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1. 'The present moment terminates our sight' (Page 13)

'The present moment terminates our sight' (Page 13)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. 'O treacherous conscience!' (Page 27)

'O treacherous conscience!' (Page 27)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. 'Love, and love only, is the loan for love' (Page 37)

'Love, and love only, is the loan for love' (Page 37)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. 'Tis greatly wise to talk with our past hours' (Page 31)

'Tis greatly wise to talk with our past hours' (Page 31)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. 'Teaching, we learn; and giving, we retain' (Page 35)

'Teaching, we learn; and giving, we retain' (Page 35)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. 'Emblem of that which shall awake the dead' (Page 19)

'Emblem of that which shall awake the dead' (Page 19)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. 'Where sense runs savage broke from reason's chain' (Page 46)

'Where sense runs savage broke from reason's chain' (Page 46)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. 'As if the sun could envy, check'd his beam' (Page 49)

'As if the sun could envy, check'd his beam' (Page 49)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. 'This King of Terrors is the Prince of Peace' (Page 63)

'This King of Terrors is the Prince of Peace' (Page 63)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. 'One radiant mark, – the death-bed of the just' (Page 41)

'One radiant mark, – the death-bed of the just' (Page 41)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. 'As if the sun could envy, check'd his beam' (Page 49)

'As if the sun could envy, check'd his beam' (Page 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. 'Love, and love only, is the loan for love' (Page 37)

'Love, and love only, is the loan for love' (Page 37)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. 'Angels should paint it, angels ever there' (Page 40)

'Angels should paint it, angels ever there' (Page 40)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Night the Third. Narcissa; Title Page

Night the Third. Narcissa; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. 'One radiant mark, – the death-bed of the just' (Page 41)

'One radiant mark, – the death-bed of the just' (Page 41)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Night the Third. Narcissa; Title Page

Night the Third. Narcissa; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. 'Till death, that mighty hunter, earths them all' (Page 70)

'Till death, that mighty hunter, earths them all' (Page 70)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. 'O treacherous conscience! while she seems to sleep" (Page 27)

'O treacherous conscience! while she seems to sleep" (Page 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. 'Like that, the dial speaks; and points to thee' (Page 33)

'Like that, the dial speaks; and points to thee' (Page 33)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. 'Teaching, we learn; and giving, we retain' (Page 35)

'Teaching, we learn; and giving, we retain' (Page 35)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. 'The present moment terminates our sight' (Page 13)

'The present moment terminates our sight' (Page 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. 'Till at Death's toll, whose restless iron tongue' (Page 7)

'Till at Death's toll, whose restless iron tongue' (Page 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. 'Death! great proprietor of all! 'tis thine' (Page 8)

'Death! great proprietor of all! 'tis thine' (Page 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. 'This King of Terrors is the Prince of Peace' (Page 63)

'This King of Terrors is the Prince of Peace' (Page 63)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. 'Disease invades the chastest temperence' (Page 10)

'Disease invades the chastest temperence' (Page 10)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. 'Angels should paint it, angels ever there' (Page 40)

'Angels should paint it, angels ever there' (Page 40)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. 'Disease invades the chastest temperence' (Page 10)

'Disease invades the chastest temperence' (Page 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. 'The longest night though longer far, would fail' (Page 15)

'The longest night though longer far, would fail' (Page 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. 'Oft bursts my song beyond the bounds of life' (Page 16)

'Oft bursts my song beyond the bounds of life' (Page 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. 'Emblem of that which shall awake the dead' (Page 19)

'Emblem of that which shall awake the dead' (Page 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. 'Behold him, when past by; what then is seen' (Page 25)

'Behold him, when past by; what then is seen' (Page 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. 'Tis greatly wise to talk with our past hours' (Page 31)

'Tis greatly wise to talk with our past hours' (Page 31)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Pity

Pity
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color printed monotype, with watercolor, pen and black ink, and varnish on moderately textured wove paper
Dimensions:
Sheet: 16 1/4 x 20 1/4 inches (41.3 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Sealing the Stone and Setting a Watch

Sealing the Stone and Setting a Watch
Creator:
William Blake, 1757–1827
Date:
1800 to 1803
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:
Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

37. 'Till at Death's toll, whose restless iron tongue' (Page 7)

'Till at Death's toll, whose restless iron tongue' (Page 7)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. 'The longest night though longer far, would fail' (Page 15)

'The longest night though longer far, would fail' (Page 15)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Coccinia abyssinica (Lam.): finished drawing, the tuber and detail of fruit

Coccinia abyssinica (Lam.): finished drawing, the tuber and detail of fruit
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Jasminum dichotomun Vahl (African jasmine): finished drawing

Jasminum dichotomun Vahl (African jasmine): finished drawing
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 1/16 inches (40.5 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Millettia ferruginea (Hochst.) Baker: finished drawing with a few details excluded

Millettia ferruginea (Hochst.) Baker: finished drawing with a few details excluded
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 1/8 inches (40.5 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Mussaenda arcuata Lam. ex Poir. : finished drawing without details

Mussaenda arcuata Lam. ex Poir. : finished drawing without details
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Millettia ferruginea (Hochst) Baker: finished drawing

Millettia ferruginea (Hochst) Baker: finished drawing
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Elevation of Arch at Tripoli

Elevation of Arch at Tripoli
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 5/8 × 39 inches (65.1 × 99.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Coccinia abyssinica (Lam.) Cogn. : finished drawing of flowering shoot, with details below

Coccinia abyssinica (Lam.) Cogn. : finished drawing of flowering shoot, with details below
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
Creator:
Alfred Edward Chalon, 1780–1860
Date:
ca. 1820
Materials & Techniques:
Graphite and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 1/2 × 13 1/2 inches (31.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. A Design for a Ceiling

A Design for a Ceiling
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 16 x 8 1/8 inches (40.6 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. "You're Not Going to Follow, Belle, Are You?"

"You're Not Going to Follow, Belle, Are You?"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Old Stables, Petworth

The Old Stables, Petworth
Creator:
John Melchior Barralet, active 1750–1787
Date:
1778
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/16 × 14 15/16 inches (28.4 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Design for a National Savings Birthday Card

Design for a National Savings Birthday Card
Creator:
Sir William Russell Flint, 1880–1969
Date:
between 1938 and 1945
Materials & Techniques:
Watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 × 14 1/2 inches (40.6 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

51. Stag at Bay - Scene near Taplow, Berks.

Stag at Bay - Scene near Taplow, Berks.
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1801
Materials & Techniques:
Watercolor with pen and red, black, gray and brown ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 5/16 x 20 5/8 inches (41.4 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Hotel de Ville, Hague

Hotel de Ville, Hague
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1859
Materials & Techniques:
Watercolor, pen and brown ink, gouache and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/16 x 12 1/16 inches (40.8 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Queen Victoria

Queen Victoria
Creator:
John James Chalon, 1778–1854
Date:
undated
Materials & Techniques:
Graphite and brown wash on smooth, thick, brown wove paper on thick wove paper
Dimensions:
Sheet: 16 1/8 × 12 1/16 inches (41 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Joshua Commanding the Sun to Stand Still

Joshua Commanding the Sun to Stand Still
Creator:
John Martin, 1789–1854
Date:
1818
Materials & Techniques:
Graphite, brown wash, scratching out and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 24 1/8 inches (40.6 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. African Wildcat or Serval

African Wildcat or Serval
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Unidentified Fish

Unidentified Fish
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on medium, slightly textured, cream laid paper
Dimensions:
Binding: 16 1/4 inches (41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Unidentified madogua (Dik-dik)

Unidentified madogua (Dik-dik)
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Alge indeterminate species (Seaweed): finished drawing of habit of weed

Alge indeterminate species (Seaweed): finished drawing of habit of weed
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. The Three Marys

The Three Marys
Creator:
Benjamin West, 1738–1820
Date:
1783
Materials & Techniques:
Watercolor with pen in brown ink.; verso: graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 3/16 x 8 1/4 inches (41.1 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. View of Old Somerset House from the Thames

View of Old Somerset House from the Thames
Creator:
Canaletto, 1697–1768
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/4 x 28 7/8 inches (41.3 x 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Finished Drawing of Unidentified Palladian Mansion

Finished Drawing of Unidentified Palladian Mansion
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/8 × 21 3/4 inches (37.8 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Entrance to Hengrave Hall, 1819

The Entrance to Hengrave Hall, 1819
Creator:
Anna Mills, active 1819
Date:
1819
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper in contemporary wove paper insert with wash boader
Dimensions:
Sheet: 15 15/16 x 10 5/8 inches (40.5 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Harlech Castle and Twgwyn Ferry

Harlech Castle and Twgwyn Ferry
Creator:
John Varley, 1778–1842
Date:
1804
Materials & Techniques:
Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:
Mount: 16 1/8 x 21 1/4 inches (41 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Men of War Lying off Sheerness

Men of War Lying off Sheerness
Creator:
John Harris, 1770–1834
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 16 1/4 × 21 1/4 inches (41.3 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Battleship

Battleship
Creator:
Peter Lanyon, 1918–1964
Date:
ca. 1944
Materials & Techniques:
Watercolor and gouache on medium, moderately textured, white wove paper and medium, smooth, brown wove paper
Dimensions:
Sheet: 16 1/8 x 13 inches (41 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

66. Waterfall near Lynton

Waterfall near Lynton
Creator:
Robert Marris, 1750–1827
Date:
1780
Materials & Techniques:
Watercolor gouache, pen and black ink, black crayon, graphite, and scraping out on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 5/16 × 21 1/2 inches (41.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Full Length Study of Mr. Gardner

Full Length Study of Mr. Gardner
Creator:
Sir Walter Thomas Monnington, 1902–1976
Date:
undated
Materials & Techniques:
Graphite and white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/16 × 9 3/4 inches (40.8 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

