Height [cm]: 43 - YCBA Collections Search Search Results

1. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1822
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 12 x 20 inches (30.5 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

2. Ploughing Scene in Suffolk

Creator:: John Constable, 1776–1837
Date:: 1824 to 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 16 3/4 x 30 inches (42.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1822
Materials & Techniques:: Oil on paper laid on panel
Dimensions:: 11 1/4 × 19 inches (28.6 × 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

4. Near Quillebeuf

Creator:: Richard Parkes Bonington, 1802–1828
Date:: between 1824 and 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 16 3/4 x 21 inches (42.5 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

5. Virgin and Child

Creator:: William Blake, 1757–1827
Date:: between 1818 and 1826
Materials & Techniques:: Tempera on panel
Dimensions:: 11 1/4 × 9 1/4 inches (28.6 × 23.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

6. A Country Gentleman

Creator:: Henry Walton, 1746–1813
Date:: ca. 1776
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 14 inches (43.2 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Cafe Tabac

Creator:: Cecil Rochfort D'Oyly John, 1906–1993
Date:: undated
Materials & Techniques:: Oil on canvas
Dimensions:: 17 × 23 inches (43.2 × 58.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:: Not on view

8. Juan-les-Pins

Creator:: Cecil Rochfort D'Oyly John, 1906–1993
Date:: undated
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 23 inches (43.2 x 58.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Nicholas Pritzker
On View:: Not on view

9. Annual Holiday

Creator:: Claude Harrison, 1922–2009
Date:: undated
Materials & Techniques:: Oil on board
Dimensions:: 9 x 12 inches (22.9 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:: Not on view

10. Seated Woman in a Broad-Brimmed Hat

Creator:: Gwen John, 1876–1939
Date:: undated
Materials & Techniques:: Oil on canvas
Dimensions:: Frame: 16 3/4 × 13 5/8 inches (42.5 × 34.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker
On View:: Not on view

11. Coach in a Thunderstorm

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: ca. 1795
Materials & Techniques:: Oil on millboard (attached to stretcher); verso: oil sketch
Dimensions:: 16 3/4 x 24 inches (42.5 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Study for 'Battle of Waterloo'

Creator:: George Jones, 1786–1869
Date:: 1815
Materials & Techniques:: Oil on paper mounted on board
Dimensions:: 17 × 20 1/2 inches (43.2 × 52.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Greenwich Fair

Creator:: Attributed to Maria Spilsbury, 1777–1820
Date:: ca. 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 16 3/4 × 23 inches (42.5 × 58.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Gilbert W. Chapman, transfer from the Yale University Art Gallery
On View:: Not on view

14. Sunny Days

Creator:: Sir Lawrence Alma-Tadema, 1836–1912
Date:: 1874
Materials & Techniques:: Oil on canvas
Dimensions:: 9 × 14 inches (22.9 × 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

15. Group of Whelps Bred between a Lion and a Tigress

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 14 × 12 inches (35.6 × 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

16. The Thames at Westminster

Creator:: Claude de Jongh, ca. 1600–1663
Date:: ca. 1630
Materials & Techniques:: Oil on panel
Dimensions:: 17 1/16 × 23 3/4 inches (43.3 × 60.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Portrait of a Man, called Tobias Smollett

Creator:: Attributed to Robert Scaddan, 1720–1802
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 13 1/2 inches (43.2 x 34.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
On View:: Not on view

18. Winter Landscape

Creator:: George Smith of Chichester, 1714–1776
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 16 3/4 × 26 inches (42.5 × 66 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. An Autumn Landscape with Apple Pickers

Creator:: George Smith of Chichester, 1714–1776
Date:: mid-18th century
Materials & Techniques:: Oil on canvas
Dimensions:: 16 3/4 × 25 7/8 inches (42.5 × 65.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Hop Pickers Outside a Cottage

Creator:: George Smith of Chichester, 1714–1776
Date:: mid-18th century
Materials & Techniques:: Oil on canvas
Dimensions:: 17 × 24 7/8 inches (43.2 × 63.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Sheep Washing at Postwick Grove, Norwich

Creator:: James Stark, 1794–1859
Date:: ca. 1822
Materials & Techniques:: Oil on panel
Dimensions:: 17 x 21 inches (43.2 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Cicero's Villa and the Gulf of Pozzuoli

Creator:: Richard Wilson, ca. 1712–1782
Date:: 1773 to 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 17 × 21 1/4 inches (43.2 × 54 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Hadrian's Villa

Creator:: Richard Wilson, ca. 1712–1782
Date:: between 1775 and 1782
Materials & Techniques:: Oil on canvas
Dimensions:: 17 × 13 1/2 inches (43.2 × 34.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird

Creator:: Henry Singleton, 1766–1839
Date:: ca. 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 17 × 21 inches (43.2 × 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

25. Trooping the Colour

Creator:: Bernard Sickert, 1863–1932
Date:: 1897
Materials & Techniques:: Oil on panel
Dimensions:: 12 1/2 × 15 1/2 inches (31.8 × 39.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Bruce McCashin
On View:: Not on view

26. Study for 'The Red Cross Knight'

Creator:: John Singleton Copley, 1738–1815
Date:: ca. 1793
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 21 inches (43.2 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. Clouded Leopards

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: ca. 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 14 × 12 inches (35.6 × 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

28. Poppies and Tradascanthus

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Oil on paper
Dimensions:: 17 x 14 inches (43.2 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

29. Outside the Pike and Anchor Inn at Ponders End, Middlesex

Creator:: James Pollard, 1792–1867
Date:: 1834
Materials & Techniques:: Oil on canvas
Dimensions:: 12 × 18 inches (30.5 × 45.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

30. Coastal Landscape with a Ferry Boat

Creator:: Sir Peter Francis Bourgeois, 1756–1811
Date:: 1796
Materials & Techniques:: Oil on canvas
Dimensions:: 17 × 21 1/8 inches (43.2 × 53.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

31. The Brown Tea Pot

Creator:: Gwen John, 1876–1939
Date:: between 1915 and 1916
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/16 × 9 1/8 inches (33.5 × 23.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

32. Studies of Military Accoutrements: a study for `The Battle of Waterloo'

Creator:: George Jones, 1786–1869
Date:: 1815
Materials & Techniques:: oil on paper laid to card
Dimensions:: 16 3/4 x 20 1/2 inches (42.5 x 52.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

33. A Wooded River Landscape with Fishermen

Creator:: James Arthur O'Connor, 1792–1841
Date:: ca. 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 16 15/16 x 20 15/16 inches (43 x 53.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

34. A Wooded River Landscape with Mother and Child

Creator:: James Arthur O'Connor, 1792–1841
Date:: 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 17 × 21 inches (43.2 × 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

35. Wooded Landscape with a Cottage and Shepherd

Creator:: Thomas Gainsborough, 1727–1788
Date:: 1748 to 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 21 3/8 inches (43.2 x 54.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

36. Dover

Creator:: Richard Wilson, ca. 1712–1782
Date:: between 1746 and 1747
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 21 1/2 inches (43.2 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

37. View of the Wilderness in St. James's Park

Creator:: Richard Wilson, ca. 1712–1782
Date:: between 1770 and 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 21 inches (43.2 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

38. Grey Shooting Pony, Probably the Property of Johnston King, with a Groom

Creator:: Thomas Woodward, 1801–1852
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 21 inches (43.2 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

39. Mares and Foals, facing left

Creator:: Sawrey Gilpin, 1733–1807
Date:: between 1790 and 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 27 1/2 inches (43.2 x 69.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

40. Mares and Foals, facing right

Creator:: Sawrey Gilpin, 1733–1807
Date:: between 1790 and 1800
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 27 1/2 inches (43.2 x 69.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

41. Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell

Creator:: James Pollard, 1792–1867
Date:: 1818
Materials & Techniques:: Oil on canvas
Dimensions:: 17 x 13 inches (43.2 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

42. Muhammad Bakhsh Shakh

Creator:: Joseph Edgar Boehm, 1834–1890
Date:: 1889
Materials & Techniques:: Bronze, on integral bronze socle
Dimensions:: Overall: 16 3/4 × 10 1/2 × 6 1/2 inches (42.5 × 26.7 × 16.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund
On View:: Not on view

43. Chichester (Cathedral series)

Creator:: Sheila Girling, 1924–2015
Date:: 2009
Materials & Techniques:: Collage and acrylic on handmade wove paper
Dimensions:: Frame: 25 1/4 × 20 1/4 × 1 1/4 inches (64.1 × 51.4 × 3.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Barford Sculptures, Ltd.
On View:: Not on view

44. Glint of Gold

Creator:: Tessa Pullan, born 1953
Date:: 1983
Materials & Techniques:: Bronze, with wooden base
Dimensions:: Overall: 17 x 22 3/4 x 5 inches (43.2 x 57.8 x 12.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

45. Splendour, Queen Alexandra's Carriage Horse

Creator:: Herbert Haseltine, 1877–1962
Date:: 1910
Materials & Techniques:: Bronze
Dimensions:: Overall: 17 x 17 1/4 x 5 1/4 inches (43.2 x 43.8 x 13.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

46. Timber Hauling

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1917
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 11/16 x 17 inches (34.8 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Plate VII, Human Body, Lateral View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 1/4 inches (67.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

48. Mr. Garrick in the Character of Richard III

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Engraving with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 18 1/4 × 24 3/4 inches (46.4 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

49. Southwark Fair

Creator:: William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 20 7/8 inches (42.9 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Moses Brought to Pharaoh's Daughter

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 × 20 7/8 inches (42.5 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Paul Before Felix

Creator:: William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 × 21 1/2 inches (44.1 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Pretty Ballad Singer

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1769
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper, laid in mount
Dimensions:: Sheet: 16 3/4 x 11 1/2 inches (42.6 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: On view at YUAG

53. Villa d'Este

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor, graphite, pen and back ink, blue wash and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 x 21 3/4 inches (42.5 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Fruit trees, 3 April 1863

Creator:: Edward Lear, 1812–1888
Date:: 1863
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 16 13/16 x 10 inches (42.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

55. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Christ Appearing to the Apostles after the Resurrection

Creator:: Print made by William Blake, 1757–1827
Date:: 1795 to 1805
Materials & Techniques:: Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:: Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

60. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Complaint, and the Consolation; or, Night Thoughts

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Bound volume of engravings
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Complaint, and the Consolation; or, Night Thoughts

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Bound volume of engravings in brown calf with marbled boards
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Night the First. On Life, Death, and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. 'Where sense runs savage broke from reason's chain' (Page 46)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Night the First. On Life, Death, and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. 'And vapid; sense and reason shew the door' (Page 72)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. 'The thunder if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Height [cm] 43

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1. Cloud Study

2. Ploughing Scene in Suffolk

3. Cloud Study

4. Near Quillebeuf

5. Virgin and Child

6. A Country Gentleman

7. Cafe Tabac

8. Juan-les-Pins

9. Annual Holiday

10. Seated Woman in a Broad-Brimmed Hat

11. Coach in a Thunderstorm

12. Study for 'Battle of Waterloo'

13. Greenwich Fair

14. Sunny Days

15. Group of Whelps Bred between a Lion and a Tigress

16. The Thames at Westminster

17. Portrait of a Man, called Tobias Smollett

18. Winter Landscape

19. An Autumn Landscape with Apple Pickers

20. Hop Pickers Outside a Cottage

21. Sheep Washing at Postwick Grove, Norwich

22. Cicero's Villa and the Gulf of Pozzuoli

23. Hadrian's Villa

24. The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird

25. Trooping the Colour

26. Study for 'The Red Cross Knight'

27. Clouded Leopards

28. Poppies and Tradascanthus

29. Outside the Pike and Anchor Inn at Ponders End, Middlesex

30. Coastal Landscape with a Ferry Boat

31. The Brown Tea Pot

32. Studies of Military Accoutrements: a study for `The Battle of Waterloo'

33. A Wooded River Landscape with Fishermen

34. A Wooded River Landscape with Mother and Child

35. Wooded Landscape with a Cottage and Shepherd

36. Dover

37. View of the Wilderness in St. James's Park

38. Grey Shooting Pony, Probably the Property of Johnston King, with a Groom

39. Mares and Foals, facing left

40. Mares and Foals, facing right

41. Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell

42. Muhammad Bakhsh Shakh

43. Chichester (Cathedral series)

44. Glint of Gold

45. Splendour, Queen Alexandra's Carriage Horse

46. Timber Hauling

47. Plate VII, Human Body, Lateral View

48. Mr. Garrick in the Character of Richard III

49. Southwark Fair

50. Moses Brought to Pharaoh's Daughter

51. Paul Before Felix

52. The Pretty Ballad Singer

53. Villa d'Este

54. Fruit trees, 3 April 1863

55. 'Till at Death's toll, whose restless iron tongue' (Page 7)

56. 'The longest night though longer far, would fail' (Page 15)

57. 'We censure nature for a span too short' (Page 23)

58. 'Behold him, when past by; what then is seen' (Page 25)

59. Christ Appearing to the Apostles after the Resurrection

60. 'The goddess bursts in thunder and in flame' (Page 95)

61. The Complaint, and the Consolation; or, Night Thoughts

62. The Complaint, and the Consolation; or, Night Thoughts

63. Night the First. On Life, Death, and Immortality; Title Page

64. 'O treacherous conscience! while she seems to sleep" (Page 27)

65. 'Tis greatly wise to talk with our past hours' (Page 31)

66. 'Teaching, we learn; and giving, we retain' (Page 35)

67. 'Like that, the dial speaks; and points to thee' (Page 33)

68. 'Love, and love only, is the loan for love' (Page 37)

69. 'Angels should paint it, angels ever there' (Page 40)

70. 'One radiant mark, – the death-bed of the just' (Page 41)

71. 'Where sense runs savage broke from reason's chain' (Page 46)

72. 'As if the sun could envy, check'd his beam' (Page 49)

73. 'The vale of death! that hush'd cimmerian vale' (Page 54)

74. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

75. Night the First. On Life, Death, and Immortality; Title Page