'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
2
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
3
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
4
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
5
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
6
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
7
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
8
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
9
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
10
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
11
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
12
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
13
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
14
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
15
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
16
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
17
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
18
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
19
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
20
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
21
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
22
Print made by John Browne, 1741–1801
The Sportsman
1775
23
Print made by John Greenwood, 1727–1792
The Social Friends
1768
24
Print made by Johann Philip Koch, ca. 1716–1796
Le Ete - Der Sommer
undated
25
Print made by unknown artist
Fortune
1796
26
Print made by Johann Jacobus Haid, 1704–1767
La male consequence du celibat
undated
27
Print made by John Copley, 1875–1950
The Apple Tree
1950
28
Print made by Sir Muirhead Bone, 1876–1953
A Manhattan Excavation
1923
29
Print made by Francesco Bartolozzi, 1728–1815
Juvenis auscultans seni de divinis admonenti
1764
30
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792
31
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
32
Print made by Sir Muirhead Bone, 1876–1953
Demolition of St. James's Hall, Interior
1906
33
Print made by Sir David Young Cameron, 1865–1945
The Five Sisters, York Minister
1907
34
Charles Grignion, 1717–1810
A French Petit Maître and His Valet
1771
35
Print made by John Boydell, 1720–1804
Night
1756
36
Johann Jacobus Haid, 1704–1767
Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"
1765
37
Print made by Sir Muirhead Bone, 1876–1953
Windy Night, Stockholm
1935
38
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
39
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943