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Materials & Techniques etching (printing process)

Height [cm] 40

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

ca. 1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake Night the First. On Life, Death, and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

ca. 1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

William Blake Beggar's Opera, Act III

Print made by William Blake, 1757–1827

Beggar's Opera, Act III

1790

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

Samuel Rawle Hylton Castle, County of Durham

Print made by Samuel Rawle, 1771–1860

Hylton Castle, County of Durham

1816 to 1823

W. R. Smith Richmond, Yorkshire

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

John Pye A View of Oxford from the Abingdon Road

Print made by John Pye, 1782–1874

A View of Oxford from the Abingdon Road

1818

James C. Allen Ivy Bridge, Devonshire

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Samuel Middiman Weathercote Cave when Half Filled with Water

Print made by Samuel Middiman, ca. 1750–1831

Weathercote Cave when Half Filled with Water

1821

John Browne The Sportsman

Print made by John Browne, 1741–1801

The Sportsman

1775

Edward Goodall Caligula's Palace and Bridge, Bay of Baiæ

Print made by Edward Goodall, 1795–1870

Caligula's Palace and Bridge, Bay of Baiæ

1842

Edward Goodall Oxford from North Hinksey

Print made by Edward Goodall, 1795–1870

Oxford from North Hinksey

1841

Pieter de Jode II Ioannes Snellincx

Print made by Pieter de Jode II, ca. 1606–1674

Ioannes Snellincx

ca. 1635

John Copley The Apple Tree

Print made by John Copley, 1875–1950

The Apple Tree

1950

John Copley A Bather About to Dive

Print made by John Copley, 1875–1950

A Bather About to Dive

1932

Sir Muirhead Bone Demolition of St. James's Hall, Interior

Print made by Sir Muirhead Bone, 1876–1953

Demolition of St. James's Hall, Interior

1906

Sir David Young Cameron Street in Cairo

Print made by Sir David Young Cameron, 1865–1945

Street in Cairo

1910

Thomas Girtin View of the Pont St. Michael, taken from the Pont Neuf

Etched by Thomas Girtin, 1775–1802

View of the Pont St. Michael, taken from the Pont Neuf

1803

Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Print made by Thomas Girtin, 1775–1802

View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

1802

Thomas Girtin View of the Thuilleries and Bridge, taken from the Quai d'Orsai

Print made by Thomas Girtin, 1775–1802

View of the Thuilleries and Bridge, taken from the Quai d'Orsai

1802

Thomas Girtin View of the City with the Louvre & Taken from Pont Marie

Print made by Thomas Girtin, 1775–1802

View of the City with the Louvre & Taken from Pont Marie

1802

Thomas Girtin A General View of Paris, taken from Chaillot 1803.

Print made by Thomas Girtin, 1775–1802

A General View of Paris, taken from Chaillot 1803

1803

Thomas Girtin View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

Print made by Thomas Girtin, 1775–1802

View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf

1802

Thomas Girtin View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

Print made by Thomas Girtin, 1775–1802

View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

1803

Thomas Girtin View of the Gate of St. Denis Taken from the Suburbs.

Print made by Thomas Girtin, 1775–1802

View of the Gate of St. Denis Taken from the Suburbs

1803

Thomas Girtin View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

Print made by Thomas Girtin, 1775–1802

View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

1803

Thomas Girtin View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Print made by Thomas Girtin, 1775–1802

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

1802

Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Siene

Print made by Thomas Girtin, 1775–1802

View of the Palace and Village of Choisi, on the Banks of the Siene

1803

Thomas Girtin Views of the Pantheon, taken from the Arsenal

Print made by Thomas Girtin, 1775–1802

Views of the Pantheon, taken from the Arsenal

1803

Thomas Girtin View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

Print made by Thomas Girtin, 1775–1802

View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

1803

Frederick Christian Lewis the Elder View of the Village of Chaillot & C. taken from Pont de la Concorde

Print made by Frederick Christian Lewis the Elder, 1779–1856

View of the Village of Chaillot & C. taken from Pont de la Concorde

1803

Thomas Girtin View of St. Cloud and Mt. Calvary taken from Pont de Seve

Print made by Thomas Girtin, 1775–1802

View of St. Cloud and Mt. Calvary taken from Pont de Seve

1802

Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

after Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

1803

Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

Print made by Thomas Girtin, 1775–1802

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

1803

Paul Sandby The Victor Conducted in Triumph

Paul Sandby, 1731–1809

The Victor Conducted in Triumph

ca. 1781

Edward Goodall Tivoli, a Composition

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

John Jones The Girl Sleeping

Print made by John Jones, ca. 1745–1797

The Girl Sleeping

1790

Paul Adolphe Rajon Charles Robert Darwin

Print made by Paul Adolphe Rajon, 1842–1888

Charles Robert Darwin

1882

Edward Goodall Tivoli, a Composition

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

James Clark View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

James Clark, 19th century

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

1812

Charles Grignion A French Petit Maître and His Valet

Charles Grignion, 1717–1810

A French Petit Maître and His Valet

1771

John Boydell Night

Print made by John Boydell, 1720–1804

Night

1756

John Boydell The Wreck of the Nuestra Senora de los Remedios

Print made by John Boydell, 1720–1804

The Wreck of the Nuestra Senora de los Remedios

1753

Robert Pollard Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

Robert Pollard, 1755–1838

Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

1790

Francis David Soiron The Promenade in St. Jame's Park

Francis David Soiron, Born 1764

The Promenade in St. Jame's Park

1793

Anthony Cardon Round & Sound, Five Pence a Pound, Duke Cherries

Print made by Anthony Cardon, 1772–1813

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Sir Muirhead Bone A Manhattan Excavation

Print made by Sir Muirhead Bone, 1876–1953

A Manhattan Excavation

1923

Frederick Landseer Maur Griggs The Barbican

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Barbican

1920

Austin, Robert, 1895-1973 Women at Prayer

Print made by Austin, Robert, 1895-1973, 1895–1973

Women at Prayer

1936

Sir David Young Cameron The North Porch, Harfleur

Print made by Sir David Young Cameron, 1865–1945

The North Porch, Harfleur

1904

Sir David Young Cameron Notre Dame, Dinant [Belgian Set: No. 8]

Print made by Sir David Young Cameron, 1865–1945

Notre Dame, Dinant [Belgian Set: No. 8]

1907

Sir David Young Cameron The Five Sisters, York Minister

Print made by Sir David Young Cameron, 1865–1945

The Five Sisters, York Minister

1907

Edward Rooker The Summit of Cader Idris Mountain

Edward Rooker, 1724–1774

The Summit of Cader Idris Mountain

1775

unknown artist The Double Deliverance, 1588–1605

Print made by unknown artist

The Double Deliverance, 1588–1605

1621

Benjamin Cole Merchant Taylors' School and St. Paul's School

Print made by Benjamin Cole, 1697–1783

Merchant Taylors' School and St. Paul's School

1756

William Byrne Carnarvon Castle

William Byrne, 1743–1805

Carnarvon Castle

1775

William Woollett Snowden Hill

William Woollett, 1735–1785

Snowden Hill

1775

Robert Blyth An Aga of the Janizaries

Print made by Robert Blyth, 1750–1784

An Aga of the Janizaries

1779

Thomas Malton the Younger The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

Thomas Malton the Younger, 1748–1804

The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

1799

Robert Brandard Crossing the Brook

Print made by Robert Brandard, 1805–1862

Crossing the Brook

1838

Charles Grignion A View from Richmond Hill Up the River

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

John Hamilton Mortimer Caliban, from The Tempest

John Hamilton Mortimer, 1740–1779

Caliban, from The Tempest

1775

John Hamilton Mortimer Lear, from King Lear, Act III, Scene ii

John Hamilton Mortimer, 1740–1779

Lear, from King Lear, Act III, Scene ii

1776

John Hassell View of Sion House from the Banks of the Thames

John Hassell, 1767–1825

View of Sion House from the Banks of the Thames

1799

Frank Auerbach Lucian Freud

Print made by Frank Auerbach, 1931-2024

Lucian Freud

1981

William Lee Hankey Madeleine

William Lee Hankey, 1869–1952

Madeleine

between 1917 and 1918

Anthony Cardon Do You Want Any Matches?

Print made by Anthony Cardon, 1772–1813

Do You Want Any Matches?

1794

Giovanni Vendramini Fresh Gathered Peas, Young Hastings

Print made by Giovanni Vendramini, 1769–1839

Fresh Gathered Peas, Young Hastings

1795

Giovanni Vendramini Knives, Scissors, and Razors to Grind

Print made by Giovanni Vendramini, 1769–1839

Knives, Scissors, and Razors to Grind

1795

Sir David Young Cameron The North Porch, Harfleur

Print made by Sir David Young Cameron, 1865–1945

The North Porch, Harfleur

1904

George Percival Gaskell The Wood on the Hilltop

George Percival Gaskell, 1868–1934

The Wood on the Hilltop

undated