Height [cm]: 45 / Image Use: Free to Use / Classification: Prints - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Height [cm] 45

Image Use Free to Use

Classification Prints

William Hogarth Strolling Actresses Dressing in a Barn

Print made by William Hogarth, 1697–1764

Strolling Actresses Dressing in a Barn

1738

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"

Robert Dodd, 1748–1816

"The Indian Emperor" or "The Conquest of Mexico"

1792

Edward Francis Finden Cologne

Print made by Edward Francis Finden, 1791–1857

Cologne

1832-1834

Edward Francis Finden Scio (Fontana de Melek, Mehmet Pasha)

Print made by Edward Francis Finden, 1791–1857

Scio (Fontana de Melek, Mehmet Pasha)

1832-1834

W. R. Smith Hospice of the Great St. Bernard II (The Dead-House)

Print made by W. R. Smith, active 1819–1851

Hospice of the Great St. Bernard II (The Dead-House)

1829

William Woollett Celadon and Amelia

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

William Say The Cottar's Door

Print made by William Say, 1768–1834

The Cottar's Door

1802

John Raphael Smith Children of Walter Synnot

Print made by John Raphael Smith, 1752–1812

Children of Walter Synnot

1782

Valentin Daniel Preissler Der Geiz sucht Fäden

Print made by Valentin Daniel Preissler, 1717–1765

Der Geiz sucht Fäden

undated

William Faithorne the Younger An Old Woman Reading

Print made by William Faithorne the Younger, ca. 1669–1703

An Old Woman Reading

undated

Johnson The Italian Bird Catcher

Print made by Johnson, active 1766

The Italian Bird Catcher

1766

Valentin Daniel Preissler Der Gute Alchimyst wird nun den Barth Verbrennen, da er zum Schuld-Process die Feder Schneiden muss: Gold Macher!

Print made by Valentin Daniel Preissler, 1717–1765

Der Gute Alchimyst wird nun den Barth Verbrennen, da er zum Schuld-Process die Feder Schneiden muss: Gold Macher!

undated

Joseph Bishop Pratt Mrs. Gregory

Print made by Joseph Bishop Pratt, 1854–1910

Mrs. Gregory

1898

unknown artist The Promenade

Print made by unknown artist

The Promenade

1781

William Dickinson Lady Charles Spencer

William Dickinson, 1746–1823

Lady Charles Spencer

1776

John Raphael Smith Honorable Mrs. Stanhope

John Raphael Smith, 1752–1812

Honorable Mrs. Stanhope

1783

Charles Turner Elizabeth, Marchioness of Stafford

Charles Turner, 1774–1857

Elizabeth, Marchioness of Stafford

1810

Charles Turner Field Marshal, The Duke of Wellington

Print made by Charles Turner, 1774–1857

Field Marshal, The Duke of Wellington

1816

John Raphael Smith The Right Honorable Admiral Lord Viscount Duncan When Victorious off Camperdown

John Raphael Smith, 1752–1812

The Right Honorable Admiral Lord Viscount Duncan When Victorious off Camperdown

1800

William Bernard Cooke Neptune's Trident

Print made by William Bernard Cooke, 1778–1855

Neptune's Trident

1824 to 1825

C. R. W. Nevinson The Wave

C. R. W. Nevinson, 1889–1946

The Wave

1917

George Clint General James Stuart

George Clint, 1770–1854

General James Stuart

1802

Thomas Park Dr. John Thomas, Lord Bishop of Rochester

Thomas Park, ca. 1760–1834

Dr. John Thomas, Lord Bishop of Rochester

1788

Thomas Watson Resignation

Thomas Watson, 1743–1781

Resignation

1772

Joseph Grozer Shepherdess (Miss Mary Palmer as the Young Shepherdess)

Joseph Grozer, ca. 1755–1798

Shepherdess (Miss Mary Palmer as the Young Shepherdess)

1799

John Jones George James Cholmondeley, 1st Marquess of Cholmondeley

John Jones, ca. 1745–1797

George James Cholmondeley, 1st Marquess of Cholmondeley

1790

Giuseppe Marchi Samuel Dyer

Giuseppe Marchi, ca. 1735–1808

Samuel Dyer

1773

James Ward Sir William Fawcett

James Ward, 1769–1859

Sir William Fawcett

1801

Robert Dunkarton Reverend John Fisher, Bishop of Salisbury

Robert Dunkarton, 1744–1811

Reverend John Fisher, Bishop of Salisbury

1811

unknown artist The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

Print made by unknown artist

The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

between 1720 and 1750

Thomas Watson Henrietta, Countess of Rochester

Thomas Watson, 1743–1781

Henrietta, Countess of Rochester

1779

Edward Rooker The Magicians Marching off After the Success of their Incantations

Edward Rooker, 1724–1774

The Magicians Marching off After the Success of their Incantations

ca. 1763

William Woolnoth A View of the House and Part of the Garden at West Wycomb

William Woolnoth, active 1806–1830

A View of the House and Part of the Garden at West Wycomb

1757

Edward Duncan The 'Jessie' and 'Eliza Jane' in Table Bay, Cape of Good Hope, 1829

Edward Duncan, 1803–1882

The 'Jessie' and 'Eliza Jane' in Table Bay, Cape of Good Hope, 1829

1829

Edward Duncan Launch of the 'Edinburgh', Blackwall, Nov. 9, 1825

Edward Duncan, 1803–1882

Launch of the 'Edinburgh', Blackwall, Nov. 9, 1825

1825

William Ward Sailors Carousing

William Ward, 1766–1826

Sailors Carousing

1807

Charles Turner Robert Banks Jenkinson, 2nd Earl of Liverpool

Print made by Charles Turner, 1774–1857

Robert Banks Jenkinson, 2nd Earl of Liverpool

1827

unknown artist The Villagers Charm to Lure the Bees

unknown artist

The Villagers Charm to Lure the Bees

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Alfred Henry Forrester Why... Because...

Print made by Alfred Henry Forrester, 1804–1872

Why... Because..

undated

Johann G. Facius Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . . .

And Johann G. Facius, 1750–after 1802

Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . .

1803

Alfred Henry Forrester Alfred Crowquill's Christmas

Print made by Alfred Henry Forrester, 1804–1872

Alfred Crowquill's Christmas

undated

James Caldwall Coriolanus, Act IV, Scene III, Coriolanus, etc.

James Caldwall, 1739–1819

Coriolanus, Act IV, Scene III, Coriolanus, etc

1803

unknown artist Spilsbury's Views of Jamaica: A Prospect of Rio Bona Harbour in the Parish of St. Ann's, and the Tavern, Wharf, and Stores, in the Parish of St. James's, the North Side Jamaica

unknown artist

Spilsbury's Views of Jamaica: A Prospect of Rio Bona Harbour in the Parish of St. Ann's, and the Tavern, Wharf, and Stores, in the Parish of St. James's, the North Side Jamaica

1769

Bernard Baron The Four Times of Day, Plate III: Evening

Bernard Baron, 1696–1762

The Four Times of Day, Plate III: Evening

1738

Robert Thew King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

Print made by Robert Thew, 1758–1802

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

George Siegmund Facius Romeo and Juliet: Act I, Scene V. "A Hall in Capulet's House."

George Siegmund Facius, 1750–1804

Romeo and Juliet: Act I, Scene V. "A Hall in Capulet's House."

1789

Richard Newton Prelude to Crim Con and The Finale

Richard Newton, 1777–1798

Prelude to Crim Con and The Finale

1793

William Woollett Dido and Aeneas

William Woollett, 1735–1785

Dido and Aeneas

1787

Francesco Bartolozzi Queen Katherine's Dream

Francesco Bartolozzi, 1728–1815

Queen Katherine's Dream

1788

Archibald Robertson The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.

Archibald Robertson, 1748–1788

The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr

1782

William Woollett The Rural Cott

William Woollett, 1735–1785

The Rural Cott

1797

Samuel Middiman Shakespeare's Winter Tale Act III Scene III

Samuel Middiman, ca. 1750–1831

Shakespeare's Winter Tale Act III Scene III

1794

James Fittler A View of the Iron Bridge

James Fittler, 1758–1835

A View of the Iron Bridge

1788

William Woollett The Fishery

Print made by William Woollett, 1735–1785

The Fishery

1768

William T. Annis The Cunning Gypsy

Print made by William T. Annis, active 1798–1811

The Cunning Gypsy

1802

John Watts Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy

John Watts, active 1766–1786

Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy

1780

William Ward The Citizens Retreat

William Ward, 1766–1826

The Citizens Retreat

1796

James Ward Rustic Felicity

James Ward, 1769–1859

Rustic Felicity

undated