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1. Reapers

Creator:: George Stubbs, 1724–1806
Date:: 1795
Materials & Techniques:: Enamel on Wedgwood biscuit earthenware
Dimensions:: 30 1/4 x 40 1/2 inches (76.8 x 102.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

2. Summer - Evening Landscape

Creator:: Attributed to John Constable, 1776–1837
Date:: ca. 1825
Materials & Techniques:: Oil on paper laid to canvas
Dimensions:: 6 11/16 x 8 3/4 inches (17 x 22.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Extensive Landscape with Grey Clouds

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper on panel
Dimensions:: 7 5/8 x 11 inches (19.4 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Richmond Castle, Yorkshire

Creator:: Alexander Keirincx, 1600–1652
Date:: 1639
Materials & Techniques:: Oil on panel
Dimensions:: 18 x 27 inches (45.7 x 68.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

5. Bifrons Park, Kent

Creator:: Perhaps Jan van der Vaart, 1647–1721
Date:: between 1695 and 1705
Materials & Techniques:: Oil on canvas
Dimensions:: 61 1/2 x 91 1/2 inches (156.2 x 232.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Bachelor's Hall: Full Cry

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1835 to 1836
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. The Reverend Thomas Levett and Favourite Dogs, Cock-shooting

Creator:: James Ward, 1769–1859
Date:: 1811
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/8 x 36 1/8 inches (71.4 x 91.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Plymouth

Creator:: Hendrik Danckerts, ca. 1625–1680
Date:: 1673
Materials & Techniques:: Oil on canvas
Dimensions:: 40 × 68 inches (101.6 × 172.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. The Reverend Jemmet Browne at a meet of foxhounds

Creator:: Peter Tillemans, 1684–1734
Date:: 1730 to 1732
Materials & Techniques:: Oil on canvas
Dimensions:: 38 1/2 x 48 1/2 inches (97.8 x 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Landscape: Towednack, Cornwall

Creator:: Peter Lanyon, 1918–1964
Date:: ca. 1939
Materials & Techniques:: Oil on board
Dimensions:: 13 × 16 inches (33 × 40.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948
On View:: Not on view

11. A View at Girgenti in Sicily with the Temple of Concord and Juno

Creator:: Sir Charles Lock Eastlake, 1793–1865
Date:: ca. 1818
Materials & Techniques:: Oil on paper mounted on canvas
Dimensions:: 8 1/4 × 11 3/4 inches (21 × 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

12. Landscape with Cottages

Creator:: James Ward, 1769–1859
Date:: between 1802 and 1827
Materials & Techniques:: Oil on panel
Dimensions:: 9 1/2 x 17 1/4 inches (24.1 x 43.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. George I at Newmarket, 4 or 5 October, 1717

Creator:: John Wootton, 1682–1764
Date:: ca. 1717
Materials & Techniques:: Oil on canvas
Dimensions:: 50 1/8 x 67 1/16 inches (127.3 x 170.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. The Hermitage

Creator:: unknown artist
Date:: ca. 1772
Materials & Techniques:: Oil on canvas
Dimensions:: 32 1/2 x 51 3/8 inches (82.6 x 130.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Cornfield at sunset

Creator:: John William Inchbold, 1830–1888
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/2 x 21 3/4 inches (36.8 x 55.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

16. Box Hill, Surrey, with Dorking in the distance

Creator:: George Lambert, 1700–1765
Date:: 1733
Materials & Techniques:: Oil on canvas
Dimensions:: 35 11/16 x 53 9/16 inches (90.6 x 136 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. A Hunter in a Landscape

Creator:: James Ward, 1769–1859
Date:: 1810
Materials & Techniques:: Oil on panel
Dimensions:: 27 7/8 x 35 7/8 inches (70.8 x 91.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Landscape at Hampstead, with Harrow in the Distance

Creator:: Lionel Constable, 1828–1887
Date:: between 1849 and 1855
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/2 × 17 inches (34.3 × 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Hackwood Park, Hampshire

