Height [cm]: 33 - YCBA Collections Search Search Results

301. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Portrait of an Unknown Man in a Full-Bottomed Wig

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pastel, black chalk, and white chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 10 3/8 inches (33 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. The Virtuous Family

Creator:: unknown artist
Date:: ca. 1790
Materials & Techniques:: Pen and brown ink, graphite, blue wash, pink wash, and brown wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 8 5/8 inches (33 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Artist's Wife and Child

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 × 20 1/8 inches (33 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. The Manse, Cults, Fife: The Artist's Old Home

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. The Manse, Cults, Fife: The Artist's Old Home

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. The Manse, Cults, Fife: The Artist's Old Home

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Spy's Taken at Greenwich on Easter Monday

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: undated
Materials & Techniques:: Pen and ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 x 15 1/2 inches (32.7 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. At Bromley, Kent

Creator:: Ramsay Richard Reinagle, 1775–1862
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 × 17 1/2 inches (33 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Landscape at Ambleside

Creator:: Thomas Sunderland, 1744–1828
Date:: ca. 1800
Materials & Techniques:: Graphite, pen and brown ink, blue wash, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 17 13/16in. (33 x 45.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Mountain of Rigi and the Ancient Castle of Hapsbourg on the Lake of Lucerne

Creator:: Thomas Sunderland, 1744–1828
Date:: 18th century-19th century
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, slightly textured, cream laid paper mounted to thick cream card
Dimensions:: Sheet: 13 1/8 × 18 1/8 inches (33.3 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. The Eleventh Hour

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 9/16 inches (32.9 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. The Eel Catcher

Creator:: Charles Warren, 1767–1823
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 13 x 18 1/4 inches (33 x 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. An English Man of War, Starboard Quarter View: Possibly the Victory

Creator:: Willem van de Velde the Younger, 1633–1707
Date:: ca. 1675
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper
Dimensions:: Mount: 17 1/8 x 25 13/16 inches (43.5 x 65.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. An English Man-of-War, Port View from the Stern

Creator:: Willem van de Velde the Younger, 1633–1707
Date:: ca. 1675
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper
Dimensions:: Mount: 17 1/4 x 26 7/16 inches (43.8 x 67.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Vale of Newlands, Cumberland

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 15/16 × 40 7/16 inches (32.9 × 102.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Norwegian Landscape

Creator:: Harold Gilman, 1876–1919
Date:: undated
Materials & Techniques:: Pen and black ink on moderately thick, slightly textured, cream wove paper mounted on board
Dimensions:: Mount: 18 1/8 x 21 1/8 inches (46 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

335. Lytton Strachey

Creator:: Henry Lamb, 1883–1960
Date:: undated
Materials & Techniques:: Graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 13 1/8 x 10 3/8 inches (33.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

336. Self Portrait

Creator:: Augustus Edwin John, 1878–1961
Date:: ca. 1897
Materials & Techniques:: Red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 9 7/8 inches (33 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

337. Temple of Edfou, Upper Egypt

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1841 and 1851
Materials & Techniques:: Watercolor, white gouache and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/8 x 19 7/8 inches (32.7 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Villa Medici, Rome

Creator:: Thomas Jones, 1742–1803
Date:: ca. 1776
Materials & Techniques:: Oil over graphite on moderately thick, rough, blue wove paper
Dimensions:: Sheet: 13 x 21 1/8 inches (33 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. The Seat of Stafford Briscoe

Creator:: Samuel Lewis, ca. 1756–1822
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 12 7/8 × 18 13/16 inches (32.7 × 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Old Farm Buildings

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 16 5/8 inches (33 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Quarries near Ironbridge (Earthworks, Cambridge Terrace)

Creator:: John Linnell, 1792–1882
Date:: ca. 1816
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 x 19 1/2 inches (33.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Kirkeoch, Nun Mill

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 15/16 × 9 1/2 inches (32.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. North Nunton; South Nunton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 15/16 × 9 1/2 inches (32.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gray wash, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/8 × 9 7/16 inches (33.3 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Bishopton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 3/8 inches (33 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Bishopton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 1/2 inches (33 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Brouckleugh; Mickle Sypeland

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 1/2 inches (33 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Whinny Liggate; Balgredan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 1/2 inches (33 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Page of Sketches of Cavaliers, Horse's Head, and Plumes

Creator:: Thomas Henry Nicholson, Died 1870
Date:: ca. 1839
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 18 5/8 inches (32.7 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Design for Knepp Castle, Sussex: Perspective

Creator:: John Nash, 1752–1835
Date:: undated
Materials & Techniques:: Graphite and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 × 20 1/2 inches (33 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. A Christening at the Vatican with Swiss Papal Guard, etc.

