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William Hogarth Strolling Actresses Dressing in a Barn
Print made by William Hogarth, 1697–1764
Strolling Actresses Dressing in a Barn
1738
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
Edward Francis Finden Cologne
Print made by Edward Francis Finden, 1791–1857
Cologne
1832-1834
Edward Francis Finden Scio (Fontana de Melek, Mehmet Pasha)
Print made by Edward Francis Finden, 1791–1857
Scio (Fontana de Melek, Mehmet Pasha)
1832-1834
W. R. Smith Hospice of the Great St. Bernard II (The Dead-House)
Print made by W. R. Smith, active 1819–1851
Hospice of the Great St. Bernard II (The Dead-House)
1829
William Woollett Celadon and Amelia
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
William Say The Cottar's Door
Print made by William Say, 1768–1834
The Cottar's Door
1802
John Raphael Smith Children of Walter Synnot
Print made by John Raphael Smith, 1752–1812
Children of Walter Synnot
1782
Valentin Daniel Preissler Der Geiz sucht Fäden
Print made by Valentin Daniel Preissler, 1717–1765
Der Geiz sucht Fäden
undated
William Faithorne the Younger An Old Woman Reading
Print made by William Faithorne the Younger, ca. 1669–1703
An Old Woman Reading
undated
Johnson The Italian Bird Catcher
Print made by Johnson, active 1766
The Italian Bird Catcher
1766
Valentin Daniel Preissler Der Gute Alchimyst wird nun den Barth Verbrennen, da er zum Schuld-Process die Feder Schneiden muss: Gold Macher!
Print made by Valentin Daniel Preissler, 1717–1765
Der Gute Alchimyst wird nun den Barth Verbrennen, da er zum Schuld-Process die Feder Schneiden muss: Gold Macher!
undated
Joseph Bishop Pratt Mrs. Gregory
Print made by Joseph Bishop Pratt, 1854–1910
Mrs. Gregory
1898
unknown artist The Promenade
Print made by unknown artist
The Promenade
1781
William Dickinson Lady Charles Spencer
William Dickinson, 1746–1823
Lady Charles Spencer
1776
John Raphael Smith Honorable Mrs. Stanhope
John Raphael Smith, 1752–1812
Honorable Mrs. Stanhope
1783
Charles Turner Elizabeth, Marchioness of Stafford
Charles Turner, 1774–1857
Elizabeth, Marchioness of Stafford
1810
Charles Turner Field Marshal, The Duke of Wellington
Print made by Charles Turner, 1774–1857
Field Marshal, The Duke of Wellington
1816
William Bernard Cooke Neptune's Trident
Print made by William Bernard Cooke, 1778–1855
Neptune's Trident
1824 to 1825
George Clint General James Stuart
George Clint, 1770–1854
General James Stuart
1802
Thomas Park Dr. John Thomas, Lord Bishop of Rochester
Thomas Park, ca. 1760–1834
Dr. John Thomas, Lord Bishop of Rochester
1788
Thomas Watson Resignation
Thomas Watson, 1743–1781
Resignation
1772
Joseph Grozer Shepherdess (Miss Mary Palmer as the Young Shepherdess)
Joseph Grozer, ca. 1755–1798
Shepherdess (Miss Mary Palmer as the Young Shepherdess)
1799
John Jones George James Cholmondeley, 1st Marquess of Cholmondeley
John Jones, ca. 1745–1797
George James Cholmondeley, 1st Marquess of Cholmondeley
1790
Giuseppe Marchi Samuel Dyer
Giuseppe Marchi, ca. 1735–1808
Samuel Dyer
1773
James Ward Sir William Fawcett
James Ward, 1769–1859
Sir William Fawcett
1801
Robert Dunkarton Reverend John Fisher, Bishop of Salisbury
Robert Dunkarton, 1744–1811
Reverend John Fisher, Bishop of Salisbury
1811
unknown artist The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Print made by unknown artist
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
between 1720 and 1750
Thomas Watson Henrietta, Countess of Rochester
Thomas Watson, 1743–1781
Henrietta, Countess of Rochester
1779
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
William Woolnoth A View of the House and Part of the Garden at West Wycomb
William Woolnoth, active 1806–1830
A View of the House and Part of the Garden at West Wycomb
1757
William Ward Sailors Carousing
William Ward, 1766–1826
Sailors Carousing
1807
Charles Turner Robert Banks Jenkinson, 2nd Earl of Liverpool
Print made by Charles Turner, 1774–1857
Robert Banks Jenkinson, 2nd Earl of Liverpool
1827
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Robert Thew King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
William Woollett Dido and Aeneas
William Woollett, 1735–1785
Dido and Aeneas
1787
Francesco Bartolozzi Queen Katherine's Dream
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream
1788
Archibald Robertson The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.
Archibald Robertson, 1748–1788
The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr
1782
William Woollett The Rural Cott
William Woollett, 1735–1785
The Rural Cott
1797
Samuel Middiman Shakespeare's Winter Tale Act III Scene III
Samuel Middiman, ca. 1750–1831
Shakespeare's Winter Tale Act III Scene III
1794
William Woollett The Fishery
Print made by William Woollett, 1735–1785
The Fishery
1768
William T. Annis The Cunning Gypsy
Print made by William T. Annis, active 1798–1811
The Cunning Gypsy
1802
John Watts Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy
John Watts, active 1766–1786
Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy
1780
William Ward The Citizens Retreat
William Ward, 1766–1826
The Citizens Retreat
1796
James Ward Rustic Felicity
James Ward, 1769–1859
Rustic Felicity
undated
William Ward A Vegetable Market
William Ward, 1766–1826
A Vegetable Market
1803
William Woollett Celadon and Amelia
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
Pierre Charles Canot The Great Bridge over the Taafe
Pierre Charles Canot, ca. 1710–1777
The Great Bridge over the Taafe
1775
William Woollett Solitude
Print made by William Woollett, 1735–1785
Solitude
1778
William Byrne Carnarvon Castle
William Byrne, 1743–1805
Carnarvon Castle
1775
John Raphael Smith The Indian Widow
John Raphael Smith, 1752–1812
The Indian Widow
1789
William Pether The Orrery
Print made by William Pether, ca. 1738–1821
The Orrery
1768
Francesco Bartolozzi St. Nil
Print made by Francesco Bartolozzi, 1728–1815
St. Nil
1762
George Cooke Part of Waterloo Bridge with the Shot Tower, &c.
Print made by George Cooke, 1781–1834
Part of Waterloo Bridge with the Shot Tower, &c
1832
James Sharples The Forge
Print made by James Sharples, 1825–1892
The Forge
1859
William Barnard Diamond
Print made by William Barnard, 1775–1819
Diamond
1811
John Raphael Smith Joseph Deane Bourke, 3rd Earl of Mayo
John Raphael Smith, 1752–1812
Joseph Deane Bourke, 3rd Earl of Mayo
1784
John Simon Her Royal Highness, the Princess Amelia
Print made by John Simon, 1675–1751
Her Royal Highness, the Princess Amelia
undated
William Watts Sheerness Dockyard
William Watts, 1752–1851
Sheerness Dockyard
1803