The Capture of the "Marquis d'Antin" and the "Louis Erasme"
between 1745 and 1755
Not on view
12
Walter Richard Sickert, 1860–1942
Carolina dell'Acqua
1903 to 1904
Not on view
13
Francis Calcraft Turner, active 1782–1846
Horses Grazing: a Grey Stallion Grazing with Mares in a Meadow
1830
Not on view
14
Francis Calcraft Turner, active 1782–1846
Horses Grazing: Mares and Foals in a Field
1830
Not on view
15
Henry Scott Tuke, 1858–1929
Portrait of Nicola Luciani
between 1913 and 1914
Not on view
16
Alexander Runciman, 1736–1785
Classical Landscape
1767 to 1771
Not on view
17
Sir Augustus Wall Callcott, 1779–1844
Cottage by a country lane
ca. 1820
Not on view
18
George Chambers, 1803–1840
Port on a Stormy Day
1835
Not on view
19
John Linnell, 1792–1882
William Collins, R.A
1831
Not on view
20
Laurent Delvaux, 1696–1778
Ariadne
ca. 1723
Not on view
21
unknown artist
John Locke
ca. 1775
Not on view
22
Anne Seymour Damer, 1748–1828
Caroline Conway, Lady Aylesbury
18th century-19th century
Not on view
23
Print made by Samuel Palmer, 1805–1881
The Vine
1852
24
Samuel Palmer, 1805–1881
Tintern Abbey at Sunset
1861
25
George Stubbs, 1724–1806
Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
1795 to 1806
26
George Stubbs, 1724–1806
Dorking Hen Body, Lateral View (Outline drawing of the muscles)
1795 to 1806
27
George Stubbs, 1724–1806
Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
1795 to 1806
28
George Stubbs, 1724–1806
Dorking Hen, Lateral View
1795 to 1806
29
William Hogarth, 1697–1764
A Silver Mine at Sala, I: Illustration for La Motraye's "Travels"
1723
30
William Hogarth, 1697–1764
The Enraged Musician
1741
31
Print made by William Hogarth, 1697–1764
A Midnight Modern Conversation
1733
32
William Hogarth, 1697–1764
Simon Lord Lovat
1746
33
William Hogarth, 1697–1764
The Invasion, Plate II: England
1756
34
William Hogarth, 1697–1764
The Bruiser
1763
35
Print made by William Hogarth, 1697–1764
Simon Lord Lovat
1746
36
William Hogarth, 1697–1764
The Enraged Musician
1741
37
Joseph Mallord William Turner, 1775–1851
Interior of St. John's Palace, Eltham
ca. 1793
38
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
39
George Romney, 1734–1802
Seated Woman, possibly with a Child
late 1760s-early 1770s
40
Hamlet Winstanley, 1698–1756
Sketchbook containing 81 drawings and 2 engravings of self-portraits
1715 to 1720
41
Print made by John Wykeham Archer, 1808–1864
Richmond Castle and Town
1820
42
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
43
Print made by Thomas Higham, 1796–1844
Wilton House
1825
44
James Bruce, 1730–1794
Unidentified Ungulate
undated
45
Print made by George Cooke, 1781–1834
Brighton
1814 to 1826
46
Print made by Samuel Rawle, 1771–1860
Raby Castle, County of Durham
1820
47
Print made by Henry Le Keux, 1787–1868
Borthwick Castle
1819
48
Print made by William Miller, 1796–1882
New Abbey, near Dumfries
1834
49
Print made by Edward Goodall, 1795–1870
Mount Edgecomb, Devonshire
1814 to 1826
50
Print made by Edward Goodall, 1795–1870
Land Discovered by Columbus
1834
51
James Bruce, 1730–1794
Studies of Camels Kneeling
undated
52
Print made by John Scott, 1774–1828
Aske Hall
1818-1823
53
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
54
Print made by Henry Le Keux, 1787–1868
High Street, Edinburgh
1819
55
Print made by James C. Allen, active 1821–1831
Dunbar
1824
56
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1789
57
Print made by Thomas Patch, 1725–1782
Mi so Chiamare il Cavre di Taylor
1770
58
Print made by Thomas Patch, 1725–1782
Tommaso Patch Autore
1768
59
James Wyatt, 1746–1813
Cobham Hall, Kent: Chimney Piece Intended for the Great Hall at Cobham
ca. 1790
60
James Wyatt, 1746–1813
Cobham Hall, Kent: South Elevation of Stables
1789
61
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
62
Print made by Thomas Patch, 1725–1782
Dr. Lambardi
1770
63
Print made by Thomas Patch, 1725–1782
Cortigiani
1768
64
Print made by Thomas Patch, 1725–1782
Frano. Harwood
1768
65
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
66
John James Chalon, 1778–1854
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
undated
67
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
68
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
69
Gavin Hamilton, 1723–1798
Classical Composition
undated
70
William Haygarth, active 1810–1816
Crater of Vesuvius
1816
71
William Haygarth, active 1810–1816
Mount Soratte from Civita Castellana
1816
72
Thomas Hearne, 1744–1817
Thaxted Church, Essex
ca. 1800
73
Julius Caesar Ibbetson, 1759–1817
Cardiff from the South
ca. 1789
74
Captain John Bernard Gilpin, 1701–1776
The Southeast view of Rose Castle in Cumberland
1765
75
Walter Goodall, 1830–1889
Glencoe: A Shepherd Boy Crossing a Burn
1857
76
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
77
John James Barralet, 1747–1815
Ledbury Church and Village, Herefordshire
undated
78
Henry Richard Greville third Earl of Warwick, 1779–1853
Landscape with Gorge and Cattle
undated
79
Harold Gilman, 1876–1919
Norwegian Landscape
undated
80
John Frederick Lewis, 1804–1876
Temple of Edfou, Upper Egypt
between 1841 and 1851
81
Thomas Sunderland, 1744–1828
Mountain of Rigi and the Ancient Castle of Hapsbourg on the Lake of Lucerne
18th century-19th century
82
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
83
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
84
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
85
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
86
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
87
John Thomas Smith, 1766–1833
The Smock Exposed
1817
88
John Thomas Smith, 1766–1833
The Reconcilation
1817
89
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
90
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
91
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
92
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
93
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
94
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
95
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
96
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
97
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
98
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel