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1. July 15 1949 (St Ives harbour)

Creator:: Ben Nicholson, 1894–1982
Date:: 1949
Materials & Techniques:: Oil and pencil on canvas
Dimensions:: 13 7/8 x 15 7/8 inches (35.2 x 40.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Vegetable Seller, Covent Garden

Creator:: Pieter Angillis, 1685–1734
Date:: ca. 1726
Materials & Techniques:: Oil on panel
Dimensions:: 13 5/8 x 10 5/8 inches (34.6 x 27 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

3. Studies of a Fox, a Barn Owl, a Peahen, and the Head of a Young Man

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: ca. 1815
Materials & Techniques:: Oil on canvas
Dimensions:: 19 1/2 × 18 5/8 inches (49.5 × 47.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

4. A Barge with a Wounded Soldier

Creator:: John Crome, 1768–1821
Date:: early 19th century
Materials & Techniques:: Oil on canvas (transferred from panel)
Dimensions:: 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Fanny Eaton (née Antwistle or Entwistle)

Creator:: Joanna Mary Wells (née Boyce), 1831–1861
Date:: 1861
Materials & Techniques:: Oil on paper laid to linen
Dimensions:: 6 3/4 x 5 3/8 inches (17.1 x 13.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: On view

6. Young Woman Holding a Cat

Creator:: Gwen John, 1876–1939
Date:: ca. 1920
Materials & Techniques:: Oil and graphite on canvas
Dimensions:: 13 3/4 × 10 1/2 inches (34.9 × 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. The Governess

Creator:: Emily Mary Osborn, 1828–1925
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 x 11 1/2 inches (34.9 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

8. Landscape study at sunset

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1835
Materials & Techniques:: Oil on paper on board
Dimensions:: 13 5/8 × 19 1/4 inches (34.6 × 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

9. Transformation of Red

Creator:: John Tunnard, 1900–1971
Date:: 1939
Materials & Techniques:: Oil on panel
Dimensions:: 13 3/4 x 26 inches (34.9 x 66 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

10. Colonel Alexander Popham, of Littlecote, Wiltshire

Creator:: Abraham Staphorst, ca. 1638–1696
Date:: between 1660 and 1665
Materials & Techniques:: Oil on panel
Dimensions:: 13 3/4 × 10 5/8 inches (34.9 × 27 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington

Creator:: James Pollard, 1792–1867
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 × 17 1/2 inches (34.9 × 44.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Guisborough Priory

Creator:: Thomas Girtin, 1775–1802
Date:: between 1800 and 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 x 19 3/4 inches (34.9 x 50.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

13. Elizabeth Bridgman (née Walton)

Creator:: Henry Walton, 1746–1813
Date:: between 1771 and 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 13 5/8 x 11 5/8 inches (34.6 x 29.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Indian Landscape with Temple Ruins

Creator:: Thomas Daniell, 1749–1840
Date:: 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 × 18 1/4 inches (34.9 × 46.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Hilly Landscape in India

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 × 18 1/4 inches (34.9 × 46.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Augustus Wall Callcott, R.A.

Creator:: John Linnell, 1792–1882
Date:: 1847
Materials & Techniques:: Oil on panel
Dimensions:: 13 3/4 x 11 inches (34.9 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. The Liberation of St Peter

Creator:: Hendrick van Steenwyck the Younger, ca. 1580–1649
Date:: 1617
Materials & Techniques:: Oil on copper
Dimensions:: 13 3/4 × 16 1/8 inches (34.9 × 41 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

18. Helmet Head, No. 3

Creator:: Henry Moore, 1898–1986
Date:: 1960
Materials & Techniques:: Bronze
Dimensions:: Overall: 13 7/8 x 12 x 12 inches (35.2 x 30.5 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

19. Horse Studies in Relief, after George Stubbs

Creator:: Edward Burch, 1730–1814
Date:: modeled 1788–1789
Materials & Techniques:: Wedgwood
Dimensions:: Overall: 13 3/4 × 18 3/4 × 1 1/4 inches (34.9 × 47.6 × 3.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Woman Ironing

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1895
Materials & Techniques:: Black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

21. Study of a Woman Sewing

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor, gouache and black chalk on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 11/16 × 17 inches (34.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

22. The Horse Mart

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1917
Materials & Techniques:: Black chalk and charcoal on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 17 1/16 inches (34.9 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Sale at Ward's Repository, No. 2

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1918
Materials & Techniques:: Crayon, graphite, and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 17 inches (34.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Timber Hauling

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1917
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 11/16 x 17 inches (34.8 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Horse Mart (with further sketches in the margin)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1918
Materials & Techniques:: Chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 15 inches (34.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. A Sussex Barn

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor and black chalk on medium, smooth, cream wove paper mounted on card
Dimensions:: Sheet: 13 7/8 x 18 5/8 inches (35.2 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

27. A Cottage

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 17 inches (34.9 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

28. Wooded Slope with a Receding Road

Creator:: John Constable, 1776–1837
Date:: ca. 1805
Materials & Techniques:: Black chalk with white chalk on medium, rough, beige laid paper
Dimensions:: Sheet: 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Ivy Cottage, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and brown ink ; verso: graphite and white chalk on thick, slightly textured, blue wove paper
Dimensions:: Frame: 23 1/4 x 30 x 1in. (59.1 x 76.2 x 2.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 20 3/4 inches (35.2 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Tygers at Play

Creator:: George Stubbs, 1724–1806
Date:: 1780
Materials & Techniques:: Etching, possibly finished with a graver, second state
Dimensions:: Image: 13 9/16 x 18 1/4in. (34.5 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. A Rake's Progress, Plate 1: He Takes Possession

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 16 1/8 inches (35.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. A Midnight Modern Conversation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Etching and engraving; second state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 18 3/4 inches (34.6 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. A Rake's Progress, Plate 2: His Levee

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 1/8 inches (35.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. A Rake's Progress, Plate 3: He Revels

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 inches (35.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A Rake's Progress, Plate 6: He Gambles

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 1/8 inches (35.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A Rake's Progress, Plate 7: In Fleet Street Prison

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 16 1/8 inches (35.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 12 3/4 inches (39.1 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 12 3/4 inches (39.4 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Etching and engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

41. Industry and Idleness, Plate 4: The Industrious 'Prentice a Favourite, and Entrusted by His Master

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

42. The Pretty Ballad Singer

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1769
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper, laid in mount
Dimensions:: Sheet: 16 3/4 x 11 1/2 inches (42.6 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: On view at YUAG

43. Abu Simbel, 11-11:30 am, 8 February 1867 (374)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink, pen and black ink and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Corfu

Creator:: Edward Lear, 1812–1888
Date:: 1857
Materials & Techniques:: Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 19 7/8 inches (35.2 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

45. La Cava, 19 July 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 13 15/16 x 10 inches (35.4 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

46. Visions of the Daughters of Albion; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. "And none but Bromian can hear my lamentations..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. "But when the morn arose, her lamentation renewd..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. For the Sexes: The Gates of Paradise, Title Page (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Aged Ignorance (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. "Does thy God O Priest take such vengeance as this?" (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. "Fear & hope are -- Vision" (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. "The Traveller hasteth in the Evening" (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Death's Door (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. "I have said to the Worm: Thou art my mother & my sister" (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. "To The Accuser who is The God of This World..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. "What is Man!"; Frontispiece (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. "He meets his Saviour in the Grave..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. "I found him beneath a Tree" (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Alas! (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. "I want! I want!" (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. "Help! Help!" (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. "My son! my Son!" (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Water (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Earth (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Air (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Fire (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. "At length for hatching ripe he breaks the shell" (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Visions of the Daughters of Albion; Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