68. A View at Terracina

A View at Terracina
Creator:
Jacob More, 1740–1793
Date:
1778
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper in contemporary laid paper insert with pen and black ink, and gray wash boader
Dimensions:
Mount: 16 x 21 1/2 inches (40.6 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Sterculia africana (Lour.) Fiori: finished drawing of stem with seed pods, some open showing seeds

Sterculia africana (Lour.) Fiori: finished drawing of stem with seed pods, some open showing seeds
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Corvs crassirostris (Thick-Billed Raven)

Corvs crassirostris (Thick-Billed Raven)
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Rhus ? retinorrhoea Oliver: finished drawing

Rhus ? retinorrhoea Oliver: finished drawing
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Rhamnus prinoides L'Herit. (African Buckthorn): finished drawing without details and with berries added

Rhamnus prinoides L'Herit. (African Buckthorn): finished drawing without details and with berries added
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Mimusops kummel A. DC. : finished drawing with some flowers

Mimusops kummel A. DC. : finished drawing with some flowers
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Acanthus Sennii Chiov. : finished drawing with added details

Acanthus Sennii Chiov. : finished drawing with added details
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Woodfordia uniflora (A. Rich.) Koehne: finished drawing of flowering shoot

Woodfordia uniflora (A. Rich.) Koehne: finished drawing of flowering shoot
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Gardenia ternifolia Schum.& Thonn. (Wild Gardenia): finished drawing

Gardenia ternifolia Schum.& Thonn. (Wild Gardenia): finished drawing
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 3/8 inches (40.6 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Cucumis metuliferus Naud (Wild Cucumber): finished drawing

Cucumis metuliferus Naud (Wild Cucumber): finished drawing
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Gardenia ternifolia Schum.& Thonn. (Jovis-Tonantis): finished drawing with additional detail of fruit

Gardenia ternifolia Schum.& Thonn. (Jovis-Tonantis): finished drawing with additional detail of fruit
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Unidentified Madoqua (Dik-dik): study of head and skull

Unidentified Madoqua (Dik-dik): study of head and skull
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Bostrychia carunculata (Wattled Ibis)

Bostrychia carunculata (Wattled Ibis)
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 1/4 inches (40.6 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Unidentified Madoqua (Dik-dik): study of head and skull

Unidentified Madoqua (Dik-dik): study of head and skull
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Catha edulis Forssk. (Khath): finished drawing

Catha edulis Forssk. (Khath): finished drawing
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. St. Michael's Mount, Ultrecht

St. Michael's Mount, Ultrecht
Creator:
Louis Haghe, 1806–1885
Date:
1849
Materials & Techniques:
Watercolor, white gouache, graphite and gum arabic on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/8 × 12 3/8 inches (41 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Shanklin Church/ Isle of Wight

Shanklin Church/ Isle of Wight
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and gum arabic on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 16 3/16 × 21 13/16 inches (41.1 × 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Cobham Hall, Kent: Unidentified Plan

Cobham Hall, Kent: Unidentified Plan
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, gray wash, pen and black and brown ink on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 1/4 × 14 inches (41.3 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Launce Teaching His Dog Crab

Launce Teaching His Dog Crab
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, red chalk, black chalk, graphite, and gouache on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, beige laid paper
Dimensions:
Mount: 16 5/16 x 20 3/8 inches (41.5 x 51.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

87. Falstaff Carrying Dead Hotspur

Falstaff Carrying Dead Hotspur
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, gouache, and gum arabic on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige laid paper
Dimensions:
Mount: 16 3/8 x 20 1/4 inches (41.6 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

88. Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side

Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side
Creator:
Isaac Weld, 1774–1856
Date:
1817
Materials & Techniques:
Gray wash, black wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 15/16 × 16 3/4 inches (40.5 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Views of Spain, Volume I

Views of Spain, Volume I
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Views of Polar Regions

Views of Polar Regions
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Cascade at St. Anns

Cascade at St. Anns
Creator:
Michel Jean Cazabon, 1813–1888
Date:
1851
Materials & Techniques:
Pen and black ink, gray wash, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/2 × 7 7/8 inches (26.7 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Maraccas Waterfall

Maraccas Waterfall
Creator:
Michel Jean Cazabon, 1813–1888
Date:
1851
Materials & Techniques:
Pen and brown ink, black ink, brown wash, graphite, and white gouache with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. The Sermon on the Mount

The Sermon on the Mount
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on thick, rough, beige laid paper
Dimensions:
Sheet: 16 1/8 x 12 inches (41 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. The Carthusian Convent at Trisulto, near Alatri

The Carthusian Convent at Trisulto, near Alatri
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Ducal Palace at Isola di Sora

Ducal Palace at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1791
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. View on the river Liris, near Isola di Sora

View on the river Liris, near Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. View at Isola di Sora

View at Isola di Sora
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. View on the Liris near Isola

View on the Liris near Isola
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. View on the river Liris, near Isola

View on the river Liris, near Isola
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. View on the River Liris near Isola

View on the River Liris near Isola
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 21 1/8 inches (39.7 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection