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July 15 1949 (St Ives harbour)
Creator:
Ben Nicholson, 1894–1982
Date:
1949
Materials & Techniques:
Oil and pencil on canvas
Dimensions:
13 7/8 x 15 7/8 inches (35.2 x 40.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Augustus Wall Callcott, R.A.
Creator:
John Linnell, 1792–1882
Date:
1847
Materials & Techniques:
Oil on panel
Dimensions:
13 3/4 x 11 inches (34.9 x 27.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Liberation of St Peter
Creator:
Hendrick van Steenwyck the Younger, ca. 1580–1649
Date:
1617
Materials & Techniques:
Oil on copper
Dimensions:
13 3/4 × 16 1/8 inches (34.9 × 41 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Indian Landscape with Temple Ruins
Creator:
Thomas Daniell, 1749–1840
Date:
1820
Materials & Techniques:
Oil on canvas
Dimensions:
13 3/4 × 18 1/4 inches (34.9 × 46.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Hilly Landscape in India
Creator:
Thomas Daniell, 1749–1840
Date:
ca. 1820
Materials & Techniques:
Oil on canvas
Dimensions:
13 3/4 × 18 1/4 inches (34.9 × 46.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Fanny Eaton (née Antwistle or Entwistle)
Creator:
Joanna Mary Wells (née Boyce), 1831–1861
Date:
1861
Materials & Techniques:
Oil on paper laid to linen
Dimensions:
6 3/4 x 5 3/8 inches (17.1 x 13.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
On view
Guisborough Priory
Creator:
Thomas Girtin, 1775–1802
Date:
between 1800 and 1802
Materials & Techniques:
Oil on canvas
Dimensions:
13 3/4 x 19 3/4 inches (34.9 x 50.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Colonel Alexander Popham, of Littlecote, Wiltshire
Creator:
Abraham Staphorst, ca. 1638–1696
Date:
between 1660 and 1665
Materials & Techniques:
Oil on panel
Dimensions:
13 3/4 × 10 5/8 inches (34.9 × 27 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Vegetable Seller, Covent Garden
Creator:
Pieter Angillis, 1685–1734
Date:
ca. 1726
Materials & Techniques:
Oil on panel
Dimensions:
13 5/8 x 10 5/8 inches (34.6 x 27 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view
Elizabeth Bridgman (née Walton)
Creator:
Henry Walton, 1746–1813
Date:
between 1771 and 1775
Materials & Techniques:
Oil on canvas
Dimensions:
13 5/8 x 11 5/8 inches (34.6 x 29.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Governess
Creator:
Emily Mary Osborn, 1828–1925
Date:
1860
Materials & Techniques:
Oil on canvas
Dimensions:
13 3/4 x 11 1/2 inches (34.9 x 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Landscape study at sunset
Creator:
Peter DeWint, 1784–1849
Date:
ca. 1835
Materials & Techniques:
Oil on paper on board
Dimensions:
13 5/8 × 19 1/4 inches (34.6 × 48.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Transformation of Red
Creator:
John Tunnard, 1900–1971
Date:
1939
Materials & Techniques:
Oil on panel
Dimensions:
13 3/4 x 26 inches (34.9 x 66 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Young Woman Holding a Cat
Creator:
Gwen John, 1876–1939
Date:
ca. 1920
Materials & Techniques:
Oil and graphite on canvas
Dimensions:
13 3/4 × 10 1/2 inches (34.9 × 26.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Barge with a Wounded Soldier
Creator:
John Crome, 1768–1821
Date:
early 19th century
Materials & Techniques:
Oil on canvas (transferred from panel)
Dimensions:
13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Studies of a Fox, a Barn Owl, a Peahen, and the Head of a Young Man
Creator:
Jacques-Laurent Agasse, 1767–1849
Date:
ca. 1815
Materials & Techniques:
Oil on canvas
Dimensions:
19 1/2 × 18 5/8 inches (49.5 × 47.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view
The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington
Creator:
James Pollard, 1792–1867
Date:
1835
Materials & Techniques:
Oil on canvas
Dimensions:
13 3/4 × 17 1/2 inches (34.9 × 44.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Helmet Head, No. 3
Creator:
Henry Moore, 1898–1986
Date:
1960
Materials & Techniques:
Bronze
Dimensions:
Overall: 13 7/8 x 12 x 12 inches (35.2 x 30.5 x 30.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view
Horse Studies in Relief, after George Stubbs
Creator:
Edward Burch, 1730–1814
Date:
modeled 1788–1789
Materials & Techniques:
Wedgwood
Dimensions:
Overall: 13 3/4 × 18 3/4 × 1 1/4 inches (34.9 × 47.6 × 3.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Sussex Barn
Creator:
Robert Polhill Bevan, 1865–1925
Date:
undated
Materials & Techniques:
Watercolor and black chalk on medium, smooth, cream wove paper mounted on card
Dimensions:
Sheet: 13 7/8 x 18 5/8 inches (35.2 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Study of a Woman Sewing
Creator:
Robert Polhill Bevan, 1865–1925
Date:
undated
Materials & Techniques:
Watercolor, gouache and black chalk on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 11/16 × 17 inches (34.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

22. A Cottage

A Cottage
Creator:
Robert Polhill Bevan, 1865–1925
Date:
undated
Materials & Techniques:
Black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 17 inches (34.9 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
The Horse Mart
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1917
Materials & Techniques:
Black chalk and charcoal on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 17 1/16 inches (34.9 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Woman Ironing
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1895
Materials & Techniques:
Black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Elizabeth S. Tower
Timber Hauling
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1917
Materials & Techniques:
Black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 11/16 x 17 inches (34.8 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Horse Mart (with further sketches in the margin)
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1918
Materials & Techniques:
Chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/8 × 15 inches (34.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sale at Ward's Repository, No. 2
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1918
Materials & Techniques:
Crayon, graphite, and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 17 inches (34.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wooded Slope with a Receding Road
Creator:
John Constable, 1776–1837
Date:
ca. 1805
Materials & Techniques:
Black chalk with white chalk on medium, rough, beige laid paper
Dimensions:
Sheet: 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ivy Cottage, Shoreham
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Watercolor, gouache, and pen and brown ink ; verso: graphite and white chalk on thick, slightly textured, blue wove paper
Dimensions:
Frame: 23 1/4 x 30 x 1in. (59.1 x 76.2 x 2.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 x 20 3/4 inches (35.2 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tygers at Play
Creator:
George Stubbs, 1724–1806
Date:
1780
Materials & Techniques:
Etching, possibly finished with a graver, second state
Dimensions:
Image: 13 9/16 x 18 1/4in. (34.5 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marriage A-la-Mode, Plate VI: The Death of the Countess
Creator:
Print made by William Hogarth, 1697–1764
Date:
1745
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
Industry and Idleness, Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
A Midnight Modern Conversation
Creator:
Print made by William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/8 × 18 3/4 inches (34.6 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate 2: His Levee
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 16 1/8 inches (35.6 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate 3: He Revels
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 16 inches (35.6 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate 1: He Takes Possession
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 16 1/8 inches (35.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate 6: He Gambles
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 16 1/8 inches (35.6 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Rake's Progress, Plate 7: In Fleet Street Prison
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/8 × 16 1/8 inches (35.2 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 12 3/4 inches (39.4 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Stage of Cruelty: Children Torturing Animals
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 12 3/4 inches (39.1 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Pretty Ballad Singer
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1769
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper, laid in mount
Dimensions:
Sheet: 16 3/4 x 11 1/2 inches (42.6 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
On view at YUAG
La Cava, 19 July 1838
Creator:
Edward Lear, 1812–1888
Date:
1838
Materials & Techniques:
Graphite on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 13 15/16 x 10 inches (35.4 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

45. Corfu

Corfu
Creator:
Edward Lear, 1812–1888
Date:
1857
Materials & Techniques:
Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 19 7/8 inches (35.2 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor with pen and brown ink, pen and black ink and graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, London, 1826
Creator:
Prints made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Bound volume of twenty engravings
Dimensions:
Spine: 13 3/4in. (34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chaucer's Canterbury Pilgrims
Creator:
Print made by William Blake, 1757–1827
Date:
1810 to 1820
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 37 5/8 inches (34.9 × 95.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
Creator:
Prints made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Volume of 11 relief etchings printed in green ink, with hand coloring in watercolor
Dimensions:
Spine: 14in. (35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"But when the morn arose, her lamentation renewd..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"My son! my Son!" (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"I want! I want!" (Plate 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Help! Help!" (Plate 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aged Ignorance (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Does thy God O Priest take such vengeance as this?" (Plate 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Fear & hope are -- Vision" (Plate 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Traveller hasteth in the Evening" (Plate 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Death's Door (Plate 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"To The Accuser who is The God of This World..." (Plate 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"What is Man!"; Frontispiece (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"He meets his Saviour in the Grave..." (Plate 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"I found him beneath a Tree" (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Water (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Earth (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Air (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fire (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"At length for hatching ripe he breaks the shell" (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alas! (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Visions of the Daughters of Albion; Frontispiece (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Visions of the Daughters of Albion; Title Page (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief and white-line etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"And none but Bromian can hear my lamentations..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Macbeth: Three Witches
Creator:
George Romney, 1734–1802
Date:
late 1770s-early 1780s
Materials & Techniques:
Brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/8 x 17 1/2 inches (34.6 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
Looking Upwards from Devil's Bridge, Cardiganshire, Wales
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 7/8 x 23 3/4 inches (35.2 x 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Frederick Niven
Creator:
Emil Otto Hoppé, 1878–1972
Date:
ca. 1914
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Sheet: 9 3/4 × 7 3/8 inches (24.8 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.
John Galsworthy
Creator:
Emil Otto Hoppé, 1878–1972
Date:
1911
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Sheet: 7 7/8 × 5 7/8 inches (20 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.
The Great Wall of China
Creator:
Sir David Low, 1891–1963
Date:
undated
Materials & Techniques:
Pen and black ink, blue chalk, black wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 13 15/16 × 21 inches (35.4 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan
François, Remove an Ounce of Nuts and Make That Machine Inoffensive
Creator:
Sir David Low, 1891–1963
Date:
undated
Materials & Techniques:
Pen and black ink, black wash, blue chalk, white gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 20 5/8 inches (35.2 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan
Sorry, Boys, I can't go both ways at once
Creator:
Sir David Low, 1891–1963
Date:
undated
Materials & Techniques:
Pen and black ink, blue chalk, white gouache, gum arabic, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 19 1/4 inches (35.2 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan
Old British Camp in Bulstrode Park
Creator:
George Arthur Fripp, 1813–1896
Date:
1860
Materials & Techniques:
Watercolor, gouache, graphite, and gum with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 24 1/4 inches (35.2 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ferdinand and Ariel
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 13/16 x 11 1/4 inches (35.1 x 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Wingerworth Hall, Derbyshire
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1783
Materials & Techniques:
Watercolor with black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/8 x 20 5/8 inches (35.2 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carrig Cennen Castle, Carmarthenshire
Creator:
Rev. John Gardnor, 1729–1808
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 17 7/8 inches (34.9 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Thomas Wentworth, 1st Earl of Stratford
Creator:
Print made by Jacobus Houbraken, 1698–1780
Date:
1740
Materials & Techniques:
Line engraving, stipple engraving and etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 16 × 9 5/8 inches (40.6 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
William Cavendish of Newcastle
Creator:
Print made by George Vertue, 1684–1756
Date:
1739
Materials & Techniques:
Line engraving, stipple engraving and etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 15/16 × 9 9/16 inches (40.5 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Francis Earl of Bedford
Creator:
Print made by George Vertue, 1684–1756
Date:
1737
Materials & Techniques:
Line engraving, stipple engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 9/16 × 10 5/8 inches (44.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Francis Earl of Bedford
Creator:
Print made by George Vertue, 1684–1756
Date:
1737
Materials & Techniques:
Line engraving, stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/16 × 12 13/16 inches (53.5 × 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Francis Earl of Bedford
Creator:
Print made by George Vertue, 1684–1756
Date:
1737
Materials & Techniques:
Line engraving, stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/8 × 13 5/8 inches (49.8 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
William Cavendish, Duke of Newcastle
Creator:
Print made by George Vertue, 1684–1756
Date:
1739
Materials & Techniques:
Line engraving, stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 9 inches (35.6 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Christ Blessing Little Children
Creator:
Richard Cosway, 1742–1821
Date:
undated
Materials & Techniques:
Graphite, red chalk, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 x 6 1/2 inches (20.3 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld
Man in a Smock
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 5 5/8in. (29.2 x 14.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Rift

Rift
Creator:
Peter Ford, born 1937
Date:
1995
Materials & Techniques:
Color printed collagraph with woodcut and carborundum on thick, slightly textured, white wove paper
Dimensions:
Frame: 13 3/4 × 13 1/2 × 1 3/8 inches (34.9 × 34.3 × 3.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Driek and Michael Zirinsky
Byland Abbey, Yorkshire
Creator:
imitator of John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/8 x 10 inches (35.2 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Front of House Display, Hadrian the Seventh
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Chromogenic color print on resin-coated photographic paper
Dimensions:
Sheet: 13 3/4 × 8 7/8 inches (34.9 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Suzy Kendall and Dudley Moore
Creator:
Lewis Morley, 1925–2013
Date:
1968
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 13 7/8 × 11 inches (35.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Albert Finney
Creator:
Lewis Morley, 1925–2013
Date:
1960
Materials & Techniques:
Gelatin silver print on resin-coated photographic paper
Dimensions:
Sheet: 13 7/8 × 11 inches (35.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Stonehenge, Trilithon (On the left of altar stone)
Creator:
Major-General James John Waterhouse, 1842–1922
Date:
1867
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 9 3/8 × 7 5/8 inches (23.8 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro