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401. A Little Boy Lost (Plate 43)

A Little Boy Lost (Plate 43)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

402. The Chimney Sweeper (Plate 45)

The Chimney Sweeper (Plate 45)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

403. My Pretty Rose Tree (Plate 47)

My Pretty Rose Tree (Plate 47)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

404. The Fly (Plate 48)

The Fly (Plate 48)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

405. Thel's Motto (Plate 1)

Thel's Motto (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and green ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

406. Title Page, The Book of Thel (Plate 2)

Title Page, The Book of Thel (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

407. III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

408. "Her voice pierc'd Albions clay cold ear..." (Plate 95)

"Her voice pierc'd Albions clay cold ear..." (Plate 95)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

409. Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Creator:
Printed by William Blake, 1757–1827
Date:
1789-1794
Materials & Techniques:
Bound volume of relief etchings printed in dark-brown ink, with hand coloring in watercolor on wove paper
Dimensions:
Spine: 7 3/8 inches (18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

410. 'The longest night though longer far, would fail' (Page 15)

'The longest night though longer far, would fail' (Page 15)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

411. 'Till at Death's toll, whose restless iron tongue' (Page 7)

'Till at Death's toll, whose restless iron tongue' (Page 7)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

412. I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

413. 'Behold him, when past by; what then is seen' (Page 25)

'Behold him, when past by; what then is seen' (Page 25)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

414. Original Frontispiece for 'Book of Ballads' (Bon Gaultier)

Original Frontispiece for 'Book of Ballads' (Bon Gaultier)
Creator:
Alfred Henry Forrester, 1804–1872
Date:
ca. 1845
Materials & Techniques:
Pen and black ink, watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 5 3/8 inches (18.7 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

415. A Crane

A Crane
Creator:
James de Carle Sowerby, 1787–1871
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 7 7/16 inches (23.2 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

416. Preparatory drawing for the Title page, "Designs for Villas" (A Collection of Designs for Rural Retreats)

Preparatory drawing for the Title page, "Designs for Villas" (A Collection of Designs for Rural Retreats)
Creator:
James Malton, 1761–1803
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/16 × 7 7/8 inches (13.2 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

417. Drawing for Front Cover of "Rough Ride"

Drawing for Front Cover of "Rough Ride"
Creator:
David Tremlett, born 1945
Date:
1985
Materials & Techniques:
Pastel on medium, slightly textured, white wove paper
Dimensions:
Sheet: 5 7/8 × 8 1/4 inches (14.9 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

418. Drawing for Page 11 of "Rough Ride" - Once Had a Donkey / Ride Up and Find It

Drawing for Page 11 of "Rough Ride" - Once Had a Donkey / Ride Up and Find It
Creator:
David Tremlett, born 1945
Date:
1985
Materials & Techniques:
Pastel and graphite on medium, slightly textured, white wove paper
Dimensions:
Sheet: 5 7/8 × 8 1/4 inches (14.9 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

419. Choice of Paris

Choice of Paris
Creator:
Print made by Thomas Gilks, active 1866–1876
Date:
1860
Materials & Techniques:
Wood-engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

420. Title Page of "A Series of Sixteen Etchings of Scenes of the Thames and Other Subjects"

Title Page of "A Series of Sixteen Etchings of Scenes of the Thames and Other Subjects"
Creator:
James McNeill Whistler, 1834–1903
Date:
1871
Materials & Techniques:
Letterpress on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 9 1/2 inches (38.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

421. The Two Asses

The Two Asses
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 1/8 inches (26.7 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

422. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 11/16 inches (21.3 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

423. Amstelodamum, no. 1

Amstelodamum, no. 1
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint, printed with black ink and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 13/16 x 5 1/2 inches (12.3 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. M.J. Sharpe for the Richard Sharpe V, B.S. 1873, Collection

424. The Two Asses

The Two Asses
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 1/16 x 6 7/8 inches (28.1 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

425. The Two Asses

The Two Asses
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1863
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 6 7/8in. (26.4 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

426. Drawing for Page 5 of "Rough Ride" - Corroboree

Drawing for Page 5 of "Rough Ride" - Corroboree
Creator:
David Tremlett, born 1945
Date:
1985
Materials & Techniques:
Graphite and pastel on medium, slightly textured, white wove paper
Dimensions:
Sheet: 5 7/8 × 8 1/4 inches (14.9 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

