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101. Figure Standing, with a Bent Knee

Figure Standing, with a Bent Knee
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 x 3 1/8 inches (11.4 x 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

102. Figure Supporting a Fainting Figure

Figure Supporting a Fainting Figure
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 5/8 inches (9.2 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

103. Female Figure Kneeling on a Promontory, Waving

Female Figure Kneeling on a Promontory, Waving
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 5 inches (12.1 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

104. Classical Male Nude

Classical Male Nude
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite; verso: gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 x 8 1/4 inches (50.8 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

105. Classical Male Nude with a Rearing Horse

Classical Male Nude with a Rearing Horse
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Pen and brown ink with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 7/8 x 13 7/8 inches (45.4 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

106. The Witches' Cavern

The Witches' Cavern
Creator:
George Romney, 1734–1802
Date:
between 1792 and 1793
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 9 3/16 inches (14.3 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

107. Prison Scene

Prison Scene
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 7/8 x 6 1/2 inches (9.8 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

108. Rape

Rape
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 x 5 5/8 inches (10.5 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

109. Reclining Nude

Reclining Nude
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 x 18 inches (26.7 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

110. Rape Scene: Hell

Rape Scene: Hell
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 8 1/2 inches (8.9 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

111. Two Sketches of a Seated Male Nude, Rear View

Two Sketches of a Seated Male Nude, Rear View
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 8 5/8 inches (14 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

112. Women and Children Fleeing and Three Sketches of a Standing Female Figure

Women and Children Fleeing and Three Sketches of a Standing Female Figure
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 7 1/4 inches (11.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

113. Female Figures

Female Figures
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite; verso: brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 5 5/8 inches (15.9 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

114. Seated Female Nude

Seated Female Nude
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 x 3 3/4 inches (11.4 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

115. Reclining Figure

Reclining Figure
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 x 2 7/8 inches (7.6 x 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

116. Seated Female Nude, Probably for "Susannah and the Elders"

Seated Female Nude, Probably for "Susannah and the Elders"
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 x 5 7/8 inches (13 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

117. Ladies in Waiting

Ladies in Waiting
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 5 x 6 1/2 inches (12.7 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

118. "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with letterpress inset
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. "To him the mighty mother did unveil Her awful face..." (Design 49)

"To him the mighty mother did unveil Her awful face..." (Design 49)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)

"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. "Then all the Males conjoined into One Male..." (Plate 69)

"Then all the Males conjoined into One Male..." (Plate 69)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. "Encompass'd by the frozen Net..." (Plate 80)

"Encompass'd by the frozen Net..." (Plate 80)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. "I have mock'd those who refused cruelty..." (Plate 81)

"I have mock'd those who refused cruelty..." (Plate 81)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. 'Emblem of that which shall awake the dead' (Page 19)

'Emblem of that which shall awake the dead' (Page 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Frontispiece (Plate 1)

Frontispiece (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. I. "Man cannot naturally Percieve..."(Plate 3)

I. "Man cannot naturally Percieve..."(Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul

Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Creator:
Prints made by William Blake, 1757–1827
Date:
1789-1794
Materials & Techniques:
Bound volume of relief etchings printed in dark-brown ink, with hand coloring in watercolor on wove paper
Dimensions:
Spine: 7 3/8 inches (18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. The Little Black Boy (Plate 30)

The Little Black Boy (Plate 30)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Title Page, The Book of Thel (Plate 2)

Title Page, The Book of Thel (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Chapter 4 Frontispiece (Plate 76)

Chapter 4 Frontispiece (Plate 76)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. 'As if the sun could envy, check'd his beam' (Page 49)

'As if the sun could envy, check'd his beam' (Page 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. 'Till death, that mighty hunter, earths them all' (Page 70)

'Till death, that mighty hunter, earths them all' (Page 70)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. The Christian Triumph; Title Page

The Christian Triumph; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)

"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Spring (Plate 26)

Spring (Plate 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. 'But for the blessing wrestle not with heaven' (Page 88)

'But for the blessing wrestle not with heaven' (Page 88)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. 'That touch, with charm celestial heals the soul' (Page 90)

'That touch, with charm celestial heals the soul' (Page 90)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. 'The goddess bursts in thunder and in flame' (Page 95)

'The goddess bursts in thunder and in flame' (Page 95)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. 'If angels tremble, 'tis at such a sight' (Page 93)

'If angels tremble, 'tis at such a sight' (Page 93)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Title Page, The Pindaric Genius Receiving His Lyre (Design 1)

Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. "Los shudder'd at beholding Albion..." (Plate 40)

"Los shudder'd at beholding Albion..." (Plate 40)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. 'Behold him, when past by; what then is seen' (Page 25)

'Behold him, when past by; what then is seen' (Page 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. The Purple Year awaking from the Roots of Nature (Design 3)

The Purple Year awaking from the Roots of Nature (Design 3)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. The Lamb (Plate 8)

The Lamb (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Abraham and Isaac

Abraham and Isaac
Creator:
William Blake, 1757–1827
Date:
1799 to 1800
Materials & Techniques:
Tempera and pen and black ink on canvas
Dimensions:
Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. An Angel with a Trumpet

An Angel with a Trumpet
Creator:
William Blake, 1757–1827
Date:
between 1805 and 1808
Materials & Techniques:
Graphite, watercolor, and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 4 1/8 inches (19.7 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Design for Ceiling Walls and Staircase

Design for Ceiling Walls and Staircase
Creator:
Sir James Thornhill, 1675–1734
Date:
between 1712 and 1713
Materials & Techniques:
Pen and brown ink, gray wash, brown wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 x 19 5/8 inches (38.7 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Venus and Adonis

Venus and Adonis
Creator:
Peter Oliver, 1589–1647
Date:
1631
Materials & Techniques:
Gray wash, graphite, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 x 8 13/16 inches (19.2 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Hero and Leander

Hero and Leander
Creator:
William Hamilton, 1751–1801
Date:
1801
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gouache, and graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 11 inches (42.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

152. Jupiter and Callisto: Ovid, Metamorphoses, Book 2

Jupiter and Callisto: Ovid, Metamorphoses, Book 2
Creator:
Thomas Carwitham, active 1723
Date:
ca. 1723
Materials & Techniques:
Pen and brown ink and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 4 5/16 x 3 3/4 inches (11 x 9.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

153. Ceres and Abas: Ovid, Metamorphoses, Book 5

Ceres and Abas: Ovid, Metamorphoses, Book 5
Creator:
Thomas Carwitham, active 1723
Date:
ca. 1723
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, beige laid paper, mounted on moderately thick, slightly textured, beige laid paper
Dimensions:
Mount: 5 11/16 x 8 3/4 inches (14.5 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

154. Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War

Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War
Creator:
Inigo Jones, 1573–1652
Date:
ca. 1622
Materials & Techniques:
Pen and brown ink and brown wash; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 6 3/4 inches (24.1 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Hecate

Hecate
Creator:
George Henry Harlow, 1787–1819
Date:
1815
Materials & Techniques:
Graphite with stumping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 7 inches (21.9 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

156. Standing Male Nude Seen from Behind

Standing Male Nude Seen from Behind
Creator:
Henry Lamb, 1883–1960
Date:
ca. 1911
Materials & Techniques:
Charcoal on medium, slightly textured, beige laid paper mounted on board
Dimensions:
Mount: 24 5/16 x 16 3/16 inches (61.8 x 41.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

157. Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe

Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
Creator:
Robert Smirke, 1752–1845
Date:
1821
Materials & Techniques:
Brown ink with brown wash and gouache over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 5/8 x 4 1/2 inches (16.8 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Male with Arms Spread Wide Seen from Behind

Male with Arms Spread Wide Seen from Behind
Creator:
James Barry, 1741–1806
Date:
undated
Materials & Techniques:
Brown wash, pen and brown ink, black chalk, graphite, and white gouache on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 11 3/4 inches (50.2 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. La Mancha

La Mancha
Creator:
Sir David Wilkie, 1785–1841
Date:
1828
Materials & Techniques:
Watercolor and gouache over graphite and black chalk on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card
Dimensions:
Sheet: 7 3/16 x 6 11/16 inches (18.3 x 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Two Kneeling Figures

Two Kneeling Figures
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Pen and brown ink, verso: graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 x 8 7/8 inches (16.8 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Anna lamenting the absence of Tobias (Tobit 10:7)

Anna lamenting the absence of Tobias (Tobit 10:7)
Creator:
Thomas Carwitham, active 1723
Date:
1723
Materials & Techniques:
Pen and brown ink with brown wash on medium, slightly textured, beige laid paper mounted to medium, slightly textured white wove paper
Dimensions:
Sheet: 4 7/8 x 4 5/8in. (12.4 x 11.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Hercules Resting

Hercules Resting
Creator:
Ramsay Richard Reinagle, 1775–1862
Date:
undated
Materials & Techniques:
Black chalk with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 11 1/2in. (22.2 x 29.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Study of the Hermaphrodite

Study of the Hermaphrodite
Creator:
John Brown, 1749–1787
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 8 3/4 inches (13.7 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Standing Female Figure

Standing Female Figure
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1910 and 1915
Materials & Techniques:
Pen and green ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 x 8 1/4 inches (29.5 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

165. Standing Female Figure

Standing Female Figure
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1910 and 1915
Materials & Techniques:
Pen and green ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 x 8 1/4 inches (29.5 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

166. Two Studies of a Female Figure

Two Studies of a Female Figure
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1910 and 1915
Materials & Techniques:
Pen and green ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 3/4 x 8 1/4 inches (29.8 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

167. Five Studies of a Female Figure

Five Studies of a Female Figure
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1910 and 1915
Materials & Techniques:
Pen and green ink and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 3/4 x 8 1/4 inches (29.8 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

168. Master Henry Thomas Hope

Master Henry Thomas Hope
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1836
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 12 15/16 inches (40 x 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

169. Virgin and Child

Virgin and Child
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1670 and 1690
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/16 x 6 3/16 inches (18.3 x 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

170. Aeneas Entering Hades

Aeneas Entering Hades
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1675 and 1680
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 15/16 × 7 5/16 inches (25.3 × 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

171. The Exposition of Cyrus

The Exposition of Cyrus
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1781
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 15/16 x 15 1/4 inches (30.3 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

172. Belinda

Belinda
Creator:
Print made by Robert Dunkarton, 1744–1811
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/16 x 12 5/16 inches (41.4 x 31.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

173. Venus and Adonis

Venus and Adonis
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
ca. 1690
Materials & Techniques:
Mezzotint, before all letters on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 × 13 13/16 inches (25.7 × 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

174. Bacchus

Bacchus
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 7/16 × 4 1/4 inches (13.8 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

175. Bacchus et Ariadne

Bacchus et Ariadne
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 7 15/16 inches (27.1 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

176. Cupid in the Character of Bacchus

Cupid in the Character of Bacchus
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1739
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 11 7/16 inches (39.7 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

177. Geography

Geography
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

178. Susanne, surprise dans le bain par les deux vieillards

Susanne, surprise dans le bain par les deux vieillards
Creator:
Print made by Jacob Gole, 1660–1737
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/16 x 7 11/16 inches (26.5 x 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

179. Der Keusche Joseph - Joseph Castus

Der Keusche Joseph - Joseph Castus
Creator:
Print made by Johann Philip Koch, ca. 1716–1796
Date:
undated
Materials & Techniques:
Mezzotint printed in blue ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 19 3/4 inches (40.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

180. Die Unschuldige Susana - Susanna Innocens

Die Unschuldige Susana - Susanna Innocens
Creator:
Print made by Johann Philip Koch, ca. 1716–1796
Date:
undated
Materials & Techniques:
Mezzotint printed in blue ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 19 1/2 inches (40.6 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

181. La galante fille

La galante fille
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 11/16 x 15 9/16 inches (47.4 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

182. Robert Blair, The Grave, Title Page

Robert Blair, The Grave, Title Page
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. The Reunion of the Soul & the Body

The Reunion of the Soul & the Body
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Bookplate: The Spalding Gentlemen's Society

Bookplate: The Spalding Gentlemen's Society
Creator:
Print made by George Vertue, 1684–1756
Date:
1746
Materials & Techniques:
Mezzotint, stipple engraving, and line engravng on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 6 11/16 inches (13 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

185. Bookplate: The Spalding Gentlemen's Society

Bookplate: The Spalding Gentlemen's Society
Creator:
Print made by George Vertue, 1684–1756
Date:
1746
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/16 × 6 3/4 inches (12.9 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

186. Death's Door

Death's Door
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Phoebus and Leucothea

Phoebus and Leucothea
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 5 7/16 inches (18.1 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

188. David Garrick, Esq.

David Garrick, Esq.
Creator:
Print made by John Hall, 1739–1797
Date:
1773
Materials & Techniques:
Line engraving and etching on medium, slightly textured, beige laid paper, laid on mount
Dimensions:
Sheet: 6 1/4 × 3 7/16 inches (15.9 × 8.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

189. Pass-Room Bridewell

Pass-Room Bridewell
Creator:
John Hill, 1770–1850
Date:
1808
Materials & Techniques:
Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 12 5/8 inches (24.2 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

190. Bacchus and Ariadne

Bacchus and Ariadne
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 × 7 inches (22.9 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

191. Veni Inebriemus Eum Vino Dormiamusque Cum Eo

Veni Inebriemus Eum Vino Dormiamusque Cum Eo
Creator:
Print made by unknown artist
Date:
between 1681 and 1688
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 7 1/2 inches (24.1 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

192. Venus Holding the Apple of Paris

Venus Holding the Apple of Paris
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
1695
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 5 3/4 inches (18.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

193. The Triumph of Galatea

The Triumph of Galatea
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
1701
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 × 9 7/8 inches (43.2 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

194. Jonah Escaping from the Mouth of the Whale

Jonah Escaping from the Mouth of the Whale
Creator:
Print made by Wallerant Vaillant, 1623–1677
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 13/16 × 15 7/16 inches (30 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

195. Virgin and Child

Virgin and Child
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1776
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/8 x 12 1/2 inches (44.1 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

196. Venus Bathing

Venus Bathing
Creator:
Print made by James Johnson, 1803–1834
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 20 × 13 1/2 inches (50.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

197. Cupid and Psyche

Cupid and Psyche
Creator:
Print made by Valentine Green, 1739–1813
Date:
1784
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/16 x 20 3/8 inches (38.6 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

198. Cupid in Masquerade

Cupid in Masquerade
Creator:
Print made by J. King
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 5 3/16 inches (20 × 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

199. Narcissus

Narcissus
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/16 × 7 3/4 inches (16 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

200. Susanna

Susanna
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 13 5/8 × 10 inches (34.6 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund