A View Supposedly Near Arundel, Sussex, with Figures in a Lane
mid-18th century
Not on view
2
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
3
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
4
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
5
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
6
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
7
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
8
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
9
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
10
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
11
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
12
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
13
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
14
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
15
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
16
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
17
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
18
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
19
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
20
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
21
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
22
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
23
William Green, 1760–1823
The Devil's Bridge, Kirkby Lonsdale
undated
24
Print made by John Browne, 1741–1801
The Sportsman
1775
25
Print made by John Greenwood, 1727–1792
The Social Friends
1768
26
Print made by unknown artist
Fortune
1796
27
Print made by Johann Jacobus Haid, 1704–1767
La male consequence du celibat
undated
28
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
29
Samuel Prout, 1783–1852
The Monnow Bridge, Monmouthshire
before 1814
30
George Moutard Woodward, ca. 1760–1809
The Royal Rush Light
1798
31
Print made by Sir Muirhead Bone, 1876–1953
A Manhattan Excavation
1923
32
James Duffield Harding, 1798–1863
View of the Clifton Suspension Bridge
undated
33
James Pollard, 1792–1867
The North Country Mails at The Peacock Inn, Islington
1815
34
Thomas Rowlandson, 1756–1827
A Merchant's Office
1789
35
Print made by Francesco Bartolozzi, 1728–1815
Juvenis auscultans seni de divinis admonenti
1764
36
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
37
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792
38
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
39
Print made by Sir Muirhead Bone, 1876–1953
Demolition of St. James's Hall, Interior
1906
40
Print made by Sir David Young Cameron, 1865–1945
The Five Sisters, York Minister
1907
41
Charles Grignion, 1717–1810
A French Petit Maître and His Valet
1771
42
Print made by John Boydell, 1720–1804
Night
1756
43
Johann Jacobus Haid, 1704–1767
Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"
1765
44
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
45
Upper print made by unknown artist
King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News