Creator:: Attributed to James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor, gray wash, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 x 18 5/8 inches (32.5 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Man's Head (Mr. Gardner)

Creator:: Sir Walter Thomas Monnington, 1902–1976
Date:: 1932
Materials & Techniques:: Graphite with stumping on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 15/16 x 11 7/16in. (32.9 x 29.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

353. Samuel Butler, the Author of Hudibras

Creator:: Edward Luttrell, active 1680–1724
Date:: between 1682 and 1690
Materials & Techniques:: Pastel on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. "She Stoops to Conquer" Act 3, Act 5

Creator:: Alfred Parsons, 1847–1920
Date:: undated
Materials & Techniques:: Pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/16 x 11 1/16in. (33.2 x 28.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection

355. Ledbury Church and Village, Herefordshire

Creator:: John James Barralet, 1747–1815
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 9 3/8 inches (33.3 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. The Southeast view of Rose Castle in Cumberland

Creator:: Captain John Bernard Gilpin, 1701–1776
Date:: 1765
Materials & Techniques:: Pen and brown ink, graphite and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 20 1/2 inches (33.3 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Classical Composition

Creator:: Gavin Hamilton, 1723–1798
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/8 × 17 5/8 inches (33.3 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

358. Glencoe: A Shepherd Boy Crossing a Burn

Creator:: Walter Goodall, 1830–1889
Date:: 1857
Materials & Techniques:: Watercolor over graphite with scratching out on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 19 3/8 inches (33.3 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Mount Soratte from Civita Castellana

Creator:: William Haygarth, active 1810–1816
Date:: 1816
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 21 1/8 inches (32.7 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Crater of Vesuvius

Creator:: William Haygarth, active 1810–1816
Date:: 1816
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 1/8 × 21 1/8 inches (33.3 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Portrait Study of Whistler

Creator:: Walter Greaves, 1846–1930
Date:: undated
Materials & Techniques:: Black chalk and graphite with pen and gray ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 13 x 8 5/8in. (33 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Thaxted Church, Essex

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1800
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 14 3/4 × 11 1/4 inches (37.5 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Landscape with Gorge and Cattle

Creator:: Henry Richard Greville third Earl of Warwick, 1779–1853
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink over graphite; verso: pen and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 9 7/8in. (32.4 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Cardiff from the South

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: ca. 1789
Materials & Techniques:: Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 19 3/4 inches (33 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. The Cheesecake House, Hyde Park

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 10 1/4 inches (33.3 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Lady Hamilton as a Bacchante

Creator:: Print made by Charles Knight, 1743–c.1826
Date:: 1797
Materials & Techniques:: Stipple engraving (first state) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 11 7/16 inches (37.5 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

367. Mrs. Musters

Creator:: Print made by James Walker, 1748–1808
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 11 1/16 inches (34.9 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

368. Levens, Westmoreland, The Small Drawing Room

Creator:: Joseph Nash, 1808–1878
Date:: 1873
Materials & Techniques:: Watercolor, gouache, and pen, with black, ink, brown ink and red ink, with traces of graphite on thick, moderately textured, beige wove paper
Dimensions:: Mount: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. Sheet of Figure Sketches

Creator:: William Payne, active 1850s
Date:: undated
Materials & Techniques:: Black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 3/4 inches (29.2 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Francis Bartolozzi, R.A.

Creator:: Print made by Thomas Watson, 1743–1781
Date:: 1785
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 17 1/4 inches (55.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

371. Elizabeth, Countess of Berkeley

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: 1757
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 9 inches (33 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

372. James Boswell of Auchinleck, Esq.

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1786
Materials & Techniques:: Mezzotint on very thin, smooth, cream laid paper
Dimensions:: Sheet: 17 7/8 × 12 1/4 inches (45.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

373. Miss Julia Bosville

Creator:: Print made by James Watson, 1740–1790
Date:: 1775
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/8 × 12 1/16 inches (41 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

374. Master Bunbury

Creator:: Print made by Francis Haward, 1759–1797
Date:: 1781
Materials & Techniques:: Mezzotint on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 x 11 5/16 inches (38.1 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

375. Lady Christiana Collier

Creator:: Print made by James Watson, 1740–1790
Date:: undated
Materials & Techniques:: Mezzotint (proof before letter) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 9 5/16 inches (33.7 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

376. Miss Kitty Fisher as 'Cleopatra Dissolving the Pearl'

Creator:: Print made by Edward Fisher, 1722–1785
Date:: between 1752 and 1763
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 7/16 x 9 3/8 inches (34.2 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

377. Flute Player

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: between 1765 and 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 3/16 x 10 15/16 inches (36 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

378. Sylvia

Creator:: Print made by Peltro W. Tomkins, 1760–1840
Date:: 1786
Materials & Techniques:: Stipple engraving on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 16 5/8 × 13 5/16 inches (42.2 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

379. The Promenade at Carlisle House

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1781
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 16 3/8 inches (33.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

380. Miss Fanny Ayton

Creator:: Print made by George H. Phillips, active 1819–1825
Date:: 1828
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 × 10 inches (33 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

381. The Old Ballad Singer

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1775
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 10 1/8 inches (36.2 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

382. Lady Gorget raising Recruits for Cox Heath

Creator:: Print made by unknown artist
Date:: 1781
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 10 1/2 inches (35.9 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

383. Welladay! Is This my Son Tom!

Creator:: Print made by unknown artist
Date:: 1773
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 × 11 3/8 inches (44.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

384. Deny It If You Can - Nine Taylors Makes a Man

Creator:: Print made by unknown artist
Date:: 1774
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 × 11 inches (41.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

385. The Feathered Fair, Feeding the Feathered Fowl

Creator:: Print made by unknown artist
Date:: 1783
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 11 5/8 inches (47 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

386. The Double Attack, or French Politeness not a Match for English Assurance

Creator:: Print made by unknown artist
Date:: 1770s
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 × 11 1/4 inches (44.1 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

387. Doctor Blowbladder Discovering the Perpetual Motion

Creator:: Print made by unknown artist
Date:: 1772
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 × 11 1/4 inches (44.1 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

388. Mon Seigneur Le Cox with his Snuff & Snuff Box

Creator:: Print made by unknown artist
Date:: 1774
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 10 1/8 inches (35.9 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

389. Love Alamode

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 10 inches (34.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

390. A School Boy (William Elmer)

Creator:: Print made by Butler Clowes, active 1768, died 1782
Date:: 1772
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 15/16 × 8 7/8 inches (32.9 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

391. Reading by a Paper-Bell Shade

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1768
Materials & Techniques:: Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 x 11 1/8 inches (42.8 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

392. Courtship for Money

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 10 7/16 inches (36.2 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

393. The Old Beau in an Extasy

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1773
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/4 x 11 1/8 inches (38.7 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

394. The Patriotic Peasant

Creator:: Print made by Cornelis Dusart, 1660–1704
Date:: 1695
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 15/16 x 9 1/16 inches (32.9 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

395. The Swain's Amusement

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: between 1748 and 1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 9 3/16 inches (33.7 x 23.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

396. St. Paul

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1741
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 9 11/16 inches (34 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

397. St. Paul

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1741
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/8 × 10 9/16 inches (37.8 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

398. A Venetian Courtesan

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1739
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/16 x 9 5/16 inches (33.8 x 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

399. The Housewife's Employment

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/16 x 9 3/16 inches (33.2 x 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

400. The Housewife's Employment

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 9 7/8 inches (35 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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301. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

302. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

303. Portrait of an Unknown Man in a Full-Bottomed Wig

304. The Virtuous Family

305. Artist's Wife and Child

306. The Manse, Cults, Fife: The Artist's Old Home

307. The Manse, Cults, Fife: The Artist's Old Home

308. The Manse, Cults, Fife: The Artist's Old Home

309. Spy's Taken at Greenwich on Easter Monday

310. At Bromley, Kent

311. Landscape at Ambleside

312. Mountain of Rigi and the Ancient Castle of Hapsbourg on the Lake of Lucerne

313. Hogarth Declaring His Love to Miss Thornhill

314. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

315. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

316. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

317. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

318. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

319. The Smock Exposed

320. The Reconcilation

321. Hogarth Drawing Sarah Malcolm

322. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

323. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

324. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

325. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

326. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

327. Hogarth Sitting to Roubiliac for His Bust

328. Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

329. The Eleventh Hour

330. The Eel Catcher

331. An English Man of War, Starboard Quarter View: Possibly the Victory

332. An English Man-of-War, Port View from the Stern

333. Vale of Newlands, Cumberland

334. Norwegian Landscape

335. Lytton Strachey

336. Self Portrait

337. Temple of Edfou, Upper Egypt

338. Villa Medici, Rome

339. The Seat of Stafford Briscoe

340. Old Farm Buildings

341. Quarries near Ironbridge (Earthworks, Cambridge Terrace)

342. Kirkeoch, Nun Mill

343. North Nunton; South Nunton

344. Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs

345. Bishopton

346. Bishopton

347. Brouckleugh; Mickle Sypeland

348. Whinny Liggate; Balgredan

349. Page of Sketches of Cavaliers, Horse's Head, and Plumes

350. Design for Knepp Castle, Sussex: Perspective

351. A Christening at the Vatican with Swiss Papal Guard, etc.

352. Man's Head (Mr. Gardner)

353. Samuel Butler, the Author of Hudibras

354. "She Stoops to Conquer" Act 3, Act 5

355. Ledbury Church and Village, Herefordshire

356. The Southeast view of Rose Castle in Cumberland

357. Classical Composition

358. Glencoe: A Shepherd Boy Crossing a Burn

359. Mount Soratte from Civita Castellana

360. Crater of Vesuvius

361. Portrait Study of Whistler

362. Thaxted Church, Essex

363. Landscape with Gorge and Cattle

364. Cardiff from the South

365. The Cheesecake House, Hyde Park

366. Lady Hamilton as a Bacchante

367. Mrs. Musters

368. Levens, Westmoreland, The Small Drawing Room

369. Sheet of Figure Sketches

370. Francis Bartolozzi, R.A.

371. Elizabeth, Countess of Berkeley

372. James Boswell of Auchinleck, Esq.

373. Miss Julia Bosville

374. Master Bunbury

375. Lady Christiana Collier