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Robert Adam Headfort House: Lady's Room Moldings
Robert Adam, 1728–1792
Headfort House: Lady's Room Moldings
1772
James Walker The Spell, or Hobnelia
Print made by James Walker, 1748–1808
The Spell, or Hobnelia
1783
Abraham Raimbach The Cut Finger
Abraham Raimbach, 1784–1868
The Cut Finger
1819
Samuel Cousins Robert Burns
Print made by Samuel Cousins, 1801–1887
Robert Burns
1830
Robert Pollard The Hermitage of Warkworth
Robert Pollard, 1755–1838
The Hermitage of Warkworth
1787
Robert Adam Headfort House: Lady's Room Ceiling
Robert Adam, 1728–1792
Headfort House: Lady's Room Ceiling
1772
George Johann Scharf A View of the Northern Approach to London Bridge while in a state of Progress
George Johann Scharf, 1788–1860
A View of the Northern Approach to London Bridge while in a state of Progress
1830
William Humphrey Temptation
William Humphrey, 1745–1810
Temptation
1790
Thomas Malton the Younger The Great Court and Chapel of Trinity College in the University of Cambridge
Thomas Malton the Younger, 1748–1804
The Great Court and Chapel of Trinity College in the University of Cambridge
1798
Thomas Malton the Younger Kings College, the Chapel and Clare Hall in the University of Cambridge
Thomas Malton the Younger, 1748–1804
Kings College, the Chapel and Clare Hall in the University of Cambridge
1799
John Martin The Fall of Ninevah
John Martin, 1789–1854
The Fall of Ninevah
1829
James Parker The Fall of Agandecca
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
George Clint Edmond Antrobus, 1st Baronet
George Clint, 1770–1854
Edmond Antrobus, 1st Baronet
undated
Edward Goodall Caligula's Palace and Bridge, Bay of Baiæ
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1842
Francesco Bartolozzi The Earl of Mansfield
Print made by Francesco Bartolozzi, 1728–1815
The Earl of Mansfield
1786
Edward Goodall Caligula's Palace and Bridge, Bay of Baiæ
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1842
George Hollis St. Mark's Place, Venice - Juliet and her Nurse
Print made by George Hollis, 1792–1842
St. Mark's Place, Venice - Juliet and her Nurse
1842
Giovanni Battista Borra Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
Giovanni Battista Borra Plan, View and Second Plan of Ruins at Sardis
Giovanni Battista Borra, 1713–1770
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
Giovanni Battista Borra Door in the Corinthian Order from Aphrodisias (now Geyve)
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
Giovanni Battista Borra The Members of a Corinthian Temple in Ruins at Ephesus
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
Giovanni Battista Borra Details of a Composite Order from the Temple of Augustus at Mylasa
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
Giovanni Battista Borra Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
Giovanni Battista Borra Details of the Doric Order from the Athenian Temple of Apollo at Delos
Giovanni Battista Borra, 1713–1770
Details of the Doric Order from the Athenian Temple of Apollo at Delos
1751
Giovanni Battista Borra Details of a Corinthian Order from a Temple at Cnidus
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
Giovanni Battista Borra View of the Valley of Sardis and View of a Ruined Bridge
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
Giovanni Battista Borra Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
Giovanni Battista Borra, 1713–1770
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
Giovanni Battista Borra An Altar at Delos
Giovanni Battista Borra, 1713–1770
An Altar at Delos
1751
Giovanni Battista Borra Plan and View of a Cave, Temple, or Tomb
Giovanni Battista Borra, 1713–1770
Plan and View of a Cave, Temple, or Tomb
ca. 1750
Giovanni Battista Borra View, Cross Section, and Other Details of Cheop's Pyramid at Giza
Giovanni Battista Borra, 1713–1770
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
Giovanni Battista Borra Plans and Views of Two Pyramids, One Cephron's at Giza
Giovanni Battista Borra, 1713–1770
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
Giovanni Battista Borra Posizione delle Piramidi di Sachara
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