427. Drawing for Page 14 of "Rough Ride"

Drawing for Page 14 of "Rough Ride"
Creator:
David Tremlett, born 1945
Date:
1985
Materials & Techniques:
Graphite and pastel on medium, slightly textured, white wove paper
Dimensions:
Sheet: 6 × 16 inches (15.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

428. Carew Castle South Wales

Carew Castle South Wales
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 10 3/4 inches (21.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

429. Abstract Figure Study

Abstract Figure Study
Creator:
Wyndham Lewis, 1882–1957
Date:
1921
Materials & Techniques:
Pen and black ink with white gouache on medium, smooth, cream wove printed paper
Dimensions:
Sheet: 10 3/8 x 6 7/8 inches (26.4 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

430. Sur la Terasse, Parnasse

Sur la Terasse, Parnasse
Creator:
C. R. W. Nevinson, 1889–1946
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 20 1/4 x 23 13/16in. (51.5 x 60.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

431. Study of a Soldier with a Rifle

Study of a Soldier with a Rifle
Creator:
Augustus Edwin John, 1878–1961
Date:
undated
Materials & Techniques:
Pen and black ink on thin, smooth, lined beige wove paper
Dimensions:
Sheet: 9 3/4 × 7 5/16 inches (24.8 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

432. The Esplanade, Weymouth

The Esplanade, Weymouth
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

433. Drawings after "A Voyage Round Great Britain"

Drawings after "A Voyage Round Great Britain"
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

434. The Mangosteen Fruit, Malacca

The Mangosteen Fruit, Malacca
Creator:
Samuel Davis, 1760–1819
Date:
1793
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 10 1/4 inches (17.8 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

435. Titlepage and thirteen sheets of ms. description for "Thoughts and Pencillings"

Titlepage and thirteen sheets of ms. description for "Thoughts and Pencillings"
Creator:
Charles Dyce, active 1848
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 3/4 × 18 1/8 inches (29.8 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

436. Native of Tacocronte, Tenerife

Native of Tacocronte, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1825
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 7 3/8 inches (24.1 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

437. Tom Phillips: Graphics. Bluecoat Gallery.

No cover image available
Creator:
Print made by Tom Phillips, born 1937
Date:
1981
Materials & Techniques:
Offset print on thin, smooth, cream wove paper
Dimensions:
Sheet: 21 x 16 1/2in. (53.3 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Keith C. and Mildred B. Marshall

438. Sixteen Appearances of the Union Jack

No cover image available
Creator:
Tom Phillips, born 1937
Date:
1974
Materials & Techniques:
Screen print; artist's proof on thick, moderately textured, white wove paper
Dimensions:
Sheet: 18 1/4 x 26 7/8in. (46.4 x 68.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Keith C. and Mildred B. Marshall

439. O Chateaux, O Cezanne, Don't You Cry for Me

No cover image available
Creator:
Tom Phillips, born 1937
Date:
1970
Materials & Techniques:
Screen print and color lithograph
Dimensions:
Sheet: 19 11/16 x 18 11/16in. (50 x 47.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Keith C. and Mildred B. Marshall

440. Irma: The Score

No cover image available
Creator:
Tom Phillips, born 1937
Date:
1969
Materials & Techniques:
Screen print; proof on medium, smooth, beige wove paper
Dimensions:
Sheet: 19 7/8 x 19 7/8in. (50.5 x 50.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Keith C. and Mildred B. Marshall

441. Comic Valentine

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 3/4 × 4 inches (17.1 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

442. Freud's Glasses - Viewing a Text by Jung (I)

No cover image available
Creator:
Tomoko Yoneda, born 1965
Date:
1998
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Sheet: 29 1/2 × 29 1/2 inches (74.9 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

443. Freud's Glasses - Viewing a Text by Jung (II)

No cover image available
Creator:
Tomoko Yoneda, born 1965
Date:
1998
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Sheet: 39 1/2 × 37 1/2 inches (100.3 × 95.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

444. Exhibition poster for Dirty Words Pictures, Serpentine Gallery, London, 2002

No cover image available
Creator:
after Gilbert & George
Date:
2002
Materials & Techniques:
Halftone photomechanical print on medium, smooth, white glossy wove paper
Dimensions:
Sheet: 39 3/8 × 27 1/4 inches (100 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Scott B. Wilcox, Yale PhD., 1985