Height [cm]: 35 - YCBA Collections Search Search Results

1. July 15 1949 (St Ives harbour)

Creator:: Ben Nicholson, 1894–1982
Date:: 1949
Materials & Techniques:: Oil and pencil on canvas
Dimensions:: 13 7/8 x 15 7/8 inches (35.2 x 40.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. The Liberation of St Peter

Creator:: Hendrick van Steenwyck the Younger, ca. 1580–1649
Date:: 1617
Materials & Techniques:: Oil on copper
Dimensions:: 13 3/4 × 16 1/8 inches (34.9 × 41 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

3. Augustus Wall Callcott, R.A.

Creator:: John Linnell, 1792–1882
Date:: 1847
Materials & Techniques:: Oil on panel
Dimensions:: 13 3/4 x 11 inches (34.9 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Indian Landscape with Temple Ruins

Creator:: Thomas Daniell, 1749–1840
Date:: 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 × 18 1/4 inches (34.9 × 46.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Hilly Landscape in India

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 × 18 1/4 inches (34.9 × 46.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Young Woman Holding a Cat

Creator:: Gwen John, 1876–1939
Date:: ca. 1920
Materials & Techniques:: Oil and graphite on canvas
Dimensions:: 13 3/4 × 10 1/2 inches (34.9 × 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Vegetable Seller, Covent Garden

Creator:: Pieter Angillis, 1685–1734
Date:: ca. 1726
Materials & Techniques:: Oil on panel
Dimensions:: 13 5/8 x 10 5/8 inches (34.6 x 27 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

8. Landscape study at sunset

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1835
Materials & Techniques:: Oil on paper on board
Dimensions:: 13 5/8 × 19 1/4 inches (34.6 × 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

9. A Barge with a Wounded Soldier

Creator:: John Crome, 1768–1821
Date:: early 19th century
Materials & Techniques:: Oil on canvas (transferred from panel)
Dimensions:: 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Colonel Alexander Popham, of Littlecote, Wiltshire

Creator:: Abraham Staphorst, ca. 1638–1696
Date:: between 1660 and 1665
Materials & Techniques:: Oil on panel
Dimensions:: 13 3/4 × 10 5/8 inches (34.9 × 27 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Fanny Eaton (née Antwistle or Entwistle)

Creator:: Joanna Mary Wells (née Boyce), 1831–1861
Date:: 1861
Materials & Techniques:: Oil on paper laid to linen
Dimensions:: 6 3/4 x 5 3/8 inches (17.1 x 13.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: On view

12. The Governess

Creator:: Emily Mary Osborn, 1828–1925
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 x 11 1/2 inches (34.9 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

13. Transformation of Red

Creator:: John Tunnard, 1900–1971
Date:: 1939
Materials & Techniques:: Oil on panel
Dimensions:: 13 3/4 x 26 inches (34.9 x 66 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

14. Elizabeth Bridgman (née Walton)

Creator:: Henry Walton, 1746–1813
Date:: between 1771 and 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 13 5/8 x 11 5/8 inches (34.6 x 29.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Guisborough Priory

Creator:: Thomas Girtin, 1775–1802
Date:: between 1800 and 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 x 19 3/4 inches (34.9 x 50.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

16. Studies of a Fox, a Barn Owl, a Peahen, and the Head of a Young Man

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: ca. 1815
Materials & Techniques:: Oil on canvas
Dimensions:: 19 1/2 × 18 5/8 inches (49.5 × 47.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

17. The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington

Creator:: James Pollard, 1792–1867
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 × 17 1/2 inches (34.9 × 44.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Horse Studies in Relief, after George Stubbs

Creator:: Edward Burch, 1730–1814
Date:: modeled 1788–1789
Materials & Techniques:: Wedgwood
Dimensions:: Overall: 13 3/4 × 18 3/4 × 1 1/4 inches (34.9 × 47.6 × 3.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Helmet Head, No. 3

Creator:: Henry Moore, 1898–1986
Date:: 1960
Materials & Techniques:: Bronze
Dimensions:: Overall: 13 7/8 x 12 x 12 inches (35.2 x 30.5 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

20. Study of a Woman Sewing

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor, gouache and black chalk on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 11/16 × 17 inches (34.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

21. A Cottage

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 17 inches (34.9 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

22. A Sussex Barn

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor and black chalk on medium, smooth, cream wove paper mounted on card
Dimensions:: Sheet: 13 7/8 x 18 5/8 inches (35.2 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

23. The Horse Mart (with further sketches in the margin)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1918
Materials & Techniques:: Chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 15 inches (34.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Sale at Ward's Repository, No. 2

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1918
Materials & Techniques:: Crayon, graphite, and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 17 inches (34.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Horse Mart

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1917
Materials & Techniques:: Black chalk and charcoal on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 17 1/16 inches (34.9 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Timber Hauling

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1917
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 11/16 x 17 inches (34.8 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Woman Ironing

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1895
Materials & Techniques:: Black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

28. Wooded Slope with a Receding Road

Creator:: John Constable, 1776–1837
Date:: ca. 1805
Materials & Techniques:: Black chalk with white chalk on medium, rough, beige laid paper
Dimensions:: Sheet: 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Ivy Cottage, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and brown ink ; verso: graphite and white chalk on thick, slightly textured, blue wove paper
Dimensions:: Frame: 23 1/4 x 30 x 1in. (59.1 x 76.2 x 2.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Etching and engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

31. Industry and Idleness, Plate 4: The Industrious 'Prentice a Favourite, and Entrusted by His Master

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

32. A Rake's Progress, Plate 6: He Gambles

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 1/8 inches (35.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 12 3/4 inches (39.4 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 12 3/4 inches (39.1 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. A Rake's Progress, Plate 2: His Levee

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 1/8 inches (35.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A Midnight Modern Conversation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Etching and engraving; second state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 18 3/4 inches (34.6 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A Rake's Progress, Plate 3: He Revels

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 16 inches (35.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. A Rake's Progress, Plate 1: He Takes Possession

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 16 1/8 inches (35.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A Rake's Progress, Plate 7: In Fleet Street Prison

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 16 1/8 inches (35.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Pretty Ballad Singer

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1769
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper, laid in mount
Dimensions:: Sheet: 16 3/4 x 11 1/2 inches (42.6 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: On view at YUAG

41. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 20 3/4 inches (35.2 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Tygers at Play

Creator:: George Stubbs, 1724–1806
Date:: 1780
Materials & Techniques:: Etching, possibly finished with a graver, second state
Dimensions:: Image: 13 9/16 x 18 1/4in. (34.5 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Abu Simbel, 11-11:30 am, 8 February 1867 (374)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink, pen and black ink and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. La Cava, 19 July 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 13 15/16 x 10 inches (35.4 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

45. Corfu

Creator:: Edward Lear, 1812–1888
Date:: 1857
Materials & Techniques:: Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 19 7/8 inches (35.2 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

46. Macbeth: Three Witches

Creator:: George Romney, 1734–1802
Date:: late 1770s-early 1780s
Materials & Techniques:: Brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 17 1/2 inches (34.6 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

47. For the Sexes: The Gates of Paradise, London, 1826

Creator:: Prints made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Bound volume of twenty engravings
Dimensions:: Spine: 13 3/4in. (34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

48. Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

Creator:: Prints made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Volume of 11 relief etchings printed in green ink, with hand coloring in watercolor
Dimensions:: Spine: 14in. (35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

49. Chaucer's Canterbury Pilgrims

Creator:: Print made by William Blake, 1757–1827
Date:: 1810 to 1820
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 37 5/8 inches (34.9 × 95.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