Giovanni Battista Borra View and Plan of the Grotto of Gethsemene
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of Gethsemene
ca. 1750
Giovanni Battista Borra View and Plan of the Grotto of St. Jerome at Lydda (Lod)
Giovanni Battista Borra, 1713–1770
View and Plan of the Grotto of St. Jerome at Lydda (Lod)
ca. 1750
Giovanni Battista Borra Topographical View of the Pyramids at Giza
Giovanni Battista Borra, 1713–1770
Topographical View of the Pyramids at Giza
ca. 1750
Giovanni Battista Borra View and Plan of the Theater of Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Frieze and Capital of the Ionic Temple at Toreh
Giovanni Battista Borra, 1713–1770
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
Giovanni Battista Borra Details of the Ionic Temple at Toreh
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
Giovanni Battista Borra Stromboli
Giovanni Battista Borra, 1713–1770
Stromboli
1750
Giovanni Battista Borra Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
Giovanni Battista Borra Members of a Ionic Temple in Ruins at Priene (now Turunclar)
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
Giovanni Battista Borra Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770
Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Remains of an Ionic Temple of Bacchus at Aphrodisias
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
Giovanni Battista Borra Remains of an Ionic Order and Circus at Aphrodisias
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
Giovanni Battista Borra Sepolcro di Absalon
Giovanni Battista Borra, 1713–1770
Sepolcro di Absalon
ca. 1750
Giovanni Battista Borra Plan of the Second Theater of Laodicea and Details of a Composite Order
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
Giovanni Battista Borra Plan of the Temple of Juno at Samos and Details of a Column
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
Giovanni Battista Borra Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order at Geramo
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
Giovanni Battista Borra Details of a Corinthian Order, Possibly from Mylasa
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
Giovanni Battista Borra A Doorway from Geramo
Giovanni Battista Borra, 1713–1770
A Doorway from Geramo
ca. 1750
Giovanni Battista Borra Part of the Portico of Philip at Delos
Giovanni Battista Borra, 1713–1770
Part of the Portico of Philip at Delos
1751
Giovanni Battista Borra Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
Giovanni Battista Borra Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
Giovanni Battista Borra View of a Passage Cut into a Hillside
Giovanni Battista Borra, 1713–1770
View of a Passage Cut into a Hillside
ca. 1750
Edward Goodall Tivoli, a Composition
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
Henry Moore Adam
Print made by Henry Moore, 1898–1986
Adam
1980
James Bruce Plate II Tombe de la Chretienne
James Bruce, 1730–1794
Plate II Tombe de la Chretienne
undated
James Bruce Aquaduct of Julia Ceasarea
James Bruce, 1730–1794
Aquaduct of Julia Ceasarea
undated
James Jefferys Self-Portrait
James Jefferys, 1751–1784
Self-Portrait
between 1771 and 1775
James Bruce Tomb of Juba II near Algiers
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
James Bruce Tomb of Juba II near Algiers
James Bruce, 1730–1794
Tomb of Juba II near Algiers
undated
James Bruce Calotropis procera (Ait.) Ait. f. (Apple of Sodom, Auricular Tree): finished drawing of flowering and fruiting plant
James Bruce, 1730–1794
Calotropis procera (Ait.) Ait. f. (Apple of Sodom, Auricular Tree): finished drawing of flowering and fruiting plant
ca. 1769
James Bruce The Antiquities of Africa
James Bruce, 1730–1794
The Antiquities of Africa
1765
unknown artist Sketch for the Oil Painting "The Conversion of St. Paul"
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
Samuel Davis View of Shershah's Tomb at Sasaram in Bihar
Samuel Davis, 1760–1819
View of Shershah's Tomb at Sasaram in Bihar
ca. 1779
Thomas Harrison Ceiling Plan for Clifton Castle
Attributed to Thomas Harrison, 1744–1829
Ceiling Plan for Clifton Castle
ca. 1780-1790
