Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
2
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
3
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
4
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
5
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
6
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
7
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
8
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
9
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
10
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
11
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
12
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
13
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
14
Print made by William Blake, 1757–1827
Alas!; Plate 9
1793
15
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
16
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
17
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
18
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
19
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
20
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
21
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
22
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
23
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
24
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
25
Print made by David Allan, 1744–1796
Glaud and Symon
1808
26
Print made by George Baxter, 1804–1867
The Belle of the Village
1854
27
Print made by Bradshaw & Blacklock, active ca.1850
Eight colour prints
after 1850
28
Print made by Bradshaw & Blacklock, active ca.1850
Eight Rural Subjects
after 1850
29
Print made by Bradshaw & Blacklock, active ca.1850
The Farmer's Boy & The Rustic Angler
after 1850
30
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
31
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
32
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
33
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
34
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
35
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
36
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
37
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
38
Print made by Bradshaw & Blacklock, active ca.1850
Balmoral Castle
after 1850
39
Bradshaw & Blacklock, active ca.1850
Returning from the Spring. Virginia
after 1850
40
after George Baxter, 1804–1867
Christ's Charge to Peter
after 1855
41
Print made by Edward Calvert, 1799–1883
The Bride
1828
42
Print made by Bradshaw & Blacklock, active ca.1850
Newstead Abbey
after 1850
43
Print made by Bradshaw & Blacklock, active ca.1850
Chepstow Castle
after 1850
44
Print made by Bradshaw & Blacklock, active ca.1850
The Crimean War
after 1850
45
Print made by Bradshaw & Blacklock, active ca.1850
Italian Peasants - Tryoliean Waltz
after 1850
46
Print made by George Bickham the Elder, 1683/4–1758
Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
47
Print made by Jean B. C. Chatelain, 1710–1771
Man Chopping Wood
1737
48
Print made by George Bickham the Elder, 1683/4–1758
Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
undated
49
Print made by Jean B. C. Chatelain, 1710–1771
A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
1737
50
Print made by George Bickham the Elder, 1683/4–1758
A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)
1731
51
Print made by Jean B. C. Chatelain, 1710–1771
Man and Woman Digging
1737
52
Print made by Jean B. C. Chatelain, 1710–1771
Shepherd and Flock Outside a Village
1737
53
Print made by George Bickham the Elder, 1683/4–1758
A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)
undated
54
Print made by George Bickham the Elder, 1683/4–1758
A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
55
Print made by George Bickham the Elder, 1683/4–1758
Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
56
Print made by James C. Allen, active 1821–1831
Penzance, Cornwall
1833
57
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 1
before 1786
58
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
59
George H. Phillips, active 1819–1825
The Paphian Bower
1826
60
Print made by Henry William Bunbury, 1750–1811
The Siege of Namur
between 1773 and 1817
61
Print made by John Crome, 1768–1821
Road Scene, Trowse Hall, near Norwich
1813
62
Print made by John Crome, 1768–1821
Wooded Landscape
ca. 1812
63
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
64
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
65
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
66
Print made by unknown artist
Horse
undated
67
Print made by unknown artist
Lioness
undated
68
Print made by unknown artist
Pigs
undated
69
Print made by unknown artist
Bulls Fighting
undated
70
Print made by unknown artist
Wild Boars
undated
71
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
72
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
73
Print made by Jean B. C. Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
74
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
75
Print made by James Clark, 19th century
Cowdray Ruins
1824
76
Print made by John Crome, 1768–1821
Back of the New Mills, Norwich
1812
77
Robert Dixon, 1780–1815
The Black Tower Norwich
between 1810 and 1811
78
Robert Dixon, 1780–1815
West Tower, Wymondham Church
1810
79
James McNeill Whistler, 1834–1903
The Storm
1861
80
James McNeill Whistler, 1834–1903
Landscape with a Fisherman
1861
81
Print made by J. S. Cooper, active 1885
Sheep
ca. 1880
82
Print made by James Basire, Sr., British, 1730 - 1802
Frankley Chapel, S. E., Worcestershire
1812
83
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
84
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing