Height [cm]: 40 - YCBA Collections Search Search Results

1. Hampstead Heath, Sunset

Creator:: Francis Danby, 1793–1861
Date:: ca. 1845
Materials & Techniques:: Oil on canvas
Dimensions:: 11 1/4 × 15 1/4 inches (28.6 × 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Hampstead Heath looking towards Harrow

Creator:: John Constable, 1776–1837
Date:: 1821 to 1822
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 11 5/8 x 19 inches (29.5 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A View Supposedly Near Arundel, Sussex, with Figures in a Lane

Creator:: George Smith, 1714–1776
Date:: mid-18th century
Materials & Techniques:: Oil on canvas
Dimensions:: 15 7/8 x 19 3/4 inches (40.3 x 50.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Buckenham Ferry, on the River Yare, Norfolk

Creator:: Joseph Stannard, 1797–1830
Date:: 1826
Materials & Techniques:: Oil on panel
Dimensions:: 15 3/4 x 24 inches (40 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. A Scene from Don Quixote (Vol.II, Ch.XXIII)

Creator:: John Vanderbank, 1694–1739
Date:: between 1730 and 1736
Materials & Techniques:: Oil on panel
Dimensions:: 15 3/4 x 11 3/4 inches (40 x 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Old Walton Bridge

Creator:: Francis Towne, 1740–1816
Date:: 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 15 11/16 x 30 3/4 inches (39.8 x 78.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804

Creator:: unknown artist
Date:: ca. 1804
Materials & Techniques:: Oil on board laid down on panel
Dimensions:: 15 7/8 x 20 1/16 inches (40.3 x 51 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats

Creator:: Sir John Lavery, 1856–1941
Date:: 1890
Materials & Techniques:: Oil on canvas
Dimensions:: 15 3/4 × 7 3/4 inches (40 × 19.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. A Man Carrying Faggots

Creator:: George Chinnery, 1774–1852
Date:: ca. 1799
Materials & Techniques:: Oil on paper on board
Dimensions:: 11 3/4 x 9 1/2 inches (29.8 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Portrait of Carolina dell'Acqua

Creator:: Walter Richard Sickert, 1860–1942
Date:: 1903
Materials & Techniques:: Oil on canvas
Dimensions:: 15 3/4 x 10 7/8 inches (40 x 27.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell and Harvard Art Museum
On View:: Not on view

11. Partridge Shooting

Creator:: George Morland, 1763–1804
Date:: ca. 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 15 7/8 x 20 1/2 inches (40.3 x 52.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Pheasant Shooting

Creator:: George Morland, 1763–1804
Date:: ca. 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 15 7/8 x 20 1/2 inches (40.3 x 52.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Dancing on Ice

Creator:: Jules Clarke
Date:: 2011
Materials & Techniques:: oil on canvas
Dimensions:: Overall: 15 3/4 × 19 11/16 inches (40 × 50 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of the Priseman Seabrook Collection
On View:: Not on view

14. Charles Beale

Creator:: Mary Beale, 1633–1699
Date:: ca. 1660
Materials & Techniques:: Oil on canvas
Dimensions:: 11 1/2 × 10 1/8 inches (29.2 × 25.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

15. "Stop"

Creator:: Glynn Williams, born 1939
Date:: 1988
Materials & Techniques:: Portland stone
Dimensions:: Overall: 15 3/4 x 6 1/2 x 6 3/4 inches (40 x 16.5 x 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Renee & David McKee
On View:: Not on view

16. A Shepherd and his Flock under the Moon and Stars

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card
Dimensions:: Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Cornfield and Church by Moonlight

Creator:: Samuel Palmer, 1805–1881
Date:: early 1830s
Materials & Techniques:: Brush and black ink on very thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 7 1/4 inches (15.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Study of Waves

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Gray and brown washes with white gouache over graphite on thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 13/16 × 8 7/8 inches (14.8 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 7/8 x 21 1/8 inches (40.3 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 20 7/8 inches (40 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 x 21 1/8 inches (40.3 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Tiger Body, Lateral View (Probably made as the basis for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink, with traces of red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 x 21 1/8 inches (39.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Tiger Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 x 21 inches (40.3 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Tiger Skeleton, Lateral View (Finished Study for Table IV)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Self-portrait

Creator:: William Hogarth, 1697–1764
Date:: 1749
Materials & Techniques:: Etching and engraving on laid paper
Dimensions:: Sheet: 15 7/8 x 11in. (40.3 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

28. An Election Entertainment, Plate I

Creator:: William Hogarth, 1697–1764
Date:: 1755-58
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/4 x 21 1/4in. (40 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Chairing the Members, Plate IV

Creator:: William Hogarth, 1697–1764
Date:: 1758
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 5/8 x 21 1/4in. (39.7 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Hogarth Painting the Comic Muse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Bruiser

Creator:: William Hogarth, 1697–1764
Date:: 1763
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Thomas S. Holman, New York, NY

32. Siracusa, 12. June 1847

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen in brown ink over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 15 13/16 x 11 9/16 inches (40.2 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Night the Second. On Time, Death and Friendship; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. 'And vapid; sense and reason shew the door' (Page 72)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. 'Time, in advance, behind him hides his wings' (Page 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. 'Measuring his motions by revolving spheres' (Page 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. 'But for the blessing wrestle not with heaven' (Page 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. River God

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 x 20 1/4 inches (40 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

66. Glade in a Forest

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 21 1/2 inches (40.3 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

67. Design for a Ceiling

Creator:: George Richardson, ca.1738–ca.1813
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 7/8 inches (39.5 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 3/4 inches (40 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Views of the Pantheon, taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint over soft ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. View of St. Cloud and Mt. Calvary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Marchioness of Sligo

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 13/16 × 11 7/8 inches (40.2 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. Charles Robert Darwin

Creator:: Print made by Paul Adolphe Rajon, 1842–1888
Date:: 1882
Materials & Techniques:: Etching (unique remarque proof) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 5/8 × 20 1/16 inches (65.1 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Compliance

Creator:: Print made by unknown artist
Date:: 1796
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 11 inches (40.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Cupid in the Character of Bacchus

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1739
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 11 7/16 inches (39.7 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. A Vestal Virgin

Creator:: Print made by William Humphrey, 1745–1810
Date:: 1770
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 16 9/16 × 11 13/16 inches (42.1 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. A Shepherdess

Creator:: Print made by John Dean, 1754–1798
Date:: 1786
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/16 x 11 1/8 inches (40.8 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Harlech Castle and Twgwyn Ferry

Creator:: John Varley, 1778–1842
Date:: 1804
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/8 x 21 1/4 inches (41 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Mrs. Gulston

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1771
Materials & Techniques:: Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 13/16 x 11 1/8 inches (40.1 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. The Tribute Money

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/4 × 20 3/8 inches (41.3 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. The Tribute Money

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 × 20 1/4 inches (41.3 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. Boy Seated at a Table

Creator:: Print made by Gottlieb Heiss, 1684–1740
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 16 13/16 × 12 7/16 inches (42.7 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Lady Beauchamp Proctor

Creator:: Print made by James Watson, 1740–1790
Date:: 1779
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 11 9/16 inches (40.3 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. The Country Ballad Singers

Creator:: Print made by unknown artist
Date:: 1794
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 10 inches (40 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Fortune

Creator:: Print made by unknown artist
Date:: 1796
Materials & Techniques:: Mezzotint with drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 10 3/4 inches (40.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. The Holy Family

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Mezzotint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 11 5/8 inches (39.7 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Damon and Pastora

Creator:: Print made by unknown artist
Date:: 1786
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 11 1/2 inches (40.3 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. The Cherry Girl

Creator:: Print made by unknown artist
Date:: 1796
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 11 1/4 inches (40 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. The Moralist

Creator:: Print made by unknown artist
Date:: 1795
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 10 3/8 inches (40.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. St. Paulus

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: between 1680 and 1690
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 7/8 × 12 11/16 inches (40.3 × 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. The Young Musicians

Creator:: Print made by Johann Gottfried Haid, 1704–1767
Date:: 1764
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 7/8 × 10 7/8 inches (40.3 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. A Woman Swearing her Child to a Grave Citizen

Creator:: Print made by John Young, 1755–1825
Date:: 1816
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 23 1/4 inches (47.6 × 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. Miss Ann Catley in the Character of Euphrosyne

Creator:: Print made by Robert Dunkarton, 1744–1811
Date:: 1777
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 7/8 x 11 7/8 inches (40.3 x 30.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Jemima, Countess Cornwallis

Creator:: Print made by James Watson, 1740–1790
Date:: 1772
Materials & Techniques:: Mezzotint (second state) on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 11 9/16 inches (40.3 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. Dr. Goldsmith

Creator:: Print made by Giuseppe Marchi, ca. 1735–1808
Date:: 1770
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/8 × 13 inches (46 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. Mrs. Huddesford

Creator:: Print made by Henry Hoppner Meyer, ca. 1782–1847
Date:: between 1810 and 1825
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 9/16 × 11 1/2 inches (39.5 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

99. Miss Frances Kemble

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1784
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 11 11/16 inches (40 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

100. Mrs. Chambers

Creator:: Print made by C. Corbutt
Date:: ca. 1756
Materials & Techniques:: Mezzotint (first state) on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 15 9/16 × 11 7/16 inches (39.5 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Height [cm] 40

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1. Hampstead Heath, Sunset

2. Hampstead Heath looking towards Harrow

3. A View Supposedly Near Arundel, Sussex, with Figures in a Lane

4. Buckenham Ferry, on the River Yare, Norfolk

5. A Scene from Don Quixote (Vol.II, Ch.XXIII)

6. Old Walton Bridge

7. A Review of the London Volunteer Cavalry and Flying Artillery in Hyde Park in 1804

8. On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats

9. A Man Carrying Faggots

10. Portrait of Carolina dell'Acqua

11. Partridge Shooting

12. Pheasant Shooting

13. Dancing on Ice

14. Charles Beale

15. "Stop"

16. A Shepherd and his Flock under the Moon and Stars

17. Cornfield and Church by Moonlight

18. Study of Waves

19. Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)

20. Tiger Body, Lateral View

21. Tiger Body, Lateral View

22. Tiger Body, Lateral View (Probably made as the basis for a key figure)

23. Tiger Skeleton, Lateral View

24. Tiger Skeleton, Lateral View (Finished Study for Table IV)

25. Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

26. Tiger Body, Lateral View

27. Self-portrait

28. An Election Entertainment, Plate I

29. Chairing the Members, Plate IV

30. Hogarth Painting the Comic Muse

31. The Bruiser

32. Siracusa, 12. June 1847

33. Night the First. On Life, Death and Immortality; Title Page

34. 'What, though my soul fantastick measures trod' (Page 4)

35. 'The vale of death! that hush'd cimmerian vale' (Page 54)

36. 'The Sun beheld it – No, the shocking scene' (Page 75)

37. 'Its favours here are trials, not rewards' (Page 12)

38. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

39. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

40. 'Is lost in love! thou great Philanthropist' (Page 87)

41. 'The goddess bursts in thunder and in flame' (Page 95)

42. Night the Second. On Time, Death and Friendship; Title Page

43. 'Like that, the dial speaks; and points to thee' (Page 33)

44. 'And vapid; sense and reason shew the door' (Page 72)

45. 'That touch, with charm celestial heals the soul' (Page 90)

46. 'When faith is virtue, reason makes it so' (Page 92)

47. 'Time, in advance, behind him hides his wings' (Page 24)

48. 'Swift on his downy pinion flies from woe' (Page 1)

49. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

50. 'Measuring his motions by revolving spheres' (Page 26)

51. 'Its favours here are trials, not rewards' (Page 12)

52. The Christian Triumph; Title Page

53. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

54. 'Is lost in love! thou great Philanthropist' (Page 87)

55. 'The goddess bursts in thunder and in flame' (Page 95)

56. 'If angels tremble, 'tis at such a sight' (Page 93)

57. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

58. 'What, though my soul fantastick measures trod' (Page 4)

59. 'The Sun beheld it – No, the shocking scene' (Page 75)

60. 'But for the blessing wrestle not with heaven' (Page 88)

61. 'That touch, with charm celestial heals the soul' (Page 90)

62. 'When faith is virtue, reason makes it so' (Page 92)

63. 'Behold him, when past by; what then is seen' (Page 25)

64. 'We censure nature for a span too short' (Page 23)

65. River God

66. Glade in a Forest

67. Design for a Ceiling

68. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

69. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

70. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

71. Views of the Pantheon, taken from the Arsenal

72. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

73. View of St. Cloud and Mt. Calvary taken from Pont de Seve

74. Marchioness of Sligo

75. Charles Robert Darwin