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1
- Owl Standing, Anterior View
- 1795 to 1806
2
- Owl Standing, Anterior View
- 1795 to 1806
3
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
4
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
5
- Night (Plate 16)
- 1789
6
- The Lamb (Plate 8)
- 1789
7
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
8
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820
9
- "To the Public. After my three years slumber..." (Plate 3)
- 1804 to 1820
10
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
11
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
12
- "By Satan's Watch-fiends tho' they search..." (Plate 39)
- 1804 to 1820
13
- "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
- 1804 to 1820
14
- "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
- 1804 to 1820
15
- "In beauty the Daughters of Albion divide..." (Plate 58)
- 1804 to 1820
16
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
17
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
18
- Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
- 1794
19
- A Prophecy. "The deep of winter came..." (Plate 5)
- 1794
20
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
21
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
22
- Frontispiece, Europe. A Prophecy
- ca. 1820
23
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
24
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
25
- "Bath, mild Physician of Eternity..." (Plate 46)
- 1804 to 1820
26
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
27
- "With one accord in love sublime..." (Plate 44)
- 1804 to 1820
28
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
29
- "The Four Zoa's clouded rage..." (Plate 74)
- 1804 to 1820
30
- "And Rahab Babylon the Great..." (Plate 75)
- 1804 to 1820
31
- "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
- 1804 to 1820
32
- "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
- 1804 to 1820
33
- Infant Joy (Plate 28)
- 1789
34
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
35
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
36
- 'O treacherous conscience!' (Page 27)
- ca. 1797
37
- The Christian Triumph; Title Page
- ca. 1797
38
- Night (Plate 30)
- 1789
39
- Songs of Experience, Frontispiece (Plate 32)
- 1794
40
- Spring (Plate 12)
- 1789
41
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
42
- The Serpent who Girds the Earth (Design 77)
- between 1797 and 1798
43
- Spring (Plate 26)
- 1789
44
- Fame (Design 93)
- between 1797 and 1798
45
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
46
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
47
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
48
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
49
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
50
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
51
- Mary Magdalen at the Sepulchre
- ca. 1805
52
- A Project for the Monument of the Apotheosis of Nelson
- 1806
53
- Cleopatra on the Cydnus to Meet Antony
- ca. 1821
54
- St. Michael and Lucifer
- undated
55
- The Destruction of Job's Sons
- undated
56
- Allegorical Scene
- undated
57
- Figure Study of a Bacchanalia Celebration in a Wooded Landscape
- undated
58
- Study of a Woman, being Taken Away by a Winged Being
- undated
59
- Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows
- undated
60
- Five Vignettes of Scenes from Antiquity
- undated
61
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
62
- The Birth of Venus
- undated
63
- Angel
- undated
64
- Queen Katherine's Dream
- 1807
65
- Design for a Medal: Figure of Britannia (?) and Fortune (?) or Victory (?)
- undated
66
- Design for a Ceiling
- undated
67
- Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk
- undated
68
- An Allegory of Love
- Undated
69
- The Birth of Christ (Luke 2:15)
- before 1836
70
- Joshua and the Angel (Joshua 5:13)
- before 1835
71
- The Annunciation (Luke 1:26)
- before 1836
72
- Design for a Ceiling Decoration
- 1723
73
- Studies for the Angels in The Court of Death
- undated
74
- Allegory for Spring
- undated
75
- Design after a Greek Vase
- undated
76
- Design after a Greek Vase
- undated
77
- Venus Crowned by Cupid
- between 1810 and 1815
78
- Victorious Hero Takes Occasion to Conclude Peace
- 1720
79
- Doorhead of the Palazzo Contarini della Porta di Ferro
- undated
80
- The Archangel Gabriel Awaiting Night
- ca. 1799
81
- Time raising Truth, after Rubens’s “The Triumph of Truth”
- undated
82
- Selling of Cupids
- between 1775 and 1776
83
- Study of Classical Figures
- undated
84
- Dido and Aeneas Sheltering in a Cave
- undated
85
- Cupid Overpowering a Satyr
- undated
86
- Flight into Egypt
- undated
87
- Study of a sculptural group: Mars, Venus and Cupid
- undated
88
- Cupid and Psyche
- ca. 1870
89
- Classical Figures in Battle
- undated
90
- Hercules Beetle
- ca. 1758
91
- Design for a Medal: Seated Women Being Crowned by a Winged Genius
- undated