Materials & Techniques: black ink / Period: 19th century / Subject Terms: clouds - YCBA Collections Search Search Results

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Materials & Techniques black ink

Period 19th century

Subject Terms clouds

Joseph Mallord William Turner Ship Aground, Brighton, with the Chain Pier Beyond

Joseph Mallord William Turner, 1775–1851

Ship Aground, Brighton, with the Chain Pier Beyond

1830

Joseph Mallord William Turner View of Hampton Court, Herefordshire, from the Northwest

Joseph Mallord William Turner, 1775–1851

View of Hampton Court, Herefordshire, from the Northwest

ca. 1806

Joseph Mallord William Turner Andernach

Joseph Mallord William Turner, 1775–1851

Andernach

1817

William Blake "To the Public. After my three years slumber..." (Plate 3)

Print made by William Blake, 1757–1827

"To the Public. After my three years slumber..." (Plate 3)

1804 to 1820

William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Print made by William Blake, 1757–1827

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

1804 to 1820

William Blake "And this the form of mighty Hand..." (Plate 70)

Print made by William Blake, 1757–1827

"And this the form of mighty Hand..." (Plate 70)

1804 to 1820

William Blake "The Four Zoa's clouded rage..." (Plate 74)

Print made by William Blake, 1757–1827

"The Four Zoa's clouded rage..." (Plate 74)

1804 to 1820

William Blake "I have mock'd those who refused cruelty..." (Plate 81)

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

William Blake "Rose up against me thundering..." (Plate 8)

Print made by William Blake, 1757–1827

"Rose up against me thundering..." (Plate 8)

1804 to 1820

William Blake "Bath, healing City!..." (Plate 45)

Print made by William Blake, 1757–1827

"Bath, healing City!..." (Plate 45)

1804 to 1820

William Blake "To the Christians..." (Plate 77)

Print made by William Blake, 1757–1827

"To the Christians..." (Plate 77)

1804 to 1820

William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Print made by William Blake, 1757–1827

Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

1804 to 1820

William Blake "I have heard Jerusalems groans..." (Plate 82)

Print made by William Blake, 1757–1827

"I have heard Jerusalems groans..." (Plate 82)

1804 to 1820

William Blake "Corruptability appears upon thy limbs..." (Plate 83)

Print made by William Blake, 1757–1827

"Corruptability appears upon thy limbs..." (Plate 83)

1804 to 1820

William Blake "Why wilt thou give to her a Body..." (Plate 12)

Print made by William Blake, 1757–1827

"Why wilt thou give to her a Body..." (Plate 12)

1804 to 1820

William Blake "One hair nor particle of dust..." (Plate 14)

Print made by William Blake, 1757–1827

"One hair nor particle of dust..." (Plate 14)

1804 to 1820

William Blake "They saw their Wheels rising up poisonous..." (Plate 43)

Print made by William Blake, 1757–1827

"They saw their Wheels rising up poisonous..." (Plate 43)

1804 to 1820

William Blake "But when they saw Albion fall'n..." (Plate 20)

Print made by William Blake, 1757–1827

"But when they saw Albion fall'n..." (Plate 20)

1804 to 1820

William Blake "His western heaven with rocky clouds..." (Plate 31)

Print made by William Blake, 1757–1827

"His western heaven with rocky clouds..." (Plate 31)

1804 to 1820

William Blake "Leaning against the pillars..." (Plate 32)

Print made by William Blake, 1757–1827

"Leaning against the pillars..." (Plate 32)

1804 to 1820

William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Print made by William Blake, 1757–1827

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

1804 to 1820

William Blake The Parable of the Wise and Foolish Virgins

William Blake, 1757–1827

The Parable of the Wise and Foolish Virgins

ca. 1825

John White Abbott A View of Core's Library, Dawlish, Devon

John White Abbott, 1763–1851

A View of Core's Library, Dawlish, Devon

1837

James Ward Snowdon, an Approaching Storm

James Ward, 1769–1859

Snowdon, an Approaching Storm

1853

Henry Haseler Sidmouth from Offshore

Henry Haseler, active 1814–1825

Sidmouth from Offshore

ca. 1815

Samuel Owen Ships on a Stormy Sea

Samuel Owen, 1768–1857

Ships on a Stormy Sea

1836

James Wyatt Design for an Unidentified Country House

James Wyatt, 1746–1813

Design for an Unidentified Country House

ca. 1800

John Nixon At Brighton, 1804: Three Women, Child and Man Looking Out to Sea

John Nixon, ca. 1760–1818

At Brighton, 1804: Three Women, Child and Man Looking Out to Sea

1804

Anna Mills The Entrance to Hengrave Hall, 1819

Anna Mills, active 1819

The Entrance to Hengrave Hall, 1819

1819

John Martin The Daughters of Jerusalem Weeping by the Waters of Babylon

John Martin, 1789–1854

The Daughters of Jerusalem Weeping by the Waters of Babylon

1834

John Martin Christ Stilling the Tempest

Attributed to John Martin, 1789–1854

Christ Stilling the Tempest

undated

Henry Monro High Street at Bushey, Hertfordshire

Henry Monro, 1791–1814

High Street at Bushey, Hertfordshire

1812

Henry Monro A Wooded Track

Henry Monro, 1791–1814

A Wooded Track

1813

Thomas Shotter Boys View Near Arundel Castle

Thomas Shotter Boys, 1803–1874

View Near Arundel Castle

1823 and 1874

Sir Robert Smirke the younger Design for London Bridge Approach

Print made by Sir Robert Smirke the younger, 1781–1867

Design for London Bridge Approach

between 1827 and 1835

Thomas Shotter Boys The North-West Porch of Salisbury Cathedral

Thomas Shotter Boys, 1803–1874

The North-West Porch of Salisbury Cathedral

1832

Thomas Shotter Boys Le Pont Royal, Paris

Thomas Shotter Boys, 1803–1874

Le Pont Royal, Paris

ca. 1828

John Glover St. Davids Head, Pembrokeshire

John Glover, 1767–1849

St. Davids Head, Pembrokeshire

ca. 1805

Thomas Baker of Leamington A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

Attributed to Thomas Baker of Leamington, 1809–1864

A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

1848

John Linnell Job's Despair

circle of John Linnell, 1792–1882

Job's Despair

undated

John Linnell The Vision of Eliphaz

circle of John Linnell, 1792–1882

The Vision of Eliphaz

undated

Sir Jeffry Wyatville Windsor Castle, Berkshire: South-Facing View of the Upper Ward

Studio of Sir Jeffry Wyatville, 1766–1840

Windsor Castle, Berkshire: South-Facing View of the Upper Ward

ca. 1830

Sir Jeffry Wyatville Windsor Castle, Berkshire: Distant View from the North

Studio of Sir Jeffry Wyatville, 1766–1840

Windsor Castle, Berkshire: Distant View from the North

1830

Sir Jeffry Wyatville Windsor Castle, Berkshire: North-Facing View of the Upper Ward

Studio of Sir Jeffry Wyatville, 1766–1840

Windsor Castle, Berkshire: North-Facing View of the Upper Ward

ca. 1830

Sir Jeffry Wyatville Windsor Castle, Berkshire: Distant View from the South

Studio of Sir Jeffry Wyatville, 1766–1840

Windsor Castle, Berkshire: Distant View from the South

ca. 1830

Sir Jeffry Wyatville Windsor Castle, Berkshire: Distant View from the South

Studio of Sir Jeffry Wyatville, 1766–1840

Windsor Castle, Berkshire: Distant View from the South

ca. 1830

Sir Jeffry Wyatville Windsor Castle, Berkshire: East View

Studio of Sir Jeffry Wyatville, 1766–1840

Windsor Castle, Berkshire: East View

ca. 1830

John Doyle ('H.B.') The Harpies Attacking the Daughters of Pandarus

Print made by John Doyle ('H.B.'), 1797–1868

The Harpies Attacking the Daughters of Pandarus

1848

James Pattison Cockburn Italianate Landscape

James Pattison Cockburn, 1779–1847

Italianate Landscape

ca. 1832

unknown artist Windmill

unknown artist

Windmill

undated

unknown artist Rushton Hall, Northamptonshire

unknown artist

Rushton Hall, Northamptonshire

ca. 1840