Search Constraints
You searched for:
Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkWork Type watercolor
Remove constraint Work Type: watercolorHeight [cm] 22
Remove constraint Height [cm]: 22Search Results
1
- "And that toward Eden, four..." (Plate 13)
- 1804 to 1820
2
- "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
- 1804 to 1820
3
- "Encompass'd by the frozen Net..." (Plate 80)
- 1804 to 1820
4
- "To decide Two Worlds with a great decision..." (Plate 65)
- 1804 to 1820
5
- "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
- 1804 to 1820
6
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
7
- "Silent as despairing love, and strong as jealousy..." (Plate 4)
- 1793
8
- "Then the Divine Vision like a silent Sun..." (Plate 29)
- 1804 to 1820
9
- "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
- 1804 to 1820
10
- "To the Christians..." (Plate 77)
- 1804 to 1820
11
- "Rose up against me thundering..." (Plate 8)
- 1804 to 1820
12
- "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
- 1804 to 1820
13
- "To the Jews..." (Plate 27)
- 1804 to 1820
14
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
15
- "I have heard Jerusalems groans..." (Plate 82)
- 1804 to 1820
16
- "Corruptability appears upon thy limbs..." (Plate 83)
- 1804 to 1820
17
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
18
- "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
- 1804 to 1820
19
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
20
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
21
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
22
- Mary, Queen of Scots
- undated
23
- Elevation of Ruined Temple
- undated
24
- Brougham Castle
- undated
25
- Haymaking
- undated
26
- Landscape with Church in Background
- undated
27
- Westminster, during Queen Caroline's Trial
- undated
28
- Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
- undated
29
- Design for a Landscape Garden with Ponds Seen Through Trees
- undated
30
- Design for a Country House
- undated
31
- The Lightning Flash, Travellers in a Thunderstorm on a Woodland Road
- undated
32
- A Seascape
- undated
33
- Sheet of Studies of Hounds, Hare, Falcon and Ducks
- undated
34
- Premiere Position du Salut
- 1763
35
- Troisieme Position du Salut
- 1763
36
- Seconde Position du Salut
- 1763
37
- Cinquieme Position du Salut
- 1763
38
- Old Buildings at Hastings
- after 1819
39
- Indian Statue
- undated
40
- Welsh Landscape
- ca. 1800
41
- Court Yard of Caerlaverock Castle
- 1848
42
- Caerlaverock Castle Entrance Gateway and Flanking Towers
- 1848
43
- Ostrich
- 1796
44
- Utensils
- ca. 1790
45
- Painter-Stainers’ Hall
- 1799
46
- Man Seated on a Rock
- undated
47
- Landscape with Sportsman and Guns
- 1779
48
- Ship Building
- 1841
49
- Jewelry Designs
- undated
50
- Elevation of the Ordnance Office
- after 1780
51
- Classical Composition
- undated
52
- Interior Scene with Family at Tea
- undated
53
- Shipping off the Coast at Amalfi
- 1791
54
- Bacchanalia
- undated
55
- The Bridge
- undated
56
- Rider Leading a Second Horse, Leaving the Grounds of a Country House
- undated
57
- Racing Scene
- 1792
58
- Salmon Spearing
- undated
59
- Grouse Shooting: The Wrong Sort
- undated
60
- The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
- undated
61
- Langworth
- 1785
62
- Cranbourne Lodge
- undated
63
- A Tiger, Full-Length, in Profile, Walking Towards Right
- undated
64
- Glasgow Cathedral
- between 1794 and 1795
65
- The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
- undated
66
- Foxhunting: Going to Draw Cover..
- undated
67
- Trying the Mare
- 1813
68
- Foxhunting: Hunt Servants Returning Hounds to Kennels
- undated
69
- The Leicestershire Hunt - The Death
- undated
70
- The Loose Shoe
- undated
71
- Buy my Dish of Great Eels
- undated
72
- Stag Brought down by a Pack of Dogs
- undated
73
- A Village Scene with Peasants Resting
- undated
74
- A High Waterfall
- undated
75
- A Pawnbroker with His Client
- undated
76
- Pluscardine Abbey, Elgin
- ca. 1793
77
- Tolleshunt-Beckingham, Essex
- ca. 1795
78
- Dumbarton Rock and Castle
- ca. 1793
79
- An Audience at Drury Lane Theatre
- undated
80
- The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
- undated
81
- "Fanny", July 26, 1886
- 1886
![Mrs. P. D. H. Page Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]](https://media.collections.yale.edu/thumbnail/ycba/b9acbdc9-9f6f-423a-9f75-52341501015c)
82
- Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]
- undated
83
- Chestnut Mare and Foal
- undated
84
- Hounds in a Landscape
- undated
85
- Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)
- ca. 1785
86
- Peasant of Hierro
- 1825
87
- Parish Priest
- 1828
88
- Hand-mill for grinding Gofio, Tenerife
- ca. 1828
89
- The End of the Ruin'd Bridge at Rouen
- 1778
90
- Mourning at a Tomb
- between 1792 and 1794
91
- Man on Horseback and Other Figures
- undated
92
- Ma'm Vandercrout and Suitors
- undated
93
- Design for a Writing Table
- 1754
94
- Vue d'une Ancien Aquaduc a Alexandria Troas
- undated
95
- At Stirling (view with tools in foreground)
- 1861
96
- At Bridge of Allan
- 1861
97
- Spring - "From the Plains from the Woodlands and Groves, What Strains of Wild Melody Flow!"
- 1789
98
- Views in the Levant: An Obelisk and Two Columns
- ca. 1785
99
- Plain of Olympia, 9
- 1814
100
- Isthmus of Corinth, 32
- 1814