Thomas Harrison Working Drawing for the Plasterwork of a Frieze for Clifton Castle
Attributed to Thomas Harrison, 1744–1829
Working Drawing for the Plasterwork of a Frieze for Clifton Castle
ca. 1780-1790
Richard Earlom Colonel Mordaunt's Cock Match at Lucknow
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
Isaac Weld Vesuvius in Eruption
Isaac Weld, 1774–1856
Vesuvius in Eruption
1819
Johann Jacobus Haid S. Andreas
Print made by Johann Jacobus Haid, 1704–1767
S. Andreas
undated
Johann Jacobus Haid S. Simon
Print made by Johann Jacobus Haid, 1704–1767
S. Simon
undated
Johann Jacobus Haid S. Philippus
Print made by Johann Jacobus Haid, 1704–1767
S. Philippus
undated
Johann Jacobus Haid S. Bartholomaeus
Print made by Johann Jacobus Haid, 1704–1767
S. Bartholomaeus
undated
James Wyatt Cobham Hall, Kent: New Passage by Butler's Pantry
James Wyatt, 1746–1813
Cobham Hall, Kent: New Passage by Butler's Pantry
ca. 1790
Humphry Repton A Plan, from an eye-survey of Cobham Hall and the park to the west, and a plan of Cobham Hall and the park as proposed to be altered
Humphry Repton, 1752–1818
A Plan, from an eye-survey of Cobham Hall and the park to the west, and a plan of Cobham Hall and the park as proposed to be altered
ca. 1790
James Wyatt Cobham Hall, Kent: Plan of the Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Stables
1790
James Wyatt Cobham Hall, Kent: Sketch of Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: Sketch of Stables
ca. 1790
Samuel Davis Rocky River Scene with Sepoys
Samuel Davis, 1760–1819
Rocky River Scene with Sepoys
undated
Samuel Davis Ladrone Islands in the China Sea
Samuel Davis, 1760–1819
Ladrone Islands in the China Sea
undated
Samuel Davis View in St. Helena
Samuel Davis, 1760–1819
View in St. Helena
1806
Samuel Davis The Hurduar Looking Up the River
Samuel Davis, 1760–1819
The Hurduar Looking Up the River
undated
Thomas Cheesman Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip
Print made by Thomas Cheesman, 1760–1834/35
Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip
1791
William Ward The Daughters of Sir Thomas Frankland
Print made by William Ward, 1766–1826
The Daughters of Sir Thomas Frankland
1797
John Raphael Smith Sophia Western
Print made by John Raphael Smith, 1752–1812
Sophia Western
1784
William Say The Ecstasy of St. Francis
Print made by William Say, 1768–1834
The Ecstasy of St. Francis
1809
William Whiston Barney George Spencer, Earl of Sunderland, and Lord Charles Spencer
Print made by William Whiston Barney, active 1805–1817
George Spencer, Earl of Sunderland, and Lord Charles Spencer
1805
Jonathan Peter Pichler Fruit Piece
Print made by Jonathan Peter Pichler, 1765–1807
Fruit Piece
1806
Richard Earlom A Brewhouse Yard
Print made by Richard Earlom, 1743–1822
A Brewhouse Yard
1791
Samuel Davis Rhotas from Akberpore
Samuel Davis, 1760–1819
Rhotas from Akberpore
1798
Robert Pollard Vaux-Hall
Robert Pollard, 1755–1838
Vaux-Hall
1785
William Henry Toms The South - West View of the Parish Church of Ecton in Northamptonshire
William Henry Toms, ca. 1700–ca. 1750
The South - West View of the Parish Church of Ecton in Northamptonshire
1749
James Tibbits Willmore Byron's Dream
James Tibbits Willmore, 1800–1863
Byron's Dream
1833
unknown artist Greater Sulphur Crested Cockatoo
unknown artist
Greater Sulphur Crested Cockatoo
ca. 1832
Thomas Picken The Funeral of the Duke of Wellington. The Funeral Car Passing the Archway at Apsley House, November 18th 1852.
Print made by Thomas Picken, 1815–1870
The Funeral of the Duke of Wellington. The Funeral Car Passing the Archway at Apsley House, November 18th 1852
1853
William Henry Simmons The Return (First Class)
Print made by William Henry Simmons, 1811–1882
The Return (First Class)
1857
William Ward Daughters of Sir Thomas Frankland
William Ward, 1766–1826
Daughters of Sir Thomas Frankland
1797
Charles Turner The Right. Honorable Lady Louisa Manners in a Peasants Dress
Charles Turner, 1774–1857
The Right. Honorable Lady Louisa Manners in a Peasants Dress
1807
John Condé Edward Wortley Montague
John Condé, 1765–1794
Edward Wortley Montague
1793
Richard Gilson Reeve View of the Port of Liverpool
Richard Gilson Reeve, 1803–1889
View of the Port of Liverpool
1836