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Hampstead Heath
Creator:
John Constable, 1776–1837
Date:
between 1820 and 1830
Materials & Techniques:
Oil on canvas
Dimensions:
17 3/4 × 14 inches (45.1 × 35.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether
Creator:
James Ward, 1769–1859
Date:
between 1801 and 1807
Materials & Techniques:
Oil on panel
Dimensions:
17 3/4 x 24 1/4 inches (45.1 x 61.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Lago d'Agnano with the Grotta del Cane
Creator:
Richard Wilson, 1713/4–1782
Date:
between 1770 and 1775
Materials & Techniques:
Oil on canvas
Dimensions:
17 1/2 × 21 inches (44.5 × 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Castlefairn
Creator:
James Paterson, 1854–1932
Date:
between 1890 and 1895
Materials & Techniques:
Oil on canvas
Dimensions:
17 3/4 × 30 inches (45.1 × 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Isabel S. Kurtz in memory of her father, Charles M. Kurtz
On View:
Not on view
The Angel Binding Satan
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
ca. 1797
Materials & Techniques:
Oil on canvas
Dimensions:
17 3/4 x 14 3/4 inches (45.1 x 37.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
'Time, in advance, behind him hides his wings' (Page 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Teaching, we learn; and giving, we retain' (Page 35)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Christian Triumph; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'His hand the good man fastens on the skies' (Page 86)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Swift on his downy pinion flies from woe' (Page 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'One radiant mark, – the death-bed of the just' (Page 41)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'As if the sun could envy, check'd his beam' (Page 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'The Sun beheld it – No, the shocking scene' (Page 75)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Donat's Castle, Glamorganshire
Creator:
John Glover, 1767–1849
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper pasted on thick, slightly textured, beige card
Dimensions:
Mount: 19 x 25 1/4 inches (48.3 x 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Celadon and Amelia
Creator:
Engraved by William Woollett, 1735–1785
Date:
1766
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/4 x 22 3/8 inches (46.4 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection
Sketch for the Oil Painting "The Conversion of St. Paul"
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper
Dimensions:
Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bay of Naples from Capodimonte
Creator:
John Robert Cozens, 1752–1797
Date:
1790
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured wove paper
Dimensions:
Mount: 17 7/8 x 24 1/4 inches (45.4 x 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Cape of Good Hope
Creator:
Print made by Gerard van der Gucht, 1696–1776
Date:
1736
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 × 26 inches (49 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Bridge over the Taafe
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1775
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 24 5/8 inches (44.8 x 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Fishery
Creator:
Print made by William Woollett, 1735–1785
Date:
1768
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 18 1/4 × 22 11/16 inches (46.4 × 57.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridgenorth
Creator:
Print made by James Walker, 1748–1808
Date:
1795
Materials & Techniques:
Etching and line engraving, with letterpress on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Juvenis auscultans seni de divinis admonenti
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1764
Materials & Techniques:
Etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 18 3/8 x 14 5/16 inches (46.6 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Creator:
Print made by unknown artist
Date:
between 1720 and 1750
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 14 7/16 inches (44.9 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Martin's Church
Creator:
Print made by unknown artist
Date:
between 1731 and 1754
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Deluge
Creator:
Print made by J. P. Quilley, active 1828
Date:
1828
Materials & Techniques:
Mezzotint; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
Creator:
George Siegmund Facius, 1750–1804
Date:
1805
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 21 1/16 inches (45.1 × 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ascent of Vesuvius
Creator:
Henry Tresham, 1751–1814
Date:
1785 to 1790
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 27 5/8 inches (44.8 x 70.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by John Dean, 1754–1798
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 1/2 x 13 15/16 inches (47 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund