Mason, The Duke's Confectioner Disposing of the Trinkets
1788
304
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
305
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
306
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
307
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
308
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
309
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
310
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
311
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
312
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
313
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
314
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
315
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
316
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
317
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
318
James Gillray, 1756–1815
Independence
1799
319
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
320
James Gillray, 1756–1815
A Man of Importance
1799
321
James Gillray, 1756–1815
A Portrait ------------
1799
322
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
323
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
324
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
325
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
326
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
327
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
328
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
329
James Gillray, 1756–1815
Patience on a Monument
1791
330
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
331
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
332
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
333
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
334
James Gillray, 1756–1815
A Uniform Whig ---
1791
335
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
336
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
337
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
338
James Gillray, 1756–1815
The Royal Academy
1786
339
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
340
James Gillray, 1756–1815
The Friendly Agent
1787
341
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
342
James Gillray, 1756–1815
The Triumphant Britons
1780
343
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
344
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
345
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
346
James Gillray, 1756–1815
Jack A Both Sides!
1783
347
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
348
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
349
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
350
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
351
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
352
James Gillray, 1756–1815
The Republican - Attack
1795
353
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
354
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
355
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
356
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
357
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
358
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
359
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
360
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
361
James Gillray, 1756–1815
John Bull at His Studies. Attended by His Guardian Angell
1799
362
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
363
James Gillray, 1756–1815
Hounds in Finding
1800
364
James Gillray, 1756–1815
Coming-In at the Death
1800
365
James Gillray, 1756–1815
Cockney-Sportsmen Shooting-Flying
1800
366
James Gillray, 1756–1815
Cockney-Sportsmen Re-charging
1800
367
James Gillray, 1756–1815
Cockney-Sportsmen finding a Hare
1800
368
James Gillray, 1756–1815
Hounds Throwing-Off
1800
369
Print made by James Gillray, 1756–1815
Venus Attired by the Graces
1800
370
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
371
James Gillray, 1756–1815
A Prince of the Old School (Boothby Clopton)
1800
372
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
373
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
374
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
375
James Gillray, 1756–1815
Caricatures. London, 1782-1800
1782-1800
376
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
377
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
378
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
379
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
380
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
381
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
382
James Gillray, 1756–1815
An Old English-Gentleman pester'd by Servants wanting Places
1809
383
James Gillray, 1756–1815
Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!
1808
384
James Gillray, 1756–1815
Delicious Weather
1808
385
James Gillray, 1756–1815
Delicious Dreams! Castles in the Air! Glorious Prospects!
1808
386
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
387
James Gillray, 1756–1815
Sketch of the Interior of St. Stephen's, as It Now Stands. -
1802
388
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
389
James Gillray, 1756–1815
Pen-etration
1799
390
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
391
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
392
James Gillray, 1756–1815
The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom
1809
393
James Gillray, 1756–1815
Overthrow of the Republican-Babel
1809
394
James Gillray, 1756–1815
True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard
1809
395
James Gillray, 1756–1815
Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle