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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
14
Creator
Blake, William, 1757–1827
14
Date
1804
14
On-site Access
Accessible by appointment in the Study Room
14
Image Use
Free to Use
14
Image Available
Available
14
Classification
Prints
14
Creator Gender
male
14
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
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14
Period
19th century
14
Materials & Techniques
black ink
14
relief etching
14
watercolor
14
wove paper
14
gold
3
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57
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34
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drawing
14
relief print
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watercolor
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Genre
literary theme
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religious and mythological subject
14
Subject Terms
literary theme
14
religious and mythological subject
14
stars
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nudes
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text
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women
13
men
11
moon
10
sky
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sun
7
night
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branches
3
clouds
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roots
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wings
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dead
2
kneeling
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leaf
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sitting
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vines
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Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
14
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
14
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
4
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
3
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
3
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
2
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
14
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Jerusalem: The Emanation of The Giant Albion, Copy E
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1
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
2
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
3
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
4
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
5
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
6
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
7
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
8
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
9
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
10
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
11
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
12
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
13
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
14
Print made by William Blake, 1757–1827
"Condens'd his Emanations..." (Plate 9)
1804 to 1820