers
undated
Joseph Collyer David Hume
Print made by Joseph Collyer, 1748–1827
David Hume
undated
John Hill Pass-Room Bridewell
John Hill, 1770–1850
Pass-Room Bridewell
1808
John Hill Dining Hall, Asylum
John Hill, 1770–1850
Dining Hall, Asylum
1808
John Bluck Saint Stephen's, Walbrook
Print made by John Bluck, active 1791–1831
Saint Stephen's, Walbrook
1809
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
Pieter van den Berge Girls Singing
Print made by Pieter van den Berge, active 1689–1737
Girls Singing
undated
George Arnald Choquer
Print made by George Arnald, 1763–1841
Choquer
1821
George Arnald Choquer
Print made by George Arnald, 1763–1841
Choquer
1821
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
John Robert Cozens Bath: The Circus
Print made by John Robert Cozens, 1752–1797
Bath: The Circus
1773
Bradshaw & Blacklock Bacharach
Print made by Bradshaw & Blacklock, active ca.1850
Bacharach
after 1850
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850
View near Bingen
after 1850
Bradshaw & Blacklock Castles in England
Print made by Bradshaw & Blacklock, active ca.1850
Castles in England
after 1850
Bradshaw & Blacklock Eight Rural Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
David Allan Pilgrims Paying Their Devotion in St. Peters at Rome
Print made by David Allan, 1744–1796
Pilgrims Paying Their Devotion in St. Peters at Rome
between 1773 and 1775
Matthew Darly The Preposterous Head Dress, or the Feathered Lady
Print made by Matthew Darly, active 1754–1778
The Preposterous Head Dress, or the Feathered Lady
1776
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Bruce Chain Pier at Brighton
Print made by John Bruce, fl. 1826
Chain Pier at Brighton
ca. 1830
Agostino Brunias The Barbadoes Mulatto Girl
Print made by Agostino Brunias, 1728–1796
The Barbadoes Mulatto Girl
1779
Agostino Brunias Free Natives of Dominica
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
Agostino Brunias The West India Washer-Women
Print made by Agostino Brunias, 1728–1796
The West India Washer-Women
1779
Agostino Brunias A Negroes Dance in the Island of Dominica
Print made by Agostino Brunias, 1728–1796
A Negroes Dance in the Island of Dominica
1779
James Bretherton The Slumbers of Ragotin Interrupted
Print made by James Bretherton, ca. 1730–1806
The Slumbers of Ragotin Interrupted
1773
Samuel David Colkett The Gipsy Encampment
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
John Boydell A View of Erith, Looking Up the Thames
Print made by John Boydell, 1720–1804
A View of Erith, Looking Up the Thames
1750
John Sell Cotman Column at Yarmouth to the Memory of Lord Nelson
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
Thomas Creswick The Terrace
Print made by Thomas Creswick, 1811–1869
The Terrace
ca. 1844
Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
Print made by Francesco Bartolozzi, 1728–1815
Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
1785
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
James Mitan Turin, from the Portico of the Superga Church
Print made by James Mitan, 1776–1822
Turin, from the Portico of the Superga Church
1820
John Cousen Mercury and Herse
Print made by John Cousen, 1804–1880
Mercury and Herse
1842
Simon Gribelin The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
John Cousen Mercury and Herse
Print made by John Cousen, 1804–1880
Mercury and Herse
1842
unknown artist St. Martin's Church
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
unknown artist The South Sea House
Print made by unknown artist
The South Sea House
between 1720 and 1728
W. R. Smith Dido and Aeneas; The Morning of the Chase
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
George Cruikshank Traveling in France -or, -Le départ de la diligence
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
George Cruikshank Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
Print made by George Cruikshank, 1792–1878
Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
1835
Cornelis Apostool Here Nature List'ning Stood
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
Daniel Berger Die Maussalle.... - "Hamlet," Act III, Scene II
Print made by Daniel Berger, 1744–1824
Die Maussalle.... - "Hamlet," Act III, Scene II
between 1778 and 1780
Isaac Cruikshank Washing the Blackamoor
Print made by Isaac Cruikshank, 1764–1811
Washing the Blackamoor
1795