Materials & Techniques: black ink / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: light - YCBA Collections Search Search Results

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Materials & Techniques black ink

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms light

1. Barnard Castle

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and black ink, gouache and scratching out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 x 16 1/4 inches (29.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Beginning of Poesy. The Blind Begging Bard (Design 41)

The Beginning of Poesy. The Blind Begging Bard (Design 41)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. "Cytherea's Day..." (Design 45)

"Cytherea's Day..." (Design 45)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Jerusalem, Frontispiece (Plate 1)

Jerusalem, Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. "Awake! Awake Jerusalem..." (Plate 97)

"Awake! Awake Jerusalem..." (Plate 97)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Moses Receiving the Law

Moses Receiving the Law

Creator:: William Blake, 1757–1827
Date:: ca. 1780
Materials & Techniques:: Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. A Street in Florence with the Duomo and Campanile in the Background

A Street in Florence with the Duomo and Campanile in the Background

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 18 1/4 x 22 1/2 inches (46.3 x 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Sketch for the Oil Painting "The Conversion of St. Paul"

Sketch for the Oil Painting "The Conversion of St. Paul"

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Views in the Levant: Temple Ruins at Paestum

Views in the Levant: Temple Ruins at Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Ship Building

Creator:: William Callow, 1812–1908
Date:: 1841
Materials & Techniques:: Watercolor with pen and brown and black ink, over graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 13 3/8 inches (21.7 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. A View on the Brathay near Ambleside

A View on the Brathay near Ambleside

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 × 10 1/8 inches (17.8 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Vision of Eliphaz

The Vision of Eliphaz

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 3 3/4 inches (13.3 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection