Skip to splash images
Yale Center for British Art Home Page
<< YCBA Home
Yale Center for British Art
Yale Center for British Art
<< YCBA Home
Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
    Search Options:
Search in
Simple Search
All Fields
Title
Creator
Subject Terms
Call Number
Search Provenance
Fielded
search for
Search
YCBA Collections Search
Toggle facets
Refine your search
Collection
Prints and Drawings
53
Creator
Blake, William, 1757–1827
22
Carter, John, 1748–1817
9
Parish, Henry William, active 1792
4
Tambat, Gangaram Chintaman, active 1790s
3
Alexander, William, 1767–1816
2
Cockburn, James Pattison, 1779–1847
2
Davis, Samuel, 1760–1819
2
Farington, Joseph, 1747–1821
2
Daniell, Thomas, 1749–1840
1
Daniell, William, 1769–1837
1
Girtin, Thomas, 1775–1802
1
Hand, Thomas, died 1804
1
Harraden, Richard Banks, 1778–1862
1
Howitt, Samuel, 1756–1822
1
Pyne, William Henry, 1769–1843
1
Ritso, John Lt., 1772–1866
1
Varley, John, 1778–1842
1
Date
1796
307
1771
238
1745
237
1800
171
1773
136
1785
136
1804
130
1814
128
1775
115
1790
110
1772
100
1832
93
1700
91
1791
89
1797
86
1780
78
1799
74
1839
74
1789
64
1794
64
1763
63
1795
59
0
56
1705
56
1910
54
1793
[remove]
53
1781
51
1827
47
1770
43
1807
42
1817
42
1802
40
1825
39
1801
36
1830
36
1818
34
1768
33
1762
32
1767
31
1820
31
1811
30
1755
29
1765
28
1812
27
1823
27
1826
27
1776
26
1782
26
1787
26
1815
26
1748
25
1828
25
1761
24
1774
24
1798
24
1819
24
1715
22
1760
22
1783
22
1758
21
1759
21
1788
21
1792
21
1717
20
1778
20
1736
19
1740
19
1751
19
1753
19
1806
19
1867
19
1746
18
1805
18
1834
18
1857
18
1813
17
1822
17
1730
16
1764
16
1777
16
1784
16
1906
16
1712
15
1752
15
1779
15
1847
15
1848
15
1893
15
1749
14
1750
14
1843
14
1851
14
1810
13
1835
13
1900
13
1932
13
1803
12
1808
12
1756
11
1786
11
On-site Access
Accessible by appointment in the Study Room
53
Image Use
Free to Use
53
Image Available
Available
50
Unavailable
3
Classification
Drawings & Watercolors
31
Prints
22
Creator Gender
male
53
Collective Title
America. A Prophecy, Copy M
18
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
4
Visions of the Daughters of Albion, Copy I
4
Views in the Province of Kiang Nan, China
1
Period
18th century
49
18th century-19th century
4
Materials & Techniques
black ink
[remove]
53
watercolor
36
wove paper
36
graphite
24
relief etching
22
laid paper
17
color printing
10
gray wash
8
pens
7
brown ink
4
gouache
3
gray ink
3
pen
3
black wash
2
brown wash
1
squaring (transferring technique)
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
48
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
9
to
68
Work Type
drawing
53
watercolor
42
relief print
22
frontispiece
2
Genre
architectural subject
21
religious and mythological subject
18
landscape
11
marine art
6
literary theme
5
genre subject
4
cityscape
1
Subject Terms
architectural subject
21
men
21
text
20
religious and mythological subject
18
nudes
17
women
13
clouds
10
landscape
10
trees
10
snake
7
flames
5
literary theme
5
marine art
5
serpent
5
vines
5
cave
4
chains
4
children
4
fire
4
shackles
4
more
Subject Terms
»
Associated Places
England
11
United Kingdom
11
City of Westminster
9
London
9
Palace of Westminster
9
Ellora
3
Europe
3
India
3
Asia
2
China
2
Alamgir Mosque
1
Cambridgeshire
1
Clare College
1
Fort Al Jalali
1
Fort Al-Mirani
1
Ganges
1
Italy
1
Masqat
1
Oman
1
Ouse
1
more
Associated Places
»
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
19
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
18
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
9
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
9
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
4
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
4
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
2
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Masters of the Sea - British Marine Watercolors (National Maritime Museum, 2005-08-25 - 2005-10-25)
1
Masters of the Sea - British Marine Watercolors (Yale Center for British Art, 1987-06-10 - 1987-08-02)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
53
Search Constraints
Start Over
You searched for:
Materials & Techniques
black ink
Remove constraint Materials & Techniques: black ink
Date
1793
Remove constraint Date: 1793
1
-
53
of
53
Sort by collection
collection
relevance
artist (A-Z)
date
title (A-Z)
Number of results to display per page
100 per page
100
per page
50
per page
15
per page
View results as:
List
Masonry
Search Results
1
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
2
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
3
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
4
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
5
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
6
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
7
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
8
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
9
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
10
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
11
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
12
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
13
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
14
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
15
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
16
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
17
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
18
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
19
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
20
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
21
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
22
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
23
Lt. John Ritso, 1772–1866
Gateway of an Old Fort, Benares
1793 or 179(8)
24
Gangaram Chintaman Tambat, active 1790s
Inside View of Indur Subba
between 1793 and 1795
25
John Varley, 1778–1842
Architectural Drawing of a Building with Astrological Symbols
undated
26
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
27
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
28
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
29
Gangaram Chintaman Tambat, active 1790s
View of a Rock-Carved Temple, Ellora
1793 or 1795
30
Gangaram Chintaman Tambat, active 1790s
Outside View of Biskurma ka Joompree (Vishvakarma)
1793
31
William Henry Pyne, 1769–1843
A Boy Playing a Drum in the Garden of a Country House
1793
32
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
33
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
34
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
35
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
36
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
37
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
38
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
39
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
40
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
41
Henry William Parish, active 1792
Straits of Sunda
1793
42
Joseph Farington, 1747–1821
View of the Convent of the Clarisses at Valenciennes after the Seige
1793
43
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
44
James Pattison Cockburn, 1779–1847
Procession in a Church
undated
45
James Pattison Cockburn, 1779–1847
An Italian Fete: Figures on Terrace of a Palazzo
undated
46
William Alexander, 1767–1816
Fisherpeople on a Junk
1793
47
William Alexander, 1767–1816
View in the Province of Kiang-nan, China, Taken from Nature
1793
48
Thomas Daniell, 1749–1840
East View of the Forts Jellali and Merani, Muskat
1793
49
Joseph Farington, 1747–1821
View of St. Nicholas Church at Valenciennes after the Siege
1793
50
Samuel Davis, 1760–1819
Sirree
July 1793
51
Henry William Parish, active 1792
Three Views of the Strait of Sunda
1793
52
Henry William Parish, active 1792
Watering Place of Nauka Islands, off Banca, 1 May
1793
53
Henry William Parish, active 1792
Seascape with Two Boats
1793