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Materials & Techniques black ink

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Height [cm] 23

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Edward Lear Bavella, Corsica
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake "To labours mighty, with vast strength..." (Plate 11)
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "Bath, mild Physician of Eternity..." (Plate 46)
Print made by William Blake, 1757–1827
"Bath, mild Physician of Eternity..." (Plate 46)
1804 to 1820
William Blake "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
Print made by William Blake, 1757–1827
"These were his last words, and the merciful Saviour in his arms..." (Plate 48)
1804 to 1820
William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
William Blake Chapter 3 Frontispiece (Plate 51)
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "And formed into Four precious stones..." (Plate 59)
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
William Blake "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
Print made by William Blake, 1757–1827
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "And Rahab Babylon the Great..." (Plate 75)
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
William Blake "His Children exil'd from his breast..." (Plate 19)
Print made by William Blake, 1757–1827
"His Children exil'd from his breast..." (Plate 19)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake "Then the Divine hand found the Two Limits..." (Plate 35)
Print made by William Blake, 1757–1827
"Then the Divine hand found the Two Limits..." (Plate 35)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Print made by William Blake, 1757–1827
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
1804 to 1820
William Blake "Jehovah stood among the Druids..." (Plate 63)
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "Thus Albion sat, studious of others..." (Plate 42)
Print made by William Blake, 1757–1827
"Thus Albion sat, studious of others..." (Plate 42)
1804 to 1820
William Blake "Bath who is Legions..." (Plate 41)
Print made by William Blake, 1757–1827
"Bath who is Legions..." (Plate 41)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "The Four Zoa's clouded rage..." (Plate 74)
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake Frontispiece, The Ancient of Days (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece, The Ancient of Days (Plate 1)
1794
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
Peter Monamy Landing of William of Orange at Tor Bay
Peter Monamy, 1681–1749
Landing of William of Orange at Tor Bay
1688
James Bruce Sketch of Elevation of Amphitheatre at El Djem showing archways
James Bruce, 1730–1794
Sketch of Elevation of Amphitheatre at El Djem showing archways
undated
Edward Francis Burney Pastoral
Edward Francis Burney, 1760–1848
Pastoral
undated
Edward Francis Burney Female Figure carrying Water Jug on her Head
Edward Francis Burney, 1760–1848
Female Figure carrying Water Jug on her Head
undated
John Augustus Atkinson Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter
John Augustus Atkinson, 1775–1831
Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter
undated
Henri Gaudier-Brzeska Nine Figure Studies
Henri Gaudier-Brzeska, 1891–1915
Nine Figure Studies
between 1910 and 1915
Henri Gaudier-Brzeska Three Studies for a Female Figure
Henri Gaudier-Brzeska, 1891–1915
Three Studies for a Female Figure
between 1910 and 1915
Henri Gaudier-Brzeska Two Studies for a Sculpture
Henri Gaudier-Brzeska, 1891–1915
Two Studies for a Sculpture
between 1910 and 1915
James Gwin Position de la Garde en Quarte, et le Coup de Flanconnade
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
James Gwin Quatrieme Position du Salut
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
James Gwin De la Parade du Cavé sur le Coup de Flanconnade
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
James Gwin Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
James Gwin Position pour la Garde en Tierce
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
Dirk Langendyck British Troops Disembarking
Dirk Langendyck, 1748–1805
British Troops Disembarking
1799