50. Visions of the Daughters of Albion; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Visions of the Daughters of Albion; Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. "And none but Bromian can hear my lamentations..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. "But when the morn arose, her lamentation renewd..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. For the Sexes: The Gates of Paradise, Title Page (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. "My son! my Son!" (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. "Help! Help!" (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. "I want! I want!" (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Aged Ignorance (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. "Does thy God O Priest take such vengeance as this?" (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Earth (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Air (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Fire (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Death's Door (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. "I have said to the Worm: Thou art my mother & my sister" (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. "To The Accuser who is The God of This World..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. "He meets his Saviour in the Grave..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. "I found him beneath a Tree" (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. "What is Man!"; Frontispiece (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Water (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. "Fear & hope are -- Vision" (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. "The Traveller hasteth in the Evening" (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. "At length for hatching ripe he breaks the shell" (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Alas! (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Hungerford Market

Creator:: Maddocks, active 1825
Date:: 1825
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 5/8 × 10 1/2 inches (34.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. 'Diana and Acteon', after Titian, done for the National Gallery appeal in London

Creator:: Duncan Grant, 1885–1978
Date:: ca. 1970
Materials & Techniques:: Watercolor, purple chalk, green chalk, red chalk, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 7/8 x 16 inches (35.2 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Russell

78. Elevation of the Front for the Register Offices in Scotland

Creator:: Morton, active 1767
Date:: 1767
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 × 22 inches (44.8 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Saint Cuthbert's Holy Island

Creator:: Thomas Girtin, 1775–1802
Date:: 1797
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 x 12 inches (25.4 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Aberothock Abbey

Creator:: David Roberts, 1796–1864
Date:: 1848
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream wove paper laid
Dimensions:: Sheet: 13 11/16 x 9 15/16in. (34.8 x 25.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Windsor Castle, Berkshire: Seven Designs for a Stable

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Watercolor with graphite, pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 13 7/8 inches (34.6 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Wollaton Park, Nottingham: East Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: ca. 1801
Materials & Techniques:: Pen and black and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 13/16 × 20 1/2 inches (35.1 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Album of 30 Views in the Tyrol and Italy

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: 1840 to 1842
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Line Engraving/Dry Point/Soft Ground

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: ca. 1925
Materials & Techniques:: Line engraving, drypoint, and soft ground etching on medium, slightly textured, cream laid paper
Dimensions:: Plate: 3 1/2 × 3 1/2 inches (8.9 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel and Pearl K. Bell

85. Cottages at Chatsworth, Derbyshire: Perspective

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: after 1818
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 13 7/8 × 20 9/16 inches (35.2 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Cottages at Chatsworth, Derbyshire: Elevation

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: after 1818
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 13 11/16 × 20 1/16 inches (34.8 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Kenilworth Castle

Creator:: Print made by Letitia Byrne, 1779–1849
Date:: 1794-1837
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 17 3/8 inches (35.2 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

88. Studies of Hands

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, black chalk and white chalk on moderately thick, rough wove paper
Dimensions:: Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome

Creator:: Sir William Chambers, 1723–1796
Date:: between 1750 and 1755
Materials & Techniques:: Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 9 5/8in. (35.2 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. His Excellency Field Marshal Keith Commander in Chief of His Prussian Majesty's Forces in Germany

Creator:: Print made by John Smith, the mezzotinter, 1652–1743
Date:: between 1667 and 1723
Materials & Techniques:: Mezzotint with hand-coloring in watercolor and gouache on medium, moderately textured, cream laid paper mounted on card
Dimensions:: Mount: 13 5/8 x 10 1/4 inches (34.6 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

91. Mrs. Payne Galwey and Her son Charles

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: ca. 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 13/16 × 11 inches (35.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. A Man-Trap

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: c.1780
Materials & Techniques:: Mezzotint on laid paper
Dimensions:: Plate: 13 15/16 x 11 1/2in. (35.4 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Proverbs, Chapter VII, verses 7, 10, 13

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 10 3/16 inches (35.9 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. Place des Victoires, Paris

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1783
Materials & Techniques:: Watercolor in pen and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 21 inches (34.9 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. Rievaulx Abbey, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 5 inches (34.9 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Head of a Girl: Probably a Study of Mrs. De Wint

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Black chalk, red chalk, and white chalk on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 13 7/8 x 10 1/4 inches (35.2 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Sir Charles Eastlake, R. A.

Creator:: Print made by George T Doo, 1800–1886
Date:: 1873
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream card
Dimensions:: Sheet: 13 5/8 x 10 3/8 inches (34.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Sir Godfrey Kneller

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1735
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/16 x 12 inches (45.9 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Daniel Maclise

Creator:: Print made by Charles Baugniet, 1814–1886
Date:: 1857
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 7/8 x 14 13/16 inches (53 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Bradwell Lodge, Bradwell Quay, Essex

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 13/16 x 22 5/8 inches (35.1 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Height [cm] 35

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1. July 15 1949 (St Ives harbour)

2. The Liberation of St Peter

3. Augustus Wall Callcott, R.A.

4. Indian Landscape with Temple Ruins

5. Hilly Landscape in India

6. Young Woman Holding a Cat

7. Vegetable Seller, Covent Garden

8. Landscape study at sunset

9. A Barge with a Wounded Soldier

10. Colonel Alexander Popham, of Littlecote, Wiltshire

11. Fanny Eaton (née Antwistle or Entwistle)

12. The Governess

13. Transformation of Red

14. Elizabeth Bridgman (née Walton)

15. Guisborough Priory

16. Studies of a Fox, a Barn Owl, a Peahen, and the Head of a Young Man

17. The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington

18. Horse Studies in Relief, after George Stubbs

19. Helmet Head, No. 3

20. Study of a Woman Sewing

21. A Cottage

22. A Sussex Barn

23. The Horse Mart (with further sketches in the margin)

24. Sale at Ward's Repository, No. 2

25. The Horse Mart

26. Timber Hauling

27. Woman Ironing

28. Wooded Slope with a Receding Road

29. Ivy Cottage, Shoreham

30. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

31. Industry and Idleness, Plate 4: The Industrious 'Prentice a Favourite, and Entrusted by His Master

32. A Rake's Progress, Plate 6: He Gambles

33. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

34. The First Stage of Cruelty: Children Torturing Animals

35. A Rake's Progress, Plate 2: His Levee

36. A Midnight Modern Conversation

37. A Rake's Progress, Plate 3: He Revels

38. A Rake's Progress, Plate 1: He Takes Possession

39. A Rake's Progress, Plate 7: In Fleet Street Prison

40. The Pretty Ballad Singer

41. Tiger Body, Lateral View

42. Tygers at Play

43. Abu Simbel, 11-11:30 am, 8 February 1867 (374)

44. La Cava, 19 July 1838

45. Corfu

46. Macbeth: Three Witches

47. For the Sexes: The Gates of Paradise, London, 1826

48. Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

49. Chaucer's Canterbury Pilgrims

50. Visions of the Daughters of Albion; Frontispiece (Plate 1)

51. Visions of the Daughters of Albion; Title Page (Plate 2)

52. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

53. "And none but Bromian can hear my lamentations..." (Plate 6)

54. "But when the morn arose, her lamentation renewd..." (Plate 8)

55. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

56. For the Sexes: The Gates of Paradise, Title Page (Plate 1)

57. "My son! my Son!" (Plate 10)

58. "Help! Help!" (Plate 12)

59. "I want! I want!" (Plate 11)

60. Aged Ignorance (Plate 13)

61. "Does thy God O Priest take such vengeance as this?" (Plate 14)

62. Earth (Plate 5)

63. Air (Plate 6)

64. Fire (Plate 7)

65. Death's Door (Plate 17)

66. "I have said to the Worm: Thou art my mother & my sister" (Plate 18)

67. "To The Accuser who is The God of This World..." (Plate 19)

68. "He meets his Saviour in the Grave..." (Plate 20)

69. "I found him beneath a Tree" (Plate 3)

70. "What is Man!"; Frontispiece (Plate 2)

71. Water (Plate 4)

72. "Fear & hope are -- Vision" (Plate 15)

73. "The Traveller hasteth in the Evening" (Plate 16)

74. "At length for hatching ripe he breaks the shell" (Plate 8)

75. Alas! (Plate 9)