Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
2
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
3
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
4
James Gillray, 1756–1815
Britania's Assassination..or - The Republican Amuseument
1782
5
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
1783
6
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
7
James Gillray, 1756–1815
INTEGRITY retiring from Office
1801
8
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
9
James Gillray, 1756–1815
Les Trois Magots
1791
10
James Gillray, 1756–1815
Le Diable-Boiteaux, or the Devil upon Two Sticks, conveying John Bull to the Land of Promise
1806
11
James Gillray, 1756–1815
National Discourse
1780
12
Charles Williams, active 1796–1830
The Patriot turned Plagarist, or the Petty Tax Gatherers Hunting John Bull
1806
13
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
14
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty
1787
15
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
16
James Gillray, 1756–1815
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
1798
17
James Gillray, 1756–1815
Scene le Vrog House
1782
18
James Gillray, 1756–1815
The Kettle Hooting the Porridge-Pot
1782
19
James Gillray, 1756–1815
Gentle Emetic
1804
20
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
21
James Gillray, 1756–1815
Charming-well again
1804
22
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
23
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
24
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
25
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
26
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
27
James Gillray, 1756–1815
The Royal Academy
1786
28
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
29
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
30
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
31
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
32
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
33
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
34
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
35
James Gillray, 1756–1815
The Death of the Great Wolf
1795
36
James Gillray, 1756–1815
Le Coup de Maitre
1797
37
James Gillray, 1756–1815
Presages of the Millenium
1795
38
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
39
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
40
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
41
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
42
Print made by Joseph Brown, 19th century
James Gillray
1848
43
James Gillray, 1756–1815
A Morning Ride
1804
44
James Gillray, 1756–1815
Blood on Thunder Fording the Red Sea
1788
45
James Gillray, 1756–1815
An Old English-Gentleman pester'd by Servants wanting Places
1809
46
James Gillray, 1756–1815
Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!
1808
47
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
48
James Gillray, 1756–1815
Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle
1802
49
James Gillray, 1756–1815
Despair
1802
50
James Gillray, 1756–1815
Sketch of the Interior of St. Stephen's, as It Now Stands. -
1802
51
James Gillray, 1756–1815
Hope
1802
52
James Gillray, 1756–1815
Forming a Line on the Parade
1801
53
James Gillray, 1756–1815
Delicious Weather
1808
54
James Gillray, 1756–1815
Delicious Dreams! Castles in the Air! Glorious Prospects!
1808
55
James Gillray, 1756–1815
Be gone Dull Care, I Prithee Begone From Me!
1801
56
James Gillray, 1756–1815
Prince Pitt
1788
57
James Gillray, 1756–1815
Bologna Sausages, or Opposition Flux'd
1788
58
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
59
James Gillray, 1756–1815
Half Natural
1799
60
James Gillray, 1756–1815
Pen-etration
1799
61
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
62
James Gillray, 1756–1815
Overthrow of the Republican-Babel
1809
63
James Gillray, 1756–1815
Pillars of the Constitution - Three O'Clock and A Cloudy Morning
1809
64
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
65
James Gillray, 1756–1815
Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition
1808
66
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
67
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
68
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
69
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
70
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
71
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
72
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
73
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
74
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
75
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
76
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
77
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
78
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
79
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
80
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
81
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
82
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
83
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
84
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
85
James Gillray, 1756–1815
The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom
1809
86
James Gillray, 1756–1815
True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard
1809
87
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
88
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
89
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"