Creator:: Prints made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Volume of 11 relief etchings printed in green ink, with hand coloring in watercolor
Dimensions:: Spine: 14in. (35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

73. For the Sexes: The Gates of Paradise, London, 1826

Creator:: Prints made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Bound volume of twenty engravings
Dimensions:: Spine: 13 3/4in. (34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

74. Chaucer's Canterbury Pilgrims

Creator:: Print made by William Blake, 1757–1827
Date:: 1810 to 1820
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 37 5/8 inches (34.9 × 95.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

75. Macbeth: Three Witches

Creator:: George Romney, 1734–1802
Date:: late 1770s-early 1780s
Materials & Techniques:: Brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 17 1/2 inches (34.6 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

76. Lord Collingwood

Creator:: Charles Turner, 1774–1857
Date:: 1811
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 7/8 x 20in. (35.2 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

77. Captain George Duff

Creator:: George Dawe, 1781–1829
Date:: 1806
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 3/4 x 19 3/4in. (34.9 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

78. Mrs. Baddely

Creator:: Print made by Robert Laurie, 1755?–1836
Date:: 1772
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 x 10 1/4 inches (34.9 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Mrs. Banks

Creator:: Robert Laurie, 1755?–1836
Date:: 1772
Materials & Techniques:: Mezzotint (proof before letters)
Dimensions:: Sheet: 13 3/4 x 10 7/8in. (34.9 x 27.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Maria, Lady Bronghton (d. 1785)

Creator:: John Finlayson, 1730–1776
Date:: 1772
Materials & Techniques:: Mezzotint
Dimensions:: Plate: 13 3/4 x 9 15/16in. (34.9 x 25.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Miss Carpenters

Creator:: Print made by Francis E. Adams, active ca.1760–1775
Date:: 1773
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 7/8 x 9 3/4in. (35.2 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Jemima, Countess Cornwallis

Creator:: James Watson, 1740–1790
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 7/8 x 10 7/8in. (35.2 x 27.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Miss Salethea Dawkens

Creator:: P. Stee
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 7/8 x 11in. (35.2 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Henrietta Frances, Viscountess Duncannon (1761-1811) Sister to her Grace the Duchess of Devonshire

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1786
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 7/8 x 10 3/4in. (35.2 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Lady Fenoulhet (Miss Day)

Creator:: Richard Purcell, active 1746–1766
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Miss Hudson

Creator:: John Faber the Younger, ca. 1695–1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 9 3/4in. (35.2 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 20 inches (34.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Templi Ignoti, Sed ex eius Fragmentis

Creator:: Print made by unknown artist
Date:: between 1546 and 1562
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 13 1/8 inches (40.3 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Templi Ignoti, Sed ex eius Fragmentis

Creator:: Print made by unknown artist
Date:: 1546-1590
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 11 3/8 inches (35.2 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Young Roscius

Creator:: Print made by unknown artist
Date:: 1804
Materials & Techniques:: Etching with hand coloring on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 × 11 1/8 inches (34.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 x 13 inches (42.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. "Then go, bid the huntsmen wake them with their horns"

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 13/16 x 12 15/16 inches (42.7 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. Taming the Shrew, Act III, Scene II

Creator:: William S. Leney, 1769–1831
Date:: 1793
Materials & Techniques:: Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 9/16 × 19 1/8 inches (42.1 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. Fallstaff Playing the Prince, The Prince Playing the King

Creator:: Print made by Thomas Macklin, active 1779–1793
Date:: 1796
Materials & Techniques:: Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 11/16 × 19 3/8 inches (42.4 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

Creator:: Peltro W. Tomkins, 1760–1840
Date:: 1792
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. Lady Almiria Carpenter

Creator:: James Watson, 1740–1790
Date:: 1768
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 16 × 12 1/4 inches (40.6 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Lady Christiana Collier (née Gwyn)

Creator:: Print made by George Graham, active 1786–1813
Date:: between 1760 and 1770
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 3/16 × 10 3/16 inches (36 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. William Congreve Esq.

Creator:: John Faber the Younger, ca. 1695–1756
Date:: 1733
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 10 5/16 inches (35.9 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Barbara, Countess of Coventry

Creator:: Henry Spicer, 1741–1804
Date:: 1764-1765
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 11/16 × 9 3/4 inches (34.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. July 15 1949 (St Ives harbour)

2. Vegetable Seller, Covent Garden

3. Studies of a Fox, a Barn Owl, a Peahen, and the Head of a Young Man

4. A Barge with a Wounded Soldier

5. Fanny Eaton (née Antwistle or Entwistle)

6. Young Woman Holding a Cat

7. The Governess

8. Landscape study at sunset

9. Transformation of Red

10. Colonel Alexander Popham, of Littlecote, Wiltshire

11. The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington

12. Guisborough Priory

13. Elizabeth Bridgman (née Walton)

14. Indian Landscape with Temple Ruins

15. Hilly Landscape in India

16. Augustus Wall Callcott, R.A.

17. The Liberation of St Peter

18. Helmet Head, No. 3

19. Horse Studies in Relief, after George Stubbs

20. Woman Ironing

21. Study of a Woman Sewing

22. The Horse Mart

23. Sale at Ward's Repository, No. 2

24. Timber Hauling

25. The Horse Mart (with further sketches in the margin)

26. A Sussex Barn

27. A Cottage

28. Wooded Slope with a Receding Road

29. Ivy Cottage, Shoreham

30. Tiger Body, Lateral View

31. Tygers at Play

32. A Rake's Progress, Plate 1: He Takes Possession

33. A Midnight Modern Conversation

34. A Rake's Progress, Plate 2: His Levee

35. A Rake's Progress, Plate 3: He Revels

36. A Rake's Progress, Plate 6: He Gambles

37. A Rake's Progress, Plate 7: In Fleet Street Prison

38. The First Stage of Cruelty: Children Torturing Animals

39. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

40. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

41. Industry and Idleness, Plate 4: The Industrious 'Prentice a Favourite, and Entrusted by His Master

42. The Pretty Ballad Singer

43. Abu Simbel, 11-11:30 am, 8 February 1867 (374)

44. Corfu

45. La Cava, 19 July 1838

46. Visions of the Daughters of Albion; Frontispiece (Plate 1)

47. "And none but Bromian can hear my lamentations..." (Plate 6)

48. "But when the morn arose, her lamentation renewd..." (Plate 8)

49. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

50. For the Sexes: The Gates of Paradise, Title Page (Plate 1)

51. Aged Ignorance (Plate 13)

52. "Does thy God O Priest take such vengeance as this?" (Plate 14)

53. "Fear & hope are -- Vision" (Plate 15)

54. "The Traveller hasteth in the Evening" (Plate 16)

55. Death's Door (Plate 17)

56. "I have said to the Worm: Thou art my mother & my sister" (Plate 18)

57. "To The Accuser who is The God of This World..." (Plate 19)

58. "What is Man!"; Frontispiece (Plate 2)

59. "He meets his Saviour in the Grave..." (Plate 20)

60. "I found him beneath a Tree" (Plate 3)

61. Alas! (Plate 9)

62. "I want! I want!" (Plate 11)

63. "Help! Help!" (Plate 12)

64. "My son! my Son!" (Plate 10)

65. Water (Plate 4)

66. Earth (Plate 5)

67. Air (Plate 6)

68. Fire (Plate 7)

69. "At length for hatching ripe he breaks the shell" (Plate 8)

70. Visions of the Daughters of Albion; Title Page (Plate 2)

71. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

72. Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

73. For the Sexes: The Gates of Paradise, London, 1826

74. Chaucer's Canterbury Pilgrims