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Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSearch Results
1
- Arab Horsemen, Two Grey Horses
- 1965
2
- Moving Up to Challenge
- 1963
3
- Arab Horsemen, One Brown and One Gray Horse
- 1965
4
- Over the Bank, Exmoor
- ca. 1895
5
- Huntsman and Hounds
- ca. 1896
6
- A Harrow in the Orchard
- ca. 1896
7
- Brighton Beach Looking West
- undated
8
- A View on the Orwell
- undated
9
- The Valley of Vision
- undated
10
- Cornfield and Church by Moonlight
- early 1830s
11
- Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
- ca. 1840
12
- A Cottage among Trees, Shoreham
- undated
13
- An Ancient Barn at Shoreham
- undated
14
- Opening the Fold: Early Morning
- ca. 1880
15
- A Cow Lodge with a Mossy Roof
- ca. 1829
16
- The Timber Wain
- between 1833 and 1834
17
- Horses Fighting
- undated
18
- Grotesque Male Head
- undated
19
- Grotesque Male Head
- undated
20
- Grotesque Female Head
- undated
21
- Grotesque Male Head
- undated
22
- Grotesque Male Head
- undated
23
- Grotesque Female Head
- undated
24
- Grotesque Male Head
- undated
25
- Grotesque Male Head
- undated
26
- Grotesque Female Head
- undated
27
- Grotesque Male Head
- undated
28
- Grotesque Male Head
- undated
29
- Grotesque Male Head
- undated
30
- Grotesque Female Head
- undated
31
- Grotesque Male Head
- undated
32
- Grotesque Female Head
- undated
33
- Ship Aground, Brighton, with the Chain Pier Beyond
- 1830
34
- Lake Geneva and Mount Blanc
- 1802 to 1805
35
- Leeds
- 1816
36
- Villa d'Este
- ca. 1796
37
- View of Hampton Court, Herefordshire, from the Northwest
- ca. 1806
38
- Barnard Castle
- ca. 1825
39
- Andernach
- 1817
40
- Rome from Monte Mario
- ca. 1818
41
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
42
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
43
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
44
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
45
- The Capo Sant' Angelo, Amalfi
- ca. 1885
46
- Bavella, Corsica
- ca. 1868
47
- Catania
- 1847
48
- The Wave
- undated
49
- The Little Black Boy (Plate 6)
- 1789
50
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
51
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
52
- The Little Girl Lost (Plate 20)
- 1789
53
- The Divine Image (Plate 24)
- 1789
54
- Night (Plate 30)
- 1789
55
- Introduction (Plate 34)
- 1794
56
- Frontispiece (Plate 1)
- 1793
57
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
58
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
59
- The Shepherd (Plate 4)
- 1789
60
- The Ecchoing Green (Plate 8)
- 1789
61
- Laughing Song (Plate 14)
- 1789
62
- The Lamb (Plate 18)
- 1789
63
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
64
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
65
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
66
- "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
- between 1797 and 1798
67
- A Welch Bard (Design 53)
- between 1797 and 1798
68
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
69
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
70
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
71
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
72
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
73
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
74
- A Standard Bearer Fainting in the Routed Battle (Design 87)
- between 1797 and 1798
75
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
76
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
77
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
78
- Night (Plate 16)
- 1789
79
- Nurse's Song (Plate 22)
- 1789
80
- On Anothers Sorrow (Plate 24)
- 1789
81
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
82
- The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
- between 1797 and 1798
83
- "Fear to stop, and shame to fly..." (Design 91)
- between 1797 and 1798
84
- Fame (Design 93)
- between 1797 and 1798
85
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
86
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
87
- The Divine Image (Plate 12)
- 1789
88
- Spring (Plate 26)
- 1789
89
- The Lamb (Plate 8)
- 1789
90
- "Turning his back to the Divine Vision..." (Plate 33)
- 1804 to 1820
91
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
92
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
93
- "Thus Albion sat, studious of others..." (Plate 42)
- 1804 to 1820
94
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
95
- "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
- 1804 to 1820
96
- "The banks of the Thames are clouded..." (Plate 5)
- 1804 to 1820
97
- "In Great Eternity every particular Form..." (Plate 54)
- 1804 to 1820
98
- "Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
- 1804 to 1820
99
- "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
- 1804 to 1820
100
- "In beauty the Daughters of Albion divide..." (Plate 58)
- 1804 to 1820