Horses Grazing: a Grey Stallion Grazing with Mares in a Meadow
1830
Not on view
14
Francis Calcraft Turner, active 1782–1846
Horses Grazing: Mares and Foals in a Field
1830
Not on view
15
Alexander Runciman, 1736–1785
Classical Landscape
1767 to 1771
Not on view
16
Sir Augustus Wall Callcott, 1779–1844
Cottage by a country lane
ca. 1820
Not on view
17
Henry Scott Tuke, 1858–1929
Portrait of Nicola Luciani
between 1913 and 1914
Not on view
18
George Chambers, 1803–1840
Port on a Stormy Day
1835
Not on view
19
Agostino Brunias, 1728–1796
A Mother with her Son and a Pony
ca. 1775
Not on view
20
Mark Leonard, born 1954
Constable Study I, November 2011
November, 2011
Not on view
21
Charles Brooking, 1723–1759
The Capture of the "Marquis d'Antin" and the "Louis Erasme"
between 1745 and 1755
Not on view
22
Gwen John, 1876–1939
Seated Woman in a Broad-Brimmed Hat
undated
Not on view
23
Walter Richard Sickert, 1860–1942
Carolina dell'Acqua
1903 to 1904
Not on view
24
John Linnell, 1792–1882
William Collins, R.A
1831
Not on view
25
Laurent Delvaux, 1696–1778
Ariadne
ca. 1723
Not on view
26
unknown artist
John Locke
ca. 1775
Not on view
27
James Osborne, 1940–1992
Eclipse
1989
Not on view
28
Herbert Haseltine, 1877–1962
Kildare
1909
Not on view
29
Staffordshire pottery
Boxers: in pink and yellow breeches, respectively Staffordshire figure group
Not on view
30
Anne Seymour Damer, 1748–1828
Caroline Conway, Lady Aylesbury
18th century-19th century
Not on view
31
Ben Nicholson, 1894–1982
Two Bottles and Glass
1967 (1973)
32
Samuel Palmer, 1805–1881
Tintern Abbey at Sunset
1861
33
Print made by Samuel Palmer, 1805–1881
The Vine
1852
34
George Stubbs, 1724–1806
Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
1795 to 1806
35
George Stubbs, 1724–1806
Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
1795 to 1806
36
George Stubbs, 1724–1806
Dorking Hen, Lateral View
1795 to 1806
37
George Stubbs, 1724–1806
Dorking Hen Body, Lateral View (Outline drawing of the muscles)
1795 to 1806
38
William Hogarth, 1697–1764
The Bruiser
1763
39
Print made by William Hogarth, 1697–1764
A Midnight Modern Conversation
1733
40
William Hogarth, 1697–1764
Simon Lord Lovat
1746
41
William Hogarth, 1697–1764
A Silver Mine at Sala, I: illustration for La Motraye's 'Travels'
1723
42
Joseph Mallord William Turner, 1775–1851
Interior of St. John's Palace, Eltham
ca. 1793
43
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
44
George Romney, 1734–1802
Seated Woman
undated
45
Print made by Samuel Rawle, 1771–1860
Raby Castle, County of Durham
1820
46
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
47
Print made by Edward Goodall, 1795–1870
Land Discovered by Columbus
1834
48
Print made by Henry Le Keux, 1787–1868
High Street, Edinburgh
1819
49
Print made by James C. Allen, active 1821–1831
Dunbar
1824
50
Print made by John Wykeham Archer, 1808–1864
Richmond Castle and Town
1820
51
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
52
Print made by Henry Le Keux, 1787–1868
Borthwick Castle
1819
53
Print made by George Cooke, 1781–1834
Brighton
1814 to 1826
54
Print made by Thomas Higham, 1796–1844
Wilton House
1825
55
Print made by William Miller, 1796–1882
New Abbey, near Dumfries
1834
56
Attributed to Daniel Lysons, 1762–1834
Tomb of Catherine, Countess of Huntingdon, and Lady Jane Guildeford, Duchess of Northumberland of Chelsea Church
between 1796 and 1811
57
Attributed to Daniel Lysons, 1762–1834
Memorial to Sir Thomas Chaloner
between 1796 and 1811
58
Print made by Edward Goodall, 1795–1870
Mount Edgecomb, Devonshire
1814 to 1826
59
Print made by John Scott, 1774–1828
Aske Hall
1818-1823
60
George Moutard Woodward, ca. 1760–1809
Spy's Taken at Greenwich on Easter Monday
undated
61
Sir David Wilkie, 1785–1841
The Manse, Cults, Fife: The Artist's Old Home
undated
62
Willem van de Velde the Younger, 1633–1707
An English Man-of-War, Port View from the Stern
ca. 1675
63
Sir David Wilkie, 1785–1841
Garden of Gethsemane
1841
64
Richard Wilson, 1713/4–1782
Castell Dinas Brân, Wales
ca. 1771
65
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
66
William Simpson, 1823–1899
Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855
1855
67
Hamlet Winstanley, 1698–1756
Sketchbook containing 81 drawings and 2 engravings of self-portraits
1715 to 1720
68
John Webber, 1752–1793
Hob Thursts Houses, Monsoldale, Derbyshire
1789
69
Sir David Wilkie, 1785–1841
The Manse, Cults, Fife: The Artist's Old Home
undated
70
Charles Warren, 1767–1823
The Eel Catcher
undated
71
James Wyatt, 1746–1813
Cobham Hall, Kent: South Elevation of Stables
1789
72
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1789
73
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
74
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
75
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
76
John Thomas Smith, 1766–1833
The Smock Exposed
1817
77
John Thomas Smith, 1766–1833
The Reconcilation
1817
78
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
79
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
80
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
81
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
82
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
83
Sir David Wilkie, 1785–1841
The Manse, Cults, Fife: The Artist's Old Home
undated
84
James Wyatt, 1746–1813
Cobham Hall, Kent: Chimney Piece Intended for the Great Hall at Cobham
ca. 1790
85
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
86
John James Chalon, 1778–1854
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
undated
87
Benjamin West, 1738–1820
Artist's Wife and Child
undated
88
Thomas Patch, 1725–1782
Thomaso Patch, Autore
1768
89
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the South Front of the Stables
1789
90
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
91
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
92
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
93
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827-1838
94
Print made by Edward Goodall, 1795–1870
Cologne on the Rhine
1824
95
Print made by Edward Goodall, 1795–1870
Cologne on the Rhine
1824
96
Print made by Edward Goodall, 1795–1870
Cologne on the Rhine
1824
97
Attributed to Daniel Lysons, 1762–1834
Memorial to George and Elizabeth MacKenzie from Kensngton Church