The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
2
James Gillray, 1756–1815
A London Street Crier
undated
3
James Gillray, 1756–1815
Two Men at Fisticuffs
undated
4
Charles Williams, active 1796–1830
The Union Club
undated
5
George Moutard Woodward, ca. 1760–1809
A Minute Regulation of the Opera Step
undated
6
George Moutard Woodward, ca. 1760–1809
Spy's Taken at Greenwich on Easter Monday
undated
7
unknown artist
Four Figures on a Sheet
undated
8
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
9
Print made by Joseph Brown, 19th century
James Gillray
1848
10
James Gillray, 1756–1815
Hounds in Finding
1800
11
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
12
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
13
James Gillray, 1756–1815
Coming-In at the Death
1800
14
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
15
James Gillray, 1756–1815
Hounds Throwing-Off
1800
16
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
17
James Gillray, 1756–1815
A Man of Importance
1799
18
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
19
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
20
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
21
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
22
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
23
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
24
James Gillray, 1756–1815
A Uniform Whig ---
1791
25
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
26
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
27
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
28
James Gillray, 1756–1815
The Royal Academy
1786
29
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
30
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
31
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
32
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
33
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
34
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
35
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
36
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
37
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
38
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
39
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
40
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
41
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
42
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
43
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
44
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
45
Print made by James Gillray, 1756–1815
The Sick Prince
1787
46
James Gillray, 1756–1815
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
1788
47
James Gillray, 1756–1815
Cockney-Sportsmen marking game
1800
48
James Gillray, 1756–1815
Hounds in Full-Cry
1800
49
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
50
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
51
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
52
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
53
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
54
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
55
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
56
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
57
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
58
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
59
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
60
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
61
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
62
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
63
James Gillray, 1756–1815
The Soliloquy
1782
64
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
65
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
66
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
67
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
68
Thomas Rowlandson, 1756–1827
Filial Piety
1788
69
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
70
James Gillray, 1756–1815
No Flower that Blows, Is Like this Rose
1796
71
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
72
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
73
James Gillray, 1756–1815
United Irishmen Upon Duty
1798
74
James Gillray, 1756–1815
Meeting of - Unfortunate Citoyens. " Dismay of Two Disgraced Patriots"
1798
75
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
76
James Gillray, 1756–1815
United Irishmen in Training
1798
77
James Gillray, 1756–1815
The Death of the Great Wolf
1795
78
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
79
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
80
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
81
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
82
James Gillray, 1756–1815
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
1798
83
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
84
James Gillray, 1756–1815
The Royal Society
1786
85
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
86
James Gillray, 1756–1815
What a Cur ' tis
1795
87
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
88
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
89
James Gillray, 1756–1815
Les Trois Magots
1791
90
James Gillray, 1756–1815
The Prodigal Son
1787
91
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
92
James Gillray, 1756–1815
Love's Last Shift
1787
93
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
94
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
95
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
96
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
97
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars