The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
1800
Not on view
9
George Chinnery, 1774–1852
Indian Landscape with Temple
ca. 1815
Not on view
10
Briton Riviere, 1840–1920
The Old Gardener
1863
Not on view
11
John Varley, 1778–1842
A View along the Thames towards Chelsea Old Church
between 1810 and 1815
Not on view
12
Cornelis Ketel, 1548–1616
Sir John Smythe of Westenhanger, Kent (1557–1608)
1579
Not on view
13
Attributed to Peter DeWint, 1784–1849
Windsor Castle
early 19th century
Not on view
14
George Jones, 1786–1869
A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'
1815
Not on view
15
Jacques-Laurent Agasse, 1767–1849
Group of Whelps Bred between a Lion and a Tigress
1825
On view
16
Richard Parkes Bonington, 1802–1828
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Not on view
17
George Haugh, 1756–1827
Catherine Howard (née Proctor), Countess of Effingham with Gun and Shooting Dogs
1787
Not on view
18
John Frederick Herring, 1795–1865
The Suffolk Hunt: Going to Cover near Herringswell
1833
Not on view
19
John Frederick Herring, 1795–1865
The Suffolk Hunt: Gone Away
1833
Not on view
20
John Frederick Herring, 1795–1865
The Suffolk Hunt: Full Cry
1833
Not on view
21
John Frederick Herring, 1795–1865
The Suffolk Hunt : The Death
1833
Not on view
22
Sir Edwin Henry Landseer, 1802–1873
Study of a Dog Lying Down
1860
Not on view
23
Jacques-Laurent Agasse, 1767–1849
Clouded Leopards
ca. 1825
On view
24
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
On view
25
John Linnell, 1792–1882
In Dovedale
1814 to 1815
Not on view
26
Samuel De Wilde, 1748–1832
John Quick as Tony Allspice
ca. 1796
Not on view
27
James Ward, 1769–1859
A Border Leicester Ewe
between 1795 and 1800
Not on view
28
James Ward, 1769–1859
Gloucestershire Old Spot
between 1800 and 1805
Not on view
29
John Martin, 1789–1854
The Last Judgement (study)
between 1851 and 1853
Not on view
30
Edward Burne-Jones, 1833–1898
Fair Rosamund and Queen Eleanor
1861
Not on view
31
Sir Charles Lock Eastlake, 1793–1865
A View of the Church of S. Sabina and the Pyramid of Cestius, Rome
ca. 1825
Not on view
32
John Jackson, 1778–1831
Sir David Wilkie
ca. 1810
Not on view
33
Sir Edwin Henry Landseer, 1802–1873
A Highland Landscape
ca. 1830
Not on view
34
George Morland, 1763–1804
Old horses with a dog in a stable
ca. 1791
Not on view
35
Edward Hodges Baily, 1788–1867
Edward Hodges
1820
Not on view
36
William Brodie, 1815–1881
Alfred, Lord Tennyson, Poet Laureate
1857
Not on view
37
John Henry Foley, 1818–1874
Edmund Burke
1865
Not on view
38
John Henry Foley, 1818–1874
Oliver Goldsmith
1863
Not on view
39
Robert Polhill Bevan, 1865–1925
The White House (Gould's Farm Luppitt)
ca. 1920
40
Robert Polhill Bevan, 1865–1925
The Horse Mart (with further sketches in the margin)
ca. 1918
41
John Constable, 1776–1837
Ruin of St. Botolph's Priory, Colchester
ca. 1809
42
Samuel Palmer, 1805–1881
A Barn with a Mossy Roof, Shoreham
undated
43
Samuel Palmer, 1805–1881
A Cow Lodge with a Mossy Roof
ca. 1829
44
Samuel Palmer, 1805–1881
Tintern Abbey
1835
45
Samuel Palmer, 1805–1881
The Primitive Cottage, Shoreham
undated
46
Samuel Palmer, 1805–1881
Wilmot's Hill, Kent
ca. 1851
47
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
48
George Stubbs, 1724–1806
Fowl Skeleton, Lateral View (Outline drawing)
1795 to 1806
49
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for the Key Figure to Table XV)
1795 to 1806
50
George Stubbs, 1724–1806
Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)
1795 to 1806
51
George Stubbs, 1724–1806
Fowl Body, Lateral View (Outline drawing, related to Table XV)
1795 to 1806
52
George Stubbs, 1724–1806
Human Skeleton, Posterior View
1795 to 1806
53
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
54
George Stubbs, 1724–1806
Human Skeleton, Lateral View (May have been initially prepared for use as a key figure to Table III but later abandoned)
1795 to 1806
55
Print made after George Stubbs, 1724–1806
Plate VI, Human Body, Frontal View
1804
56
Print made after George Stubbs, 1724–1806
Plate VII, Human Body, Lateral View
1804
57
Print made after George Stubbs, 1724–1806
Plate X, Fowl Body, Lateral View
1804
58
Print made after George Stubbs, 1724–1806
Plate VIII, Human Body, Posterior View
1804
59
Print made by William Hogarth, 1697–1764
The Cockpit
1759
60
Print made by William Hogarth, 1697–1764
The Cockpit
1759
61
Print made by William Hogarth, 1697–1764
The Invasion, Plate 2: England
1756
62
Print made by William Hogarth, 1697–1764
The Invasion, Plate 1: France
1756
63
Print made by William Hogarth, 1697–1764
The Cockpit
1759
64
Print made by William Hogarth, 1697–1764
The Four Times of Day, Plate I: Morning
1738
65
Print made by William Hogarth, 1697–1764
Industry and Idleness, Plate 11: The Idle 'Prentice Executed at Tyburn
1747
66
Print made by William Hogarth, 1697–1764
Industry and Idleness, Plate 12: The Industrious 'Prentice Lord Mayor of London
1747
67
Print made by William Hogarth, 1697–1764
The Four Times of Day, Plate II: Noon
1738
68
Sir Muirhead Bone, 1876–1953
Piccadilly Circus
1915
On view at YUAG
69
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
70
Etched by Joseph Mallord William Turner, 1775–1851
Juvenile Tricks
1811
71
Print made by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
72
Attributed to Joseph Mallord William Turner, 1775–1851
Via Mala
between 1813 and 1823
73
Print made by Joseph Mallord William Turner, 1775–1851
Crowhurst
between 1813 and 1823
74
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
75
Etched by Joseph Mallord William Turner, 1775–1851
Pembury Mill, Kent
1808
76
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
77
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
78
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
79
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
80
Etched by Joseph Mallord William Turner, 1775–1851
Morpeth, Northumberland
1809
81
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
82
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
83
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
84
Joseph Mallord William Turner, 1775–1851
Landscape with Barn
ca. 1795
85
Joseph Mallord William Turner, 1775–1851
A River View near Grindelwald, Looking towards the Wetterhorn