James Gwin Position pour la Garde en Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
James Gwin Premiere Position pour tirer L'Epée
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
James Gwin Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
James Gwin Position de la Garde de Tierce et le Coup de Seconde
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
James Gwin Position pour la Garde en Quarte et le Coup de Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
James Gwin Position pour le Garde en Tierce et le Coup de Tierce
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
George Frederic Watts Studies for the Angels in The Court of Death
George Frederic Watts, 1817–1904
Studies for the Angels in The Court of Death
undated
Henri Gaudier-Brzeska Three Figure Studies
Henri Gaudier-Brzeska, 1891–1915
Three Figure Studies
between 1910 and 1915
James Gwin De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
James Gwin De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
William Swainson Sooty Falcon
William Swainson, 1789–1855
Sooty Falcon
ca. 1837
Dante Gabriel Rossetti Dante in Meditation Holding a Pomegranate
Dante Gabriel Rossetti, 1828–1882
Dante in Meditation Holding a Pomegranate
ca. 1852
John Thomas Serres Plymouth Roads
John Thomas Serres, 1759–1825
Plymouth Roads
undated
John Maurer The Mansion House
John Maurer, active 1713–1761
The Mansion House
undated
Charles Tomkins Swakeley House, Middlesex
Charles Tomkins, 1757–1823
Swakeley House, Middlesex
undated
Gangaram Chintaman Tambat Man with a Yellow Shawl Sitting Crosslegged
Gangaram Chintaman Tambat, active 1790s
Man with a Yellow Shawl Sitting Crosslegged
undated
Gangaram Chintaman Tambat Devotee in a Green Turban
Gangaram Chintaman Tambat, active 1790s
Devotee in a Green Turban
ca. 1790
Augustus Welby Northmore Pugin Window West End, South Aisle, Saint Vincent
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
James Wales A Nautch or Dance
Attributed to James Wales, ca.1747–1795
A Nautch or Dance
ca. 1792
Sir Robert Smirke the younger The Mad House in the Suburbs of Vienna
Sir Robert Smirke the younger, 1781–1867
The Mad House in the Suburbs of Vienna
1804
Giovanni Battista Borra Mausolio d'Haliatte in Faccia a Sardes
Giovanni Battista Borra, 1713–1770
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
Giovanni Battista Borra Situazione Di Ceramo
Giovanni Battista Borra, 1713–1770
Situazione Di Ceramo
ca. 1750
Giovanni Battista Borra View of the Valley of Laodicea
Giovanni Battista Borra, 1713–1770
View of the Valley of Laodicea
ca. 1750
Giovanni Battista Borra Is'Tmo di Cizico unito al Continente
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
William Roberts Troubadors
William Roberts, 1895–1980
Troubadors
ca. 1919
William Wickham Unidentified House for Giles Hudson, Putney, Surrey: Garden Front Elevation
William Wickham, born ca.1750
Unidentified House for Giles Hudson, Putney, Surrey: Garden Front Elevation
undated
Sawrey Gilpin A Greyhound
Sawrey Gilpin, 1733–1807
A Greyhound
1760
Sawrey Gilpin East View of Furness Abbey
Sawrey Gilpin, 1733–1807
East View of Furness Abbey
undated
Sawrey Gilpin Dwelling on a Riverbank
Sawrey Gilpin, 1733–1807
Dwelling on a Riverbank
undated
Sawrey Gilpin A Cottage
Sawrey Gilpin, 1733–1807
A Cottage
1760
Sir Robert Smirke the younger Studies of Drinking and Pouring Vessels, at the Vatican Library
Sir Robert Smirke the younger, 1781–1867
Studies of Drinking and Pouring Vessels, at the Vatican Library
1802-1804
Giovanni Battista Borra View of the Valley of Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
Luigi Balugani Ensete ventricosum
Luigi Balugani, 1737–1770
Ensete ventricosum
undated
John James Barralet Landscape with Ledbury Church Spire
John James Barralet, 1747–1815
Landscape with Ledbury Church Spire
undated
Thomas Hearne Goodrich Castle on the Wye
Thomas Hearne, 1744–1817
Goodrich Castle on the Wye
ca. 1785
Samuel Howitt Horses and Wagon Outside a Cottage
Samuel Howitt, 1756–1822
Horses and Wagon Outside a Cottage
undated
James Bruce Quadrifrontal Arch Tripoli
James Bruce, 1730–1794
Quadrifrontal Arch Tripoli
undated
James Bruce Sketches of architectural detail of temple at Baalbec
James Bruce, 1730–1794
Sketches of architectural detail of temple at Baalbec
undated