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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
16
Creator
Blake, William, 1757–1827
16
Date
1804
16
On-site Access
Accessible by appointment in the Study Room
16
Image Use
Free to Use
16
Image Available
Available
16
Classification
Prints
16
Creator Gender
male
16
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
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16
Period
19th century
16
Materials & Techniques
black ink
16
relief etching
16
watercolor
16
wove paper
16
gold
6
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34
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34
Work Type
drawing
16
relief print
16
watercolor
16
Genre
literary theme
16
religious and mythological subject
16
Subject Terms
literary theme
16
moon
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16
religious and mythological subject
16
nudes
15
text
15
women
13
men
12
sky
12
stars
10
sun
10
night
6
clouds
4
wings
4
angels
2
branches
2
fire
2
flower (plant)
2
leaf
2
light
2
rocks (landforms)
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Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
16
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
16
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
5
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
5
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
5
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
16
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Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
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1
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
2
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
3
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
4
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
5
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
6
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
7
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
8
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
9
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
10
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
11
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
12
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
13
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
14
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
15
Print made by William Blake, 1757–1827
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
1804 to 1820
16
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820