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Materials & Techniques etching (printing process)

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Collection Prints and Drawings

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Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
George Stubbs A Horse Affrighted by a Lion
Print made by George Stubbs, 1724–1806
A Horse Affrighted by a Lion
1788
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
Joseph Mallord William Turner The Stork and Aqueduct
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
Joseph Mallord William Turner Sheep-Washing, Windsor
Print made by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy
Print made by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
Charles Rolls The Brides of Venice
Print made by Charles Rolls, 1800–active 1830
The Brides of Venice
1830
John Byrne Rome from Monte Mario
Print made by John Byrne, 1786–1847
Rome from Monte Mario
1820
John Byrne Rome from Monte Mario
Print made by John Byrne, 1786–1847
Rome from Monte Mario
1818-1820
George Cooke Naples, from the Mole
Print made by George Cooke, 1781–1834
Naples, from the Mole
1820
George Cooke Naples, from the Mole
Print made by George Cooke, 1781–1834
Naples, from the Mole
1819
William Bernard Cooke The Observatory at Rosehill, Sussex
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
William Forrest Château d'Arc, near Dieppe
Print made by William Forrest, 1802–1889
Château d'Arc, near Dieppe
1836
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
Robert Wallis William Tell's Chapel
Print made by Robert Wallis, 1794–1878
William Tell's Chapel
1830
unknown artist The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Print made by unknown artist
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
between 1720 and 1750
unknown artist St. Martin's Church
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
Isaac Cruikshank Washing the Blackamoor
Print made by Isaac Cruikshank, 1764–1811
Washing the Blackamoor
1795
George Cruikshank A Scene in the New Farce - as Performed at the Royalty Theatre!
Print made by George Cruikshank, 1792–1878
A Scene in the New Farce - as Performed at the Royalty Theatre!
1821
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
John Augustus Atkinson Military Costumes of the Reign of King Henry VI, 1447
Print made by John Augustus Atkinson, 1775–1831
Military Costumes of the Reign of King Henry VI, 1447
1812
George Cruikshank Specimens of Waltzing
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
George Cruikshank Traveling in France -or, -Le départ de la diligence
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
James Heath "Then go, bid the huntsmen wake them with their horns"
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
James Heath "Hubert, let me not be bound!"
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
John Augustus Atkinson Costume of the Reign of King Henry III, 1250
Print made by John Augustus Atkinson, 1775–1831
Costume of the Reign of King Henry III, 1250
1814
William Heath Opera Reminiscences: Desdemona and Otello
Print made by William Heath, 1795–1840
Opera Reminiscences: Desdemona and Otello
1829
William Heath Opera Reminiscences: Desdemona and Othello
Print made by William Heath, 1795–1840
Opera Reminiscences: Desdemona and Othello
1829
George Baxter The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
Print made by George Baxter, 1804–1867
The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
1841
William Henry Worthington Sir Humphrey Davy
Print made by William Henry Worthington, ca. 1790–active 1839
Sir Humphrey Davy
1827
Johann Jacobus Haid La benedicite
Print made by Johann Jacobus Haid, 1704–1767
La benedicite
undated
Johann Jacobus Haid La gouvernante
Print made by Johann Jacobus Haid, 1704–1767
La gouvernante
undated
William Doughty The Honorable Augustus Keppel, Admiral of the Blue
Print made by William Doughty, 1757–1782
The Honorable Augustus Keppel, Admiral of the Blue
1779
Thomas Burke Lady Rushout and Daughter
Print made by Thomas Burke, 1749–1815
Lady Rushout and Daughter
1784
Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
Print made by Francesco Bartolozzi, 1728–1815
Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
1785
John Henry Robinson The Mantilla
John Henry Robinson, 1796–1871
The Mantilla
1838
Francesco Bartolozzi Thais
Print made by Francesco Bartolozzi, 1728–1815
Thais
1792
Richard Earlom Alope
Print made by Richard Earlom, 1743–1822
Alope
1787
unknown artist Theatrum Sive Coliseum Romanum
Print made by unknown artist
Theatrum Sive Coliseum Romanum
1547 to 1560
George Cooke Lulworth Castle, Dorsetshire
Print made by George Cooke, 1781–1834
Lulworth Castle, Dorsetshire
1814 to 1826
Edward Goodall Rye, Sussex
Print made by Edward Goodall, 1795–1870
Rye, Sussex
1814 to 1826
William Bernard Cooke The Spot where Harold Fell
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
William Bernard Cooke Hurstmonceux Castle
Print made by William Bernard Cooke, 1778–1855
Hurstmonceux Castle
1820
William Bernard Cooke Dartmoor; Source of the Tamar and the Torridge
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
William Bernard Cooke The Observatory at Rosehill, Sussex
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
W. R. Smith Heriot's Hospital
Print made by W. R. Smith, active 1819–1851
Heriot's Hospital
1822
William Miller Jerusalem
Print made by William Miller, 1796–1882
Jerusalem
1834
George Cooke Edinburgh, from the Calton Hill
Print made by George Cooke, 1781–1834
Edinburgh, from the Calton Hill
1820