Work Type: watercolor / Subject Terms: nudes - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Work Type watercolor

Subject Terms nudes

William Blake Frontispiece, Europe. A Prophecy

Print made by William Blake, 1757–1827

Frontispiece, Europe. A Prophecy

ca. 1820

William Blake Jerusalem, Tailpiece (Plate 100)

Print made by William Blake, 1757–1827

Jerusalem, Tailpiece (Plate 100)

1804 to 1820

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake "Albion thy fear has made me tremble..." (Plate 22)

Print made by William Blake, 1757–1827

"Albion thy fear has made me tremble..." (Plate 22)

1804 to 1820

William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Print made by William Blake, 1757–1827

"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

1804 to 1820

William Blake "To the Public. After my three years slumber..." (Plate 3)

Print made by William Blake, 1757–1827

"To the Public. After my three years slumber..." (Plate 3)

1804 to 1820

William Blake "Then the Divine hand found the Two Limits..." (Plate 35)

Print made by William Blake, 1757–1827

"Then the Divine hand found the Two Limits..." (Plate 35)

1804 to 1820

William Blake "And One stood forth from the Divine Family..." (Plate 37)

Print made by William Blake, 1757–1827

"And One stood forth from the Divine Family..." (Plate 37)

1804 to 1820

William Blake "Bath who is Legions..." (Plate 41)

Print made by William Blake, 1757–1827

"Bath who is Legions..." (Plate 41)

1804 to 1820

William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Print made by William Blake, 1757–1827

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

1804 to 1820

William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Print made by William Blake, 1757–1827

"The secret coverts of Albion & the hidden places of America..." (Plate 49)

1804 to 1820

William Blake "The banks of the Thames are clouded..." (Plate 5)

Print made by William Blake, 1757–1827

"The banks of the Thames are clouded..." (Plate 5)

1804 to 1820

William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Print made by William Blake, 1757–1827

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

1804 to 1820

William Blake Chapter 3 Frontispiece (Plate 51)

Print made by William Blake, 1757–1827

Chapter 3 Frontispiece (Plate 51)

1804 to 1820

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

William Blake, 1757–1827

"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)

between 1797 and 1798

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake The Purple Year awaking from the Roots of Nature (Design 3)

William Blake, 1757–1827

The Purple Year awaking from the Roots of Nature (Design 3)

between 1797 and 1798

William Blake The Serpent who Girds the Earth (Design 77)

William Blake, 1757–1827

The Serpent who Girds the Earth (Design 77)

between 1797 and 1798

William Blake The Little Girl Found (Plate 6)

Print made by William Blake, 1757–1827

The Little Girl Found (Plate 6)

1789

William Blake Frontispiece. Albion's Angel (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece. Albion's Angel (Plate 1)

1793

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake "From every-one of the Four Regions..." (Plate 18)

Print made by William Blake, 1757–1827

"From every-one of the Four Regions..." (Plate 18)

1804 to 1820

William Blake "His Children exil'd from his breast..." (Plate 19)

Print made by William Blake, 1757–1827

"His Children exil'd from his breast..." (Plate 19)

1804 to 1820

William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Print made by William Blake, 1757–1827

Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

1804 to 1820

William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Print made by William Blake, 1757–1827

"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

1804 to 1820

William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Print made by William Blake, 1757–1827

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

1804 to 1820

William Blake "What have I said? What have I done?..." (Plate 24)

Print made by William Blake, 1757–1827

"What have I said? What have I done?..." (Plate 24)

1804 to 1820

William Blake "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

Print made by William Blake, 1757–1827

"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

1804 to 1820

William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

1804 to 1820

William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)

Print made by William Blake, 1757–1827

"Then the Divine Vision like a silent Sun..." (Plate 29)

1804 to 1820

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "It is easier to forgive an enemy..." (Plate 91)

Print made by William Blake, 1757–1827

"It is easier to forgive an enemy..." (Plate 91)

1804 to 1820

William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Print made by William Blake, 1757–1827

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

1804 to 1820

William Blake "In Great Eternity every particular Form..." (Plate 54)

Print made by William Blake, 1757–1827

"In Great Eternity every particular Form..." (Plate 54)

1804 to 1820

William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Print made by William Blake, 1757–1827

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

1804 to 1820

William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Print made by William Blake, 1757–1827

"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

1804 to 1820

William Blake "Of the Mundane Shell which froze..." (Plate 64)

Print made by William Blake, 1757–1827

"Of the Mundane Shell which froze..." (Plate 64)

1804 to 1820

William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

Print made by William Blake, 1757–1827

"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

1804 to 1820

William Blake "I have mock'd those who refused cruelty..." (Plate 81)

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

William Blake "Corruptability appears upon thy limbs..." (Plate 83)

Print made by William Blake, 1757–1827

"Corruptability appears upon thy limbs..." (Plate 83)

1804 to 1820

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

Print made by William Blake, 1757–1827

"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

1793

William Blake Title Page. America, A Prophecy (Plate 2)

Print made by William Blake, 1757–1827

Title Page. America, A Prophecy (Plate 2)

1793

William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)

Print made by William Blake, 1757–1827

"Appear to the Americans upon the cloudy night..." (Plate 6)

1793

William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

Print made by William Blake, 1757–1827

"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

1793

William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

Print made by William Blake, 1757–1827

"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

1793

William Blake Title Page, The Book of Thel (Plate 2)

Print made by William Blake, 1757–1827

Title Page, The Book of Thel (Plate 2)

1789

William Blake Frontispiece, The Ancient of Days (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece, The Ancient of Days (Plate 1)

1794

William Blake A Prophecy. "The deep of winter came..." (Plate 5)

Print made by William Blake, 1757–1827

A Prophecy. "The deep of winter came..." (Plate 5)

1794

William Blake "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

Print made by William Blake, 1757–1827

"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

1794

William Blake "Enitharmon slept. ..." (Plate 10)

Print made by William Blake, 1757–1827

"Enitharmon slept. ..." (Plate 10)

1794

William Blake "The shrill winds wake!..." (Plate 6)

Print made by William Blake, 1757–1827

"The shrill winds wake!..." (Plate 6)

1794

William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

Print made by William Blake, 1757–1827

Chapter IV, "Ages on ages roll'd over him..." (Plate 13)

1794

William Blake Chapter V, "The globe of life blood trembled..." (Plate 17)

Print made by William Blake, 1757–1827

Chapter V, "The globe of life blood trembled..." (Plate 17)

1794

William Blake Los with the child Orc and Enitharmon (Plate 18)

Print made by William Blake, 1757–1827

Los with the child Orc and Enitharmon (Plate 18)

1794

William Blake Los Falls through Fire (Plate 21)

Print made by William Blake, 1757–1827

Los Falls through Fire (Plate 21)

1794

William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)

Print made by William Blake, 1757–1827

Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)

1794

William Blake "The Ox in the slaughter house moans..." (Plate 26)

Print made by William Blake, 1757–1827

"The Ox in the slaughter house moans..." (Plate 26)

1794

William Blake Fettered Urizen Weeping (Plate 3)

Print made by William Blake, 1757–1827

Fettered Urizen Weeping (Plate 3)

1794

William Blake Urizen Swims through Dark Waters (Plate 7)

Print made by William Blake, 1757–1827

Urizen Swims through Dark Waters (Plate 7)

1794

William Blake "Her voice pierc'd Albions clay cold ear..." (Plate 95)

Print made by William Blake, 1757–1827

"Her voice pierc'd Albions clay cold ear..." (Plate 95)

1804 to 1820

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

George Romney Children with a Goat and a Dog

George Romney, 1734–1802

Children with a Goat and a Dog

undated

George Romney Sketches of a Prostrate Woman

George Romney, 1734–1802

Sketches of a Prostrate Woman

undated

George Romney Howard Visiting a Prison

George Romney, 1734–1802

Howard Visiting a Prison

undated

George Romney Prison Scene

George Romney, 1734–1802

Prison Scene

undated

George Romney Howard Visiting a Prison

George Romney, 1734–1802

Howard Visiting a Prison

between 1790 and 1794

Robert Smirke Figure Study of a Bacchanalia Celebration in a Wooded Landscape

Robert Smirke, 1752–1845

Figure Study of a Bacchanalia Celebration in a Wooded Landscape

undated

Robert Smirke Figure Study of a Bacchanalia Celebration in a Wooded Landscape

Robert Smirke, 1752–1845

Figure Study of a Bacchanalia Celebration in a Wooded Landscape

undated

Robert Smirke Scene of a Bacchanalia

Robert Smirke, 1752–1845

Scene of a Bacchanalia

undated

Isaac Oliver Leda and the Swan

Isaac Oliver, ca. 1565–1617

Leda and the Swan

undated

James Wyatt Cobham Hall, Kent: Wall Decoration

James Wyatt, 1746–1813

Cobham Hall, Kent: Wall Decoration

ca. 1790

William Hamilton Leander Taking Leave of Hero Before Swimming Back Across the Hellespont

Attributed to William Hamilton, 1751–1801

Leander Taking Leave of Hero Before Swimming Back Across the Hellespont

undated

Theodor von Holst Prospero Watching Ferdinand and Miranda

Theodor von Holst, 1810–1844

Prospero Watching Ferdinand and Miranda

ca. 1840

William Pitts Helios

William Pitts, 1790–1840

Helios

undated

Thomas Carwitham Figure studies

Thomas Carwitham, active 1723

Figure studies

1723

Sir James Thornhill Sheet of Classical Figure Studies

Sir James Thornhill, 1675–1734

Sheet of Classical Figure Studies

undated

Thomas Stothard Relief Design for a Silver Salt Cellar

Thomas Stothard, 1755–1834

Relief Design for a Silver Salt Cellar

undated

Thomas Stothard Back of Naked Figure

Thomas Stothard, 1755–1834

Back of Naked Figure

undated

Isaac Oliver Classical Study with Numerous Nude Figures

Isaac Oliver, ca. 1565–1617

Classical Study with Numerous Nude Figures

undated

Alfred Edward Chalon Cleopatra on the Cydnus to Meet Antony

Alfred Edward Chalon, 1780–1860

Cleopatra on the Cydnus to Meet Antony

ca. 1821

Sir James Thornhill A Design for a Ceiling

Sir James Thornhill, 1675–1734

A Design for a Ceiling

undated

unknown artist Design for the Plasterwork Decoration of a Circular Rotunda

unknown artist

Design for the Plasterwork Decoration of a Circular Rotunda

undated

Keith Vaughan Study for Fishermen and Bathers

Keith Vaughan, 1912–1977

Study for Fishermen and Bathers

ca. 1951

Isaac Oliver Classical Study of Three Figures

Isaac Oliver, ca. 1565–1617

Classical Study of Three Figures

undated

Thomas Rowlandson Spanish Inquisition

Thomas Rowlandson, 1756–1827

Spanish Inquisition

undated

Thomas Rowlandson Nymphs at a Roman Bath

Thomas Rowlandson, 1756–1827

Nymphs at a Roman Bath

undated

Bernard Lens III Victorious Hero Takes Occasion to Conclude Peace

Bernard Lens III, 1682–1740

Victorious Hero Takes Occasion to Conclude Peace

1720

Thomas Rowlandson Dr Graham's Bathing Establishment

Thomas Rowlandson, 1756–1827

Dr Graham's Bathing Establishment

undated

John Flaxman Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels

John Flaxman, 1755–1826

Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels

undated