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Creator Stephanoff, James, 1787–1874

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1. Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v

Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
Creator:
James Stephanoff, 1787–1874
Date:
1832
Materials & Techniques:
Oil on panel
Dimensions:
17 1/2 x 14 5/8 inches (44.5 x 37.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

2. The Queen's Breakfast Room, Buckingham House

The Queen's Breakfast Room, Buckingham House
Creator:
Daniel Havell, 1785–1826
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 11 1/4 x 15in. (28.6 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Supreme Court of Judicature in the Island of Ceylon

The Supreme Court of Judicature in the Island of Ceylon
Creator:
Print made by William James Bennett, 1787–1844
Date:
1829
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor
Dimensions:
Sheet: 20 1/8 x 27 1/4in. (51.1 x 69.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Supreme Court of Judicature on the Island of Ceylon

The Supreme Court of Judicature on the Island of Ceylon
Creator:
Print made by William James Bennett, 1787–1844
Date:
1829
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. View of the Interior of the House of Lords, During the Important Investigation in 1820

View of the Interior of the House of Lords, During the Important Investigation in 1820
Creator:
John George Murray, active 1823–1855
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821

The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. View of the Interior of the House of Lords, During the Important Investigation in 1820

View of the Interior of the House of Lords, During the Important Investigation in 1820
Creator:
John George Murray, active 1823–1855
Date:
1823
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David M. Doret

9. The Supreme Court of Judicature on the Island of Ceylon

The Supreme Court of Judicature on the Island of Ceylon
Creator:
James Stephanoff, 1787–1874
Date:
undated
Materials & Techniques:
Watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 5/8 × 24 1/8 inches (42.2 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Fete Champetre

Fete Champetre
Creator:
James Stephanoff, 1787–1874
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 10 1/8 inches (11.7 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Lalla Rookh

Lalla Rookh
Creator:
James Stephanoff, 1787–1874
Date:
1826
Materials & Techniques:
Watercolor and gouache with scratching out on moderately thick, slightly textured, cream wove apper
Dimensions:
Sheet: 13 7/8 × 16 1/2 inches (35.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Love, Jealously, Revenge and Despair

No cover image available
Creator:
Richard James Lane, 1800–1872
Date:
1827
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Mr. George L. Green

13. View of the Interior of the house of Lords during the important investigation in 1820

No cover image available
Creator:
John George Murray, active 1823–1855
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 14 1/8 x 18 7/8in. (35.9 x 48cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Prof. William H. Dunham Jr.

14. The Coronation of His Majesty, King George IV

No cover image available
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

15. Key to the Portraits in the House of Lords, Key to the Print of the Coronation

No cover image available
Creator:
Published by Robert Bowyer, 1758–1834
Date:
ca. 1823
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection