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1. Title Page. America, A Prophecy (Plate 2)

Title Page. America, A Prophecy (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A Prophecy. "The deep of winter came..." (Plate 5)

A Prophecy. "The deep of winter came..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. "Albions Angel rose upon the Stone of Night..." (Plate 12)

"Albions Angel rose upon the Stone of Night..." (Plate 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. "Now comes the night of Enitharmons joy!..." (Plate 7)

"Now comes the night of Enitharmons joy!..." (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Frontispiece. Albion's Angel (Plate 1)

Frontispiece. Albion's Angel (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. "Silent as despairing love, and strong as jealousy..." (Plate 4)

"Silent as despairing love, and strong as jealousy..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Frontispiece, The Ancient of Days (Plate 1)

Frontispiece, The Ancient of Days (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)

Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. "Enitharmon slept. ..." (Plate 10)

"Enitharmon slept. ..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. "What time the thirteen Governors that England sent convene..." (Plate 15)

"What time the thirteen Governors that England sent convene..." (Plate 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. "Appear to the Americans upon the cloudy night..." (Plate 6)

"Appear to the Americans upon the cloudy night..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Plague (Plate 13)

Plague (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. "Shot from the heights of Enitharmon..." (Plate 17)

"Shot from the heights of Enitharmon..." (Plate 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. "The shrill winds wake!..." (Plate 6)

"The shrill winds wake!..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Tiriel Supporting the Dying Myratana and Cursing His Sons

Tiriel Supporting the Dying Myratana and Cursing His Sons
Creator:
William Blake, 1757–1827
Date:
1786 to 1789
Materials & Techniques:
Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Political Caricature: "The Spiritualists"

Political Caricature: "The Spiritualists"
Creator:
Anthony Walker, 1726–1765
Date:
undated
Materials & Techniques:
Gray wash and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 10 1/2 inches (22.9 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Virgilia and Volumnia Plead with Coriolanus

Virgilia and Volumnia Plead with Coriolanus
Creator:
Robert Smirke, 1752–1845
Date:
ca. 1795
Materials & Techniques:
Brown wash with gouache over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 3/4 x 12 1/8 inches (29.8 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Gateway of Lancaster Castle

The Gateway of Lancaster Castle
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1778
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Contemporary drawn border: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. View of New Street, near London Bridge

View of New Street, near London Bridge
Creator:
John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper mounted on thick, slightly textured, cream card
Dimensions:
Mount: 7 1/4 x 10 1/2 inches (18.4 x 26.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. A Horse pulling a Drag

A Horse pulling a Drag
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Brown wash, pen and black ink and graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 3/8in. (14.9 x 23.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Meat Market

The Meat Market
Creator:
James Pollard, 1792–1867
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 10 3/4 inches (22.9 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Two Boats with Crews, Study for The Royal William at Sea

Two Boats with Crews, Study for The Royal William at Sea
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Brushed black ink, gray wash and graphite; verso: graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 x 10 3/4 inches (14.6 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Study of a Cossack: Gregory Yellowstuff

Study of a Cossack: Gregory Yellowstuff
Creator:
James Ward, 1769–1859
Date:
1814
Materials & Techniques:
Watercolor and black chalk and varnish on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/2 x 10 3/4 inches (36.8 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Country Scene: Figures by a Cottage Door and Cattle in a Stream

Country Scene: Figures by a Cottage Door and Cattle in a Stream
Creator:
Francis Wheatley, 1747–1801
Date:
1795
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 7/8 x 10 3/4 inches (25.1 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
Creator:
Andreas Geiger, 1765–1856
Date:
undated
Materials & Techniques:
Etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 1/16 inches (24 x 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. The Harvesters

The Harvesters
Creator:
attributed to Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 10 3/4 inches (16.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Murder of Banquo

The Murder of Banquo
Creator:
George Fennell Robson, 1788–1833
Date:
ca. 1830
Materials & Techniques:
Watercolor and gouache with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 10 1/2 inches (18.2 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Porch, Reims Cathedral

The Porch, Reims Cathedral
Creator:
Samuel Prout, 1783–1852
Date:
ca. 1840
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite, with scratching out on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 16 5/8 × 10 3/4 inches (42.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Abbot's Kitchen, Glastonbury

Abbot's Kitchen, Glastonbury
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
ca. 1795
Materials & Techniques:
Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 x 10 1/2 inches (20.3 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Torre de Comares, Alhambra, 1835

The Torre de Comares, Alhambra, 1835
Creator:
John Frederick Lewis, 1804–1876
Date:
1835
Materials & Techniques:
Graphite, watercolor, and gouache, with scratching out on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 14 5/8 x 10 5/8 inches (37.1 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Chestnut Tree at Little Wymondley, Hertfordshire

The Chestnut Tree at Little Wymondley, Hertfordshire
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Gray wash over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 x 10 3/4 inches (19.4 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Men Loading a Boat with Barrels

Men Loading a Boat with Barrels
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 10 5/8 inches (14 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Grouse Shooting: The Wrong Sort

Grouse Shooting: The Wrong Sort
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. "Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'

"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 × 10 7/8 inches (20.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. How to Vault in the Saddle

How to Vault in the Saddle
Creator:
Thomas Rowlandson, 1756–1827
Date:
1813
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. "Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'

"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 13/16 inches (20.6 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'

"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/16 × 10 7/8 inches (20.5 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'

"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 10 13/16 inches (21.1 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. "Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'

"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 × 10 3/4 inches (20.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. "Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'

"Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 5/8 inches (20.3 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. North East View of Mr. Hare's New House

North East View of Mr. Hare's New House
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1783
Materials & Techniques:
Watercolor with gray ink over graphite on medium, smooth, cream laid paper
Dimensions:
Contemporary drawn border: 7 1/4 x 10 1/2 inches (18.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. East Side of Mr. Hare's New House

East Side of Mr. Hare's New House
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1783
Materials & Techniques:
Watercolor over graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 1/4 x 10 1/2 inches (18.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Poultry Market

The Poultry Market
Creator:
James Pollard, 1792–1867
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 10 3/4 inches (23.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. "Some Do and Some Don't: It is All a Notion:" Getting Home

"Some Do and Some Don't: It is All a Notion:" Getting Home
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1820 and 1821
Materials & Techniques:
Graphite, watercolor and gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. A Hay Wagon Drawn by Four Horses

A Hay Wagon Drawn by Four Horses
Creator:
Charles Cooper Henderson, 1803–1877
Date:
undated
Materials & Techniques:
Watercolor, with pen, in brown ink, over graphite with traces of, white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 9 7/8 × 14 inches (25.1 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. "Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition

"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 × 10 7/16 inches (18.6 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. "Some Do and Some Don't: It is All a Notion:" Getting a Fall

"Some Do and Some Don't: It is All a Notion:" Getting a Fall
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. "Some Do and Some Don't: It is All a Notion:" Getting a Dive

"Some Do and Some Don't: It is All a Notion:" Getting a Dive
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. "Some Do and Some Don't: It is All a Notion:" Getting into a Bog

"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 10 11/16 inches (19.4 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. "Hark": Startled Horse and Alert Rider

"Hark": Startled Horse and Alert Rider
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, watercolor, and white gouache on medium, slightly textured, gray wove paper
Dimensions:
Contemporary drawn border: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Two Riders Taking a Double Fence

Two Riders Taking a Double Fence
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 10 11/16 inches (21 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. The Death

The Death
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 10 11/16 inches (21.9 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Full Cry

Full Cry
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 10 5/8 inches (22.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Gone Away

Gone Away
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 11/16 × 10 11/16 inches (22.1 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Drawing Covert

Drawing Covert
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 10 11/16 inches (21.9 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Dosing a Racehorse

Dosing a Racehorse
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, graphite, gray wash and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 12 1/8 × 12 15/16 inches (30.8 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'

"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 7/8 inches (20.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Commemorative Portrait of a Racehorse called Othello

Commemorative Portrait of a Racehorse called Othello
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

75. Shipping in the Solent off Calshot Castle

Shipping in the Solent off Calshot Castle
Creator:
Dominic Serres, 1722–1793
Date:
between 1760 and 1793
Materials & Techniques:
Watercolor, black ink, and gray ink on medium, moderately textured, cream wove paper medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 x 10 1/2 inches (15.2 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

76. The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge

The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
Creator:
John White Abbott, 1763–1851
Date:
1811
Materials & Techniques:
Gray wash and pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. The House of a Chinese Merchant near Canton

The House of a Chinese Merchant near Canton
Creator:
Thomas Allom, 1804–1872
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, white gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 5/8 inches (12.7 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. The Pont de la Concorde and Tuileries Palace from the Cours la Reine

The Pont de la Concorde and Tuileries Palace from the Cours la Reine
Creator:
François Louis Thomas Francia, 1772–1839
Date:
1823
Materials & Techniques:
Watercolor and brown ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 10 1/2 inches (16.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund