Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: women - YCBA Collections Search Search Results

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms women

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Joseph Mallord William Turner The Drawing of the Clyde

Etched by Joseph Mallord William Turner, 1775–1851

The Drawing of the Clyde

1809

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Print made by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner The Woman and Tambourine

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

William Blake "Fear & hope are -- Vision" (Plate 15)

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

William Blake "I found him beneath a Tree" (Plate 3)

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake I Found Him Beneath a Tree (Plate 3)

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree (Plate 3)

1793

William Blake Fear & Hope Are -- Vision (Plate 15)

Print made by William Blake, 1757–1827

Fear & Hope Are -- Vision (Plate 15)

1793

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

Louisa Augusta Greville Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

Print made by Louisa Augusta Greville, 1743–active 1762

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

1760

Louisa Augusta Greville Five People Praying

Louisa Augusta Greville, 1743–active 1762

Five People Praying

1760

William Hincks Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

William John Cooke Worcester

Print made by William John Cooke, 1797–1865

Worcester

undated

Charles Grignion A Perspective View of the Foundling Hospital with Emblematic Figures

Charles Grignion, 1717–1810

A Perspective View of the Foundling Hospital with Emblematic Figures

1749

Thomas Higham Benacre Hall, Suffolk

Thomas Higham, 1796–1844

Benacre Hall, Suffolk

1819

unknown artist St. Martin's Church

Print made by unknown artist

St. Martin's Church

between 1731 and 1754

George Cruikshank Monstrosities of 1822 - Pt. 5

Print made by George Cruikshank, 1792–1878

Monstrosities of 1822 - Pt. 5

1835

Robert Isaac Cruikshank Monstrosities of 1827

Print made by Robert Isaac Cruikshank, 1789–1856

Monstrosities of 1827

1835

unknown artist The South Sea House

Print made by unknown artist

The South Sea House

between 1720 and 1728

John Cousen Mercury and Herse

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

Isaac Cruikshank Washing the Blackamoor

Print made by Isaac Cruikshank, 1764–1811

Washing the Blackamoor

1795

John Browne Evening

Print made by John Browne, 1741–1801

Evening

ca. 1797

John Browne Evening

Print made by John Browne, 1741–1801

Evening

ca. 1797

Agostino Brunias The Barbadoes Mulatto Girl

Print made by Agostino Brunias, 1728–1796

The Barbadoes Mulatto Girl

1779

John Bruce Chain Pier at Brighton

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Agostino Brunias The West India Washer-Women

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

James Bretherton The Slumbers of Ragotin Interrupted

Print made by James Bretherton, ca. 1730–1806

The Slumbers of Ragotin Interrupted

1773

Thomas Creswick The Terrace

Print made by Thomas Creswick, 1811–1869

The Terrace

ca. 1844

Francesco Bartolozzi Morning

Print made by Francesco Bartolozzi, 1728–1815

Morning

undated

Charles Grignion A View from Richmond Hill Up the River

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

Henry William Bunbury The Judgement of Paris

Print made by Henry William Bunbury, 1750–1811

The Judgement of Paris

1771

Samuel David Colkett The Gipsy Encampment

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1830

John Sell Cotman Column at Yarmouth to the Memory of Lord Nelson

Print made by John Sell Cotman, 1782–1842

Column at Yarmouth to the Memory of Lord Nelson

1817

Joseph Farington Windsor Bridge

Print made by Joseph Farington, 1747–1821

Windsor Bridge

1792

Agostino Brunias Free Natives of Dominica

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Agostino Brunias A Negroes Dance in the Island of Dominica

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

James Caldwall The Cotillion Dance

Print made by James Caldwall, 1739–1819

The Cotillion Dance

1771

John Boydell A View of Erith, Looking Up the Thames

Print made by John Boydell, 1720–1804

A View of Erith, Looking Up the Thames

1750

Francesco Bartolozzi The Virgin

Print made by Francesco Bartolozzi, 1728–1815

The Virgin

1778

Thomas Mann Baynes The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

Print made by Thomas Mann Baynes, 1794–1854

The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

after 1835

James Caldwall Hagley Hall

Print made by James Caldwall, 1739–1819

Hagley Hall

undated

William Ellis The House of George Humphrys, Esq., Spark Brook

William Ellis, 1747–1810

The House of George Humphrys, Esq., Spark Brook

1792

Placido Columbani At the City of Albano

Print made by Placido Columbani, born ca. 1744, active 1801

At the City of Albano

undated

Placido Columbani At Rome

Placido Columbani, born ca. 1744, active 1801

At Rome

undated

Henry Heath Omnium Gatherum, No. 7

Henry Heath, active 1824–1835

Omnium Gatherum, No. 7

undated

Henry Heath Ominum Gatherum No. 6

Henry Heath, active 1824–1835

Ominum Gatherum No. 6

undated

Henry Heath Ominum Gatherum, Second Series, No. 5

Henry Heath, active 1824–1835

Ominum Gatherum, Second Series, No. 5

1831

William Angus Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Charles Heath Tower Hill

Charles Heath, 1785–1848

Tower Hill

1825

Thomas Barber Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Print made by Thomas Barber, ca. 1768–1843

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

1829

Robert Havell View of the Old Corn Market and Tuns Inn, Guildford

Print made by Robert Havell, 1769–1832

View of the Old Corn Market and Tuns Inn, Guildford

1819

Jacob Bonneau One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Henry Heath Ominum Gatherum, Second Series, No. 3

Henry Heath, active 1824–1835

Ominum Gatherum, Second Series, No. 3

undated

Thomas Higham Red-Scar, the Residence of William Cross, Esquire

Thomas Higham, 1796–1844

Red-Scar, the Residence of William Cross, Esquire

1832

unknown artist Messrs. Morgan & Sanders, Catherine St., Strand

Print made by unknown artist

Messrs. Morgan & Sanders, Catherine St., Strand

1809

Francesco Bartolozzi Ticket: Mr. Cox's Museum

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Mr. Cox's Museum

1772

William Ellis Bordesley Hall, the Seat of John Taylor, Esq.

William Ellis, 1747–1810

Bordesley Hall, the Seat of John Taylor, Esq

1792

Samuel David Colkett The Gipsy Encampment

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1822