Creator:: Paul Sandby, 1731–1809
Date:: undated, exhibited 1764
Materials & Techniques:: Oil on canvas
Dimensions:: 40 3/16 x 50 1/4 inches (102.1 x 127.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

20. South Prospect of Hampton Court, Herefordshire

Creator:: Jan Stevens, died 1722
Date:: ca. 1705
Materials & Techniques:: Oil on canvas
Dimensions:: 82 x 94 inches (208.3 x 238.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Landscape with Haymakers and a Distant View of a Georgian House

Creator:: William Ashford, 1746–1824
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 42 inches (76.2 x 106.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Landscape

Creator:: Lionel Constable, 1828–1887
Date:: between 1849 and 1855
Materials & Techniques:: Oil on canvas
Dimensions:: 8 1/2 × 13 1/2 inches (21.6 × 34.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Landscape with Figures in the Foreground

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: between 1800 and 1810
Materials & Techniques:: Oil on board
Dimensions:: 10 7/8 x 17 3/8 inches (27.6 x 44.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. A Country House in a River Landscape, Previously Identified as Oatlands

Creator:: unknown artist
Date:: ca. 1805
Materials & Techniques:: Oil on canvas
Dimensions:: 34 1/2 x 45 1/2 inches (87.6 x 115.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. Kidbrooke Park, Kent

Creator:: unknown artist
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 45 1/4 inches (76.2 x 114.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. A Finished Study for 'Reaping'

Creator:: John Linnell, 1792–1882
Date:: 1858
Materials & Techniques:: Oil on panel
Dimensions:: 8 1/4 x 13 inches (21 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. The North Prospect of Hampton Court, Herefordshire

Creator:: Leonard Knyff, 1650–1721
Date:: ca. 1699
Materials & Techniques:: Oil on canvas
Dimensions:: 58 3/8 x 84 3/8 inches (148.3 x 214.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. A Highland Landscape

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: ca. 1830
Materials & Techniques:: Oil on board
Dimensions:: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

29. Landscape with Three Trees

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, beige laid paper mounted on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 x 13 7/16 inches (25.4 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

30. Ivy Cottage, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and brown ink ; verso: graphite and white chalk on thick, slightly textured, blue wove paper
Dimensions:: Frame: 23 1/4 x 30 x 1in. (59.1 x 76.2 x 2.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Weald of Kent

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Watercolor and gouache on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. At Hailsham, Sussex: a Storm Approaching

Creator:: Samuel Palmer, 1805–1881
Date:: 1821
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 12 1/2 inches (21 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/16 x 7 inches (21.1 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

36. Illustrations of Imitation of Eclogue I, Page 15

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Unidentified Landscape: Trees with Church

Creator:: William Pearson, 1772–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 11 inches (17.8 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Belfast from Bunker's Hill / On the Road to Hollywood

Creator:: John O'Connor, 1830–1889
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink and black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/4 × 11 5/16 inches (18.4 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Temple of Minerva Medica, Rome

Creator:: Richard Wilson, 1713/4–1782
Date:: 1754
Materials & Techniques:: Black chalk and white chalk on moderately thick, rough, blue laid paper
Dimensions:: Sheet: 11 5/16 x 16 9/16 inches (28.7 x 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. London: a View toward the City and St. Paul's from the North West

Creator:: Bernard Lens III, 1682–1740
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink, and graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 8 3/8 x 12 3/4in. (21.3 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A View of the Fens

Creator:: John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Clifton Spring and Woods near Maidenhead

Creator:: Robert Havell, 1769–1832
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 × 19 1/2 inches (35.6 × 49.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Royal Artillery Repository Exercises, 1844

Creator:: John Grant, Died 1873
Date:: 1844
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 15/16 x 18 inches (35.4 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Royal Horse Artillery, 1843

Creator:: John Grant, Died 1873
Date:: 1843
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/8 x 18 inches (35.3 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Rocket Practice in the Marshes

Creator:: John Grant, Died 1873
Date:: 1845
Materials & Techniques:: Aquatint with stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/8 x 17 11/16 inches (35.3 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Leicestershire Hunt - A Struggle for the Start

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 22 7/16 inches (23.5 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Foxhunting: Full Cry

Creator:: George Alken, 1794–active 1837
Date:: between 1827 and 1837
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 10 3/16 inches (16.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 10 11/16 inches (19.4 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Two Pointers, Facing Right with a Sportsman

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on thick, smooth, cream wove paper
Dimensions:: Sheet: 9 3/16 × 11 inches (23.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Sporting Parson: "He Then Goes in For Baptism"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Death: Yokels Watching in Foreground

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Steeplechasing: Five Riders Galloping Right

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 16 1/8 inches (25.1 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Steeplechasing: The Field Coming up to a Ditch

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 16 3/16 inches (25.1 × 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Steeplechasing: Four Riders Taking a Ditch and an Oxer

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 16 3/16 inches (25.2 × 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Foxhunting: Gone Away

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 × 12 3/8 inches (23.7 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Foxhunting: The Death

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/16 × 12 3/8 inches (23.3 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Foxhunting: The Leap

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 × 12 1/2 inches (23.7 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Treeing a Fox

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 1/2 inches (26.7 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Partridge Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 x 20 7/8 inches (37.4 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Foxhunting: Drawing Covert

Creator:: George Alken, 1794–active 1837
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 9 7/8 inches (16.7 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 11/16 inches (12.1 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Dosing a Racehorse

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, graphite, gray wash and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 12 1/8 × 12 15/16 inches (30.8 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. "Doing the Thing: and the Thing Done:" Doing it Somehow

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. "You're Not Going to Follow, Belle, Are You?"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Steeplechasing: The Start

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 6 1/8 inches (25.2 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, with pen in black ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 7 9/16 inches (31.8 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Open Landscape with Cathedral in Distance

Creator:: Joshua Cristall, 1768–1847
Date:: undated
Materials & Techniques:: Watercolor with black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 x 22 inches (13.3 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 11/16 × 14 7/8 inches (27.1 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Full Cry

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 7/16 inches (23.5 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Steeplechasing: Three Riders Taking a Brook, Spectators on Right

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 14 11/16 inches (26.5 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 7/8 inches (20.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. "Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 5/8 inches (20.3 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 10 7/8 inches (20.5 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Foxhunting: Drawing a Cover

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 7/16 inches (23.8 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Foxhunting: Full Cry

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 × 12 3/8 inches (23.7 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Foxhunting: The Meet, With Hounds Coming Out of Kennel

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 17 7/16 inches (27.3 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Foxhunting: Rider and a Couple of Hounds Entering a Covert

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 15 3/4 inches (25.1 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Stag Hunting - Full Cry: the Stag Hounds Tear Down a Slop at Right...

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, graphite, and gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 13/16 inches (27 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Landscape with Trees; a River in the Background

Creator:: David Charles Read, 1790–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, rough, beige wove paper
Dimensions:: Sheet: 3 7/8 × 6 11/16 inches (9.8 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: 1730
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 1/8 inches (30.2 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Bedford from the North

Creator:: Print made by Henry Burn, active 1845
Date:: ca. 1840
Materials & Techniques:: Hand-colored lithograph on moderately thick cream card
Dimensions:: Sheet: 12 7/8 x 19 13/16 inches (32.7 x 50.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. A Country Lane

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 7 13/16 inches (16.2 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

89. Le Coup de Maitre

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 3/16 inches (26.4 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Young Mother, Baby Girl and Boy Beside a Country Fence

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Wood engraving with hand coloring on moderately thick, slightly textured, cream wove paper pasted on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 5/8 × 6 5/8 inches (21.9 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Barrow Hedges Farm

Creator:: Print made by Graham Vivian Sutherland, 1903–1980
Date:: 1924
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 x 5 13/16 inches (12.5 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

92. Manse and Church of Cults, the Birthplace of Wilkie

Creator:: John Cousen, 1804–1880
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 × 8 11/16 inches (20.6 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Craigievar

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1908
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

