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Samuel Palmer Guildford
Samuel Palmer, 1805–1881
Guildford
1844
Samuel Palmer The Weald of Kent
Samuel Palmer, 1805–1881
The Weald of Kent
between 1833 and 1834
Samuel Palmer Study of Old Buildings
Samuel Palmer, 1805–1881
Study of Old Buildings
undated
John Constable Borrowdale: Evening after a Fine Day, 1 October 1806
John Constable, 1776–1837
Borrowdale: Evening after a Fine Day, 1 October 1806
1806
Joseph Mallord William Turner Christ Church Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
Joseph Mallord William Turner Interior of St. John's Palace, Eltham
Joseph Mallord William Turner, 1775–1851
Interior of St. John's Palace, Eltham
ca. 1793
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner The Bridge over the River Rye at Helmsley, with the Castle Beyond
Joseph Mallord William Turner, 1775–1851
The Bridge over the River Rye at Helmsley, with the Castle Beyond
between 1798 and 1799
Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
Edward Lear Rizaghat
Edward Lear, 1812–1888
Rizaghat
1867
Edward Lear Dawn on the Nile
Edward Lear, 1812–1888
Dawn on the Nile
1867
Edward Lear Dehmyt, 7:30 am, 31 January 1867 (278)
Edward Lear, 1812–1888
Dehmyt, 7:30 am, 31 January 1867 (278)
1867
Edward Lear Near Gamille
Edward Lear, 1812–1888
Near Gamille
1867
Edward Lear Opposite Beni Hassan, Looking North
Edward Lear, 1812–1888
Opposite Beni Hassan, Looking North
1867
Edward Lear Korosko
Edward Lear, 1812–1888
Korosko
1867
Edward Lear Between Derr and Ibreem
Edward Lear, 1812–1888
Between Derr and Ibreem
1867
Edward Lear Faras Westbank
Edward Lear, 1812–1888
Faras Westbank
1867
Edward Lear Aswan
Edward Lear, 1812–1888
Aswan
1867
Edward Lear Shelaal, 2:30 am, 29 January 1867 (260)
Edward Lear, 1812–1888
Shelaal, 2:30 am, 29 January 1867 (260)
1867
Edward Lear Near Tapha, 9:45 am, 31 January 1867 (287)
Edward Lear, 1812–1888
Near Tapha, 9:45 am, 31 January 1867 (287)
1867
Edward Lear Near Sabooa
Edward Lear, 1812–1888
Near Sabooa
1867
Edward Lear Near Abu Simbel
Edward Lear, 1812–1888
Near Abu Simbel
1867
Edward Lear Near Wady Halfeh
Edward Lear, 1812–1888
Near Wady Halfeh
1867
Edward Lear Abu Seer, Wady Halfeh
Edward Lear, 1812–1888
Abu Seer, Wady Halfeh
1867
Edward Lear Shelaal, 5:30 am, 29 January 1867 (264)
Edward Lear, 1812–1888
Shelaal, 5:30 am, 29 January 1867 (264)
1867
Edward Lear Ibreem
Edward Lear, 1812–1888
Ibreem
1867
Edward Lear Abu Simbel
Edward Lear, 1812–1888
Abu Simbel
1867
Edward Lear Abu Simbel
Edward Lear, 1812–1888
Abu Simbel
1867
Edward Lear Dendera, 9:00 am, 15 January 1867 (156)
Edward Lear, 1812–1888
Dendera, 9:00 am, 15 January 1867 (156)
1867
Edward Lear Dendera, 9:15 am, 15 January 1867 (157)
Edward Lear, 1812–1888
Dendera, 9:15 am, 15 January 1867 (157)
1867
Edward Lear Leonessa, 3 October 1844
Edward Lear, 1812–1888
Leonessa, 3 October 1844
1844
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
William Blake "Now comes the night of Enitharmons joy!..." (Plate 7)
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
William Blake Famine (Plate 8)
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
William Blake "Arise 'O Rintrah eldest born..." (Plate 9)
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake Title Page. America, A Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
William Blake A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
William Blake Frontispiece, The Ancient of Days (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece, The Ancient of Days (Plate 1)
1794
William Blake Title Page, Europe a Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Europe a Prophecy (Plate 2)
1794
William Blake "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
William Blake A Prophecy. "The deep of winter came..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
William Blake "Enitharmon slept. ..." (Plate 10)
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
William Blake "In thoughts perturb'd they rose..." (Plate 11)
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake Plague (Plate 13)
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake Frontispiece. Albion's Angel (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
William Blake "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
George Romney Learning to Walk
George Romney, 1734–1802
Learning to Walk
undated
Frederick Nash The Seine with Notre Dame
Frederick Nash, 1782–1856
The Seine with Notre Dame
undated
Thomas Priest Lambeth Palace from Across the River
Thomas Priest, active 1738–1750
Lambeth Palace from Across the River
undated
James Bruce Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing with stem of fruits added
Attributed to James Bruce, 1730–1794
Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing with stem of fruits added
1769–73
Samuel Hieronymus Grimm East Side of Mr. Hare's New House
Samuel Hieronymus Grimm, 1733–1794
East Side of Mr. Hare's New House
1783
James Pollard The Meat Market
James Pollard, 1792–1867
The Meat Market
undated
Thomas Shotter Boys The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background
Thomas Shotter Boys, 1803–1874
The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background
1832
Alfred Gomersal Vickers The Town Hall, Danzig
Alfred Gomersal Vickers, 1810–1837
The Town Hall, Danzig
undated
James Ward Study of a Cossack: Gregory Yellowstuff
James Ward, 1769–1859
Study of a Cossack: Gregory Yellowstuff
1814
Henry Phillip Hope Vue: Constantinople
Henry Phillip Hope, active 1799–1818
Vue: Constantinople
undated
Henry William Parish Madiera, South East Extremity, 10 October
Henry William Parish, active 1792
Madiera, South East Extremity, 10 October
1792
Thomas Sully The Hudson From Phillips
Thomas Sully, 1783–1872
The Hudson From Phillips
undated
Thomas Sully From "Charley's Hope" Mrs. Griffiths Place, Near Brunswick, New Jersey
Thomas Sully, 1783–1872
From "Charley's Hope" Mrs. Griffiths Place, Near Brunswick, New Jersey
undated
Anthony Walker Political Caricature: "The Spiritualists"
Anthony Walker, 1726–1765
Political Caricature: "The Spiritualists"
undated
John Martin Archers Stalking a Stag
John Martin, 1789–1854
Archers Stalking a Stag
1821
Sir Robert Smirke the younger Near Genoa
Sir Robert Smirke the younger, 1781–1867
Near Genoa
1802-1804
Sir Robert Smirke the younger The Site of Cicero's Villa in Tusculum
Sir Robert Smirke the younger, 1781–1867
The Site of Cicero's Villa in Tusculum
1802-1804
Sir Robert Smirke the younger Near Rome
Sir Robert Smirke the younger, 1781–1867
Near Rome
1802-1804
Sir Robert Smirke the younger Boncompagni Castle, and Isola del Liri
Sir Robert Smirke the younger, 1781–1867
Boncompagni Castle, and Isola del Liri
1802-1804
Sir Robert Smirke the younger An Architectural Drawing of One of the Pillars in the Interior of a Temple
Sir Robert Smirke the younger, 1781–1867
An Architectural Drawing of One of the Pillars in the Interior of a Temple
1802-1804
Sir Robert Smirke the younger Architectural Drawing of the Porticos of a Temple
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Porticos of a Temple
1802-1804
Sir Robert Smirke the younger Sketch of the Interior of St. Stephens Cathedral, Vienna
Sir Robert Smirke the younger, 1781–1867
Sketch of the Interior of St. Stephens Cathedral, Vienna
1804
Sir Robert Smirke the younger Temple of Vesta at Tivoli
Sir Robert Smirke the younger, 1781–1867
Temple of Vesta at Tivoli
1802-1804
Sir Robert Smirke the younger Architectural Sketch of Building with Doric Columns
Sir Robert Smirke the younger, 1781–1867
Architectural Sketch of Building with Doric Columns
1802-1804
Sir Robert Smirke the younger Nuns Praying at Altar of a Church
Sir Robert Smirke the younger, 1781–1867
Nuns Praying at Altar of a Church
1802-1804
Andreas Geiger Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
Andreas Geiger, 1765–1856
Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
undated
Spencer Frederick Gore Cave of the Golden Calf: Worshippers and Calf
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
unknown artist Herding Sheep, Penn Common
unknown artist
Herding Sheep, Penn Common
undated
unknown artist Knaresborough Castle
unknown artist
Knaresborough Castle
undated
Henry Thomas Alken "The Cover Hack"
Henry Thomas Alken, 1785–1851
"The Cover Hack"
1827
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting a Fall
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting a Dive
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851