Image Available: Available / Width [cm]: 38 / Subject Terms: costume

Francis Danby, 1793–1861

The Avon Gorge

between 1816 and 1818

Not on view

William Blake, 1757–1827

Virgin and Child

between 1810 and 1820

Not on view

John Frederick Herring, 1795–1865

The Suffolk Hunt: Full Cry

1833

Not on view

John Frederick Herring, 1795–1865

The Suffolk Hunt : The Death

1833

Not on view

John Frederick Herring, 1795–1865

The Suffolk Hunt: Going to Cover near Herringswell

1833

Not on view

John Frederick Herring, 1795–1865

The Suffolk Hunt: Gone Away

1833

Not on view

Cornelis Ketel, 1548–1616

Sir John Smythe of Westenhanger, Kent (1557–1608)

1579

Not on view

George Jones A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

George Jones, 1786–1869

A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'

1815

Not on view

Edward Burne-Jones, 1833–1898

Fair Rosamund and Queen Eleanor

1861

Not on view

Richard Parkes Bonington, 1802–1828

A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )

ca. 1826

Not on view

Richard Westall, 1765–1836

Rosebud, or the Judgement of Paris

1791

Print made by John Faber the Younger, ca. 1695–1756

The Choice

1737

James Faed Sr., 1821–1911

Shakespeare in His Study

1859

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Otello

1829

Print made by James Bretherton, ca. 1730–1806

The Slumbers of Ragotin Interrupted

1773

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

Print made by John Bell, 1811–1895

Diavoli Pescatori

between 1838 and 1850

Print made by Francesco Bartolozzi, 1728–1815

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

1786

Print made by William Say, 1768–1834

The Dilettanti Society

1812

Print made by John Alexander, 1686–before 1768

Lot and His Family

ca. 1718

Print made by Francesco Bartolozzi, 1728–1815

Lovelace in Prison

1788

Francesco Bartolozzi Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

Print made by Francesco Bartolozzi, 1728–1815

Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

1788

William Nutter, 1754–1802

Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia

1789

Print made by George Cruikshank, 1792–1878

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

1835

Print made by William Bromley, 1769–1842

David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

1811

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

Print made by unknown artist

St. Martin's Church

between 1731 and 1754

Print made by L. Truchy, 1721–1764

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

1762

Print made by Joseph Josiah Dodd, 1809–1894

View of Tonbridge During the Late Election, December 18, 1832

after 1832

Print made by Thomas Shotter Boys, 1803–1874

St. Paul's from Ludgate Hill

1842

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745