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101
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
102
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
103
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
104
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
105
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
106
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
107
- The Serpent who Girds the Earth (Design 77)
- between 1797 and 1798
108
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
109
- "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
- between 1797 and 1798
110
- "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
- between 1797 and 1798
111
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
112
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
113
- A Widower and Children (Design 35)
- between 1797 and 1798
114
- "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
- between 1797 and 1798
115
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
116
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
117
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
118
- "Los shudder'd at beholding Albion..." (Plate 40)
- 1804 to 1820
119
- "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
- 1804 to 1820
120
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
121
- "The banks of the Thames are clouded..." (Plate 5)
- 1804 to 1820
122
- "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
- 1804 to 1820
123
- "In beauty the Daughters of Albion divide..." (Plate 58)
- 1804 to 1820
124
- "To the Christians..." (Plate 77)
- 1804 to 1820
125
- "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
- 1804 to 1820
126
- "Encompass'd by the frozen Net..." (Plate 80)
- 1804 to 1820
127
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
128
- "I have heard Jerusalems groans..." (Plate 82)
- 1804 to 1820
129
- "Corruptability appears upon thy limbs..." (Plate 83)
- 1804 to 1820
130
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
131
- "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
- 1804 to 1820
132
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
133
- "The Feminine separates from the Masculine..." (Plate 90)
- 1804 to 1820
134
- "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
- 1804 to 1820
135
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
136
- "Then each an Arrow flaming from his Quiver..." (Plate 98)
- 1804 to 1820
137
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
138
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
139
- "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
- between 1797 and 1798
140
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
141
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
142
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
143
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
144
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
145
- "Midst the tide, Two angel forms were seen to glide..." (Design 7)
- between 1797 and 1798
146
- "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
- between 1797 and 1798
147
- "We the reins to slaughter give..." (Design 73)
- between 1797 and 1798
148
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
149
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
150
- A Standard Bearer Fainting in the Routed Battle (Design 87)
- between 1797 and 1798
151
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
152
- The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
- between 1797 and 1798
153
- Fame (Design 93)
- between 1797 and 1798
154
- "Fear to stop, and shame to fly..." (Design 91)
- between 1797 and 1798
155
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
156
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
157
- Frontispiece (Plate 1)
- 1793
158
- Nurse's Song (Plate 22)
- 1789
159
- The Lamb (Plate 8)
- 1789
160
- "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
- 1793
161
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
162
- The Author Writing (Design 105)
- between 1797 and 1798
163
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
164
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
165
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
166
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
167
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
168
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
169
- A Welch Bard (Design 53)
- between 1797 and 1798
170
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
171
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
172
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
173
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
174
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
175
- Night (Plate 16)
- 1789
176
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
177
- The Divine Image (Plate 12)
- 1789
178
- The Little Black Boy (Plate 30)
- 1789
179
- Spring, from Songs of Innocence
- ca. 1795
180
- The Shepherd, from Songs of Innocence
- ca. 1795
181
- Pity
- ca. 1795
182
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
183
- Illustration to Beaumont and Fletcher
- undated
184
- Greatheart's Battle with Grim
- undated
185
- Illustration to Tonson's Ovid Metamorphosis (one of four)
- ca. 1710
186
- Illustration to Tonson's Ovid Metamorphosis (three of four)
- ca. 1710
187
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
188
- Illustration to Tonson's Ovid Metamorphis (four of four)
- ca. 1710
189
- Head of a Man with a Beard and Long Hair in the Wind
- 1786
190
- Malvolio: Possibly a Self-Portrait in the Role
- undated
191
- Illustration to the Maids of Elfen-Mere
- 1854
192
- Designs for Illustrations to Beethoven's Works
- undated
193
- Study for the Figures of Demitrius and Two Workmen
- undated
194
- Literary Characters Assembled Around the Medallion of Shakespeare
- 1776
195
- Prospero Summoning Ariel
- ca. 1800
196
- Apotheosis of Shakespeare's Characters
- 1871
197
- Design for Love's Labour's Lost
- 1839
198
- Title page for "The Guardian"
- undated
199
- Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)
- undated
200
- Enter Malvolio, Crossgartered..
- 1863