94. The Farmer's Boy (tail piece)

Creator:: Print made by Alfred W. Cooper, active 1850–1901
Date:: undated
Materials & Techniques:: Wood-engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 x 4 15/16 inches (9.2 x 12.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Games at Vauxhall: Playing at Cricket

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: ca. 1743
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 14 13/16 inches (26.7 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. San Marcello, Italy

Creator:: Gertrude Hermes, 1901–1983
Date:: 1925
Materials & Techniques:: Wood-engraving on medium, slightly textured, beige Asian paper
Dimensions:: Sheet: 10 9/16 x 13 1/4 inches (26.9 x 33.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

97. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 × 22 1/8 inches (22.9 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Taking a Fence Side-Saddle

Creator:: George Denholm Armour, 1864–1949
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouahce and pen with black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 10 3/4 inches (37 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Quorn towards Ashby de la Zouch, Leicestershire

Creator:: Lionel Edwards, 1878–1966
Date:: 1919
Materials & Techniques:: Watercolor, pen and black ink, graphite, gouache and black chalk on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 19 7/8 × 25 7/16 inches (50.5 × 64.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. Reapers

2. Summer - Evening Landscape

3. Extensive Landscape with Grey Clouds

4. Richmond Castle, Yorkshire

5. Bifrons Park, Kent

6. Bachelor's Hall: Full Cry

7. The Reverend Thomas Levett and Favourite Dogs, Cock-shooting

8. Plymouth

9. The Reverend Jemmet Browne at a meet of foxhounds

10. Landscape: Towednack, Cornwall

11. A View at Girgenti in Sicily with the Temple of Concord and Juno

12. Landscape with Cottages

13. George I at Newmarket, 4 or 5 October, 1717

14. The Hermitage

15. Cornfield at sunset

16. Box Hill, Surrey, with Dorking in the distance

17. A Hunter in a Landscape

18. Landscape at Hampstead, with Harrow in the Distance

19. Hackwood Park, Hampshire

20. South Prospect of Hampton Court, Herefordshire

21. Landscape with Haymakers and a Distant View of a Georgian House

22. Landscape

23. Landscape with Figures in the Foreground

24. A Country House in a River Landscape, Previously Identified as Oatlands

25. Kidbrooke Park, Kent

26. A Finished Study for 'Reaping'

27. The North Prospect of Hampton Court, Herefordshire

28. A Highland Landscape

29. Landscape with Three Trees

30. Ivy Cottage, Shoreham

31. The Weald of Kent

32. At Hailsham, Sussex: a Storm Approaching

33. The Sleeping Shepherd

34. The Sleeping Shepherd

35. The Sleeping Shepherd

36. Illustrations of Imitation of Eclogue I, Page 15

37. Unidentified Landscape: Trees with Church

38. Belfast from Bunker's Hill / On the Road to Hollywood

39. Temple of Minerva Medica, Rome

40. London: a View toward the City and St. Paul's from the North West

41. A View of the Fens

42. Clifton Spring and Woods near Maidenhead

43. Royal Artillery Repository Exercises, 1844

44. Royal Horse Artillery, 1843

45. Rocket Practice in the Marshes

46. The Leicestershire Hunt - A Struggle for the Start

47. Foxhunting: Full Cry

48. "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

49. Two Pointers, Facing Right with a Sportsman

50. The Sporting Parson: "He Then Goes in For Baptism"

51. The Death: Yokels Watching in Foreground

52. Steeplechasing: Five Riders Galloping Right

53. Steeplechasing: The Field Coming up to a Ditch

54. Steeplechasing: Four Riders Taking a Ditch and an Oxer

55. Foxhunting: Gone Away

56. Foxhunting: The Death

57. Foxhunting: The Leap

58. Treeing a Fox

59. Partridge Shooting

60. Foxhunting: Drawing Covert

61. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

62. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

63. Dosing a Racehorse

64. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

65. "Doing the Thing: and the Thing Done:" Doing it Somehow

66. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

67. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

68. "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

69. "You're Not Going to Follow, Belle, Are You?"

70. Steeplechasing: The Start

71. Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]

72. Open Landscape with Cathedral in Distance

73. The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "

74